Which Attar Should I Add to My Collection If I Already Own Rose, Jasmine and Sandalwood Fragrances but Want Something More Modern?

Which Attar Should I Add to My Collection If I Already Own Rose, Jasmine and Sandalwood Fragrances but Want Something More Modern?

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★ ★ Modern is a way of building a fragrance, not a note you can add to a shopping list - and that is why your three materials do not tell me what to sell youSOSA Khayaal perfume oil 10ml ₹599 - sparkling bergamot and neroli over black tea and amberwood, and the one construction here that is not classicalRose, jasmine and sandalwood appear across all four attars; this guide says so rather than routing you to the nearest one
The short version — five things worth checking before a second bottle
For the reader with three classical materials on the shelf and a word for what they want next that no product page actually sells
  • 1 Modern is a construction, not a material. Transparency, air, a short material list doing a lot of work and a drydown that stays light: those are building decisions. No single note is modern, which is why shopping for one by note never works.
  • 2 Your three materials appear across all four SOSA attars. Rose is in Ameeri and Mastani, jasmine in Adaa and Mastani, sandalwood in three of the four pyramids and in the carrier of all four. There is no attar here that avoids all three.
  • 3 Khayaal is the modern construction in this range - sparkling bergamot and neroli over black tea and amberwood, a perfume oil at ₹599 for the 10ml. Tea and amberwood are the two materials doing the modern work, and neither appears in any attar.
  • 4 Samundar is the other answer, aquatic and marine at ₹599 for the 10ml. An aquatic accord is about as far from a rose-jasmine-sandalwood shelf as the SOSA range travels.
  • 5 If modern means less sweet rather than less traditional, the answer is Adaa at ₹379 - no oudh, no vanilla, no tonka, no amber, and the only unsweetened base of the four attars. That is a different request and it has a different answer.
★ See SOSA Khayaal - the modern construction ₹599 Tell Sonal what modern means to you ₹0
★ What a rose, jasmine and sandalwood shelf still has room for - and what it does not
SOSA Adaa AttarSOSA Adaa Attar · 3ml ₹379The answer if modern means less sweet. No oudh, no vanilla, no tonka, no amber - the only unsweetened base of the four. Its heart does carry jasmine sambac, which is the caveat on this cardView Adaa →SOSA Nawaab AttarSOSA Nawaab Attar · 3ml ₹399The attar furthest from a rose-and-jasmine shelf: white royal oud, Mysore sandalwood, Kashmir saffron and aged tobacco on amber, leather and musk. Deep rather than modern, and the guide says which you asked forView Nawaab →SOSA Mastani AttarSOSA Mastani Attar · 3ml ₹389Named here because it is the bottle this question most often leads to by mistake: night-blooming jasmine, Damask rose and Mysore sandalwood is your existing shelf in one bottle, with vanilla addedView Mastani →
✓ Where a reader's word does not correspond to a material, this guide translates it rather than selling the nearest bottle ✓ Every note here is quoted off the live SOSA product pages, including the ones that rule a product out ✓ The only performance figure quoted here is the published 6-8 hours on skin

Founder Diaries · Fragrance Wardrobes · What to Buy Next
By Sonal Sahani · ISIPCA Versailles 19 min read Updated October 2026
There is no modern note. That is the whole difficulty with your question and also the way out of it. Modern in fragrance describes how a thing is built rather than what it is built from: fewer materials carrying more of the weight, a transparent middle where a classical composition would be dense, a drydown that stays light instead of settling into resin, and often a material that has no natural equivalent at all. Rose, jasmine and sandalwood are three of the oldest materials in perfumery and you can build something entirely contemporary out of all three. So when you tell me you own those three and want something modern, you have told me about a construction you are tired of, not about materials you want to avoid - and the useful answer is a differently built bottle rather than a differently labelled one.
Quick answers — read this first
I own rose, jasmine and sandalwood fragrances. Which SOSA attar is the most modern? None of the four, honestly. All four are classically built - a three-tier pyramid, a dense middle, a resinous or woody drydown - and rose, jasmine and sandalwood between them appear across every one of them. The modern construction in the SOSA range is a perfume oil: Khayaal at ₹599 for the 10ml, sparkling bergamot and neroli over black tea and amberwood.

What actually makes a fragrance smell modern? Transparency and restraint rather than any one material. A short material list given room to breathe, a middle you can see through, a base that stays light, and often a woody-amber material with no natural equivalent that holds the whole thing up without weight. Tea accords, aquatic accords and amberwood are the three constructions most often described that way, and none of them appears in any SOSA attar.

Which attar should I avoid if I already own rose, jasmine and sandalwood? Mastani, which is night-blooming jasmine and Damask rose over Mysore sandalwood with vanilla and tonka added. That is your existing shelf in a single bottle. Ameeri is the next closest, with Taif rose over Indian sandalwood.
The short answer
Short answer: Buy Khayaal, 10ml ₹599, if modern is genuinely what you want. Black tea and amberwood are the two materials doing the modern work in the SOSA range and neither appears in any attar; the construction is airy where all four attars are dense. Buy Samundar, 10ml ₹599, if you want the biggest possible distance from a rose-jasmine-sandalwood shelf, since an aquatic accord shares nothing with any of the three. Buy Adaa, 3ml ₹379, if what you actually meant was less sweet and less heavy rather than less traditional.
The pick: Khayaal 10ml ₹599 first, Samundar 10ml ₹599 if you want fresh rather than contemporary. Not Mastani, which puts all three of your materials in one bottle, and not Ameeri, which puts two of them there.
Next step: read the sandalwood page, which deals with the carrier question your shelf raises, and the overlap table for all six attar pairs with the materials each pair has in common. Or tell me which three bottles you own and what you dislike about them, and I will translate the word modern into something buyable.
In this guide
Straight answer
I already own rose, jasmine and sandalwood fragrances - which attar should I add if I want something more modern?
Khayaal, the perfume oil, at ₹599 for the 10ml - and if that answer surprises you, it is because the honest answer to this question is not an attar at all. Five parts, and the first one is a translation. First, what you have actually told me. You have named three materials and one adjective, and the adjective is not about materials. Modern, applied to a fragrance, describes a set of building decisions that came into perfumery over the last three decades: a shorter material list with each material given more room, a transparent middle section where a classical composition packs in flowers and spices, a base that holds the structure up without adding weight, and frequently a material - a woody amber, a tea accord, a marine accord - that has no direct natural equivalent and therefore reads as unfamiliar rather than traditional. You can build a modern rose. You can build a classical bergamot. The materials are not the variable. Second, what that means for a four-attar range. All four of my attars are classically built, and I will say so plainly even though it loses me the sale on this page. They have three-tier pyramids with dense hearts and substantial bases. Adaa puts bergamot, green cardamom and neroli over jasmine sambac, magnolia and ylang ylang, on white musk, vetiver and cedarwood. Ameeri puts saffron, pink pepper and bergamot over Taif rose and Indian sandalwood, on soft oudh, amber and white musk. Mastani puts litchi, bergamot and pink pepper over night-blooming jasmine and Damask rose, on Mysore sandalwood, oudh, Madagascar vanilla and tonka. Nawaab puts white royal oud, Mysore sandalwood, Kashmir saffron and aged tobacco leaf over amber, leather and white musk. Those are four traditional constructions, made deliberately, in a format - an alcohol-free oil on a sandalwood and jojoba carrier - whose whole character is weight and slowness. Nobody buys an attar for transparency. Third, what your three materials rule out. Rose appears in Ameeri and in Mastani. Jasmine appears in Adaa and in Mastani. Sandalwood appears in Ameeri, Mastani and Nawaab by name, and in the carrier of all four. Run that against your shelf and the result is uncomfortable: Mastani contains all three of the things you already own, Ameeri contains two, Adaa contains one in its heart, and Nawaab contains one in its top. There is no attar in this range that avoids your whole list, and the one that comes closest - Nawaab - is the least modern thing I make, which is the opposite of what you asked for. Fourth, the two bottles that actually answer the question. Khayaal is sparkling bergamot and neroli over black tea and amberwood, a perfume oil in 10ml at ₹599. Black tea and amberwood are the two materials in the SOSA range that read contemporary, and neither appears in any attar; the construction is open where the attars are dense, and the drydown stays light. Samundar is aquatic and marine, also ₹599 for the 10ml, and an aquatic accord shares nothing with rose, jasmine or sandalwood at all - so if your request is really about distance rather than about contemporaneity, that is the furthest point available in the whole range. Both are a different format from the attars: a bigger bottle, a higher entry price, not hand-blended on the attar carrier. If the attar format is specifically what you want, I do not have a modern one and I would rather tell you than sell you Adaa under a label it does not deserve. And fifth, the question I would ask before any of this. About half the readers who use the word modern in an email to me turn out to mean something narrower and much easier to buy: they mean less sweet. Their three bottles are a sweet rose, a heavy jasmine and a creamy sandalwood, and what they want is anything dry and unsugared. If that is you, the answer is Adaa at ₹379 - no oudh, no vanilla, no tonka, no amber, and the only unsweetened base of the four - and it is both cheaper and in the format you came here for. The jasmine sambac in its heart is the honest caveat, and it reads green under a cardamom top rather than like the heavy jasmine you probably own.

What modern actually describes

It is worth being specific, because the word gets used as a compliment rather than a description and that is how readers end up buying something they already own. Four things, roughly, make a fragrance read as contemporary.

The first is material count. A classical composition may carry dozens of materials, overlapping and blending into a single impression where no one thing is identifiable. A modern one often carries a handful, each clearly audible, so you can hear the parts. The second is transparency: deliberate space in the middle of the composition where a classical structure would be dense with flowers and spice. The third is the drydown. A classical base settles - resins, balsams, woods, amber - and it settles heavily. A modern base holds the fragrance up while staying light, which is why so many contemporary bottles use woody-amber materials with no natural equivalent. The fourth is linearity: a modern fragrance often smells much the same at hour one and hour five, where a classical pyramid is designed to travel.

None of those four is about rose or jasmine or sandalwood. All four are about how the composition is assembled. Which is why I cannot answer your question by naming a note, and why a product page that promises you a modern fragrance is making a claim about construction that you can only verify by wearing it.

What your three materials rule out in this range

Take your three materials and run them against four pyramids, grouping as a nose would - Taif rose and Damask rose are both rose, Indian and Mysore sandalwood are both sandalwood, jasmine sambac and night-blooming jasmine are both jasmine. The result is not encouraging for an attar purchase.

Mastani holds all three: night-blooming jasmine and Damask rose in the heart, Mysore sandalwood at the top of the base. If you own a rose, a jasmine and a sandalwood, buying Mastani is buying a single bottle that recombines your whole shelf and adds vanilla and tonka to it. It is a lovely fragrance and it is the single worst purchase available to you here. Ameeri holds two of the three, rose over sandalwood, with saffron on top; it is a smaller mistake and still a mistake. Nawaab holds sandalwood in its top line next to white royal oud, and nothing else on your list - which makes it the most distant of the four and also the deepest, most traditional thing I make.

Adaa holds jasmine, in a composition that handles it very differently from the way a jasmine soliflore does. Under bergamot, green cardamom and neroli, over white musk, vetiver and cedarwood, jasmine sambac reads green and almost tea-like rather than narcotic. So Adaa is not disqualified by your jasmine bottle the way Mastani is by all three - but it is also not modern, and the reason to buy it would be dryness rather than contemporaneity.

What not to buy next, and what actually adds something

A rose, jasmine and sandalwood shelf, read four ways
Four versions of what you might mean, and the purchase each one points at
What is already on your shelf What not to buy next, and why What actually adds something
You mean modern as a construction - airy, transparent, contemporary Not any of the four attars. All four are classically built with dense hearts and substantial bases, and I would rather say so than relabel one Khayaal, 10ml ₹599. Sparkling bergamot and neroli over black tea and amberwood - the one construction in the SOSA range that is not classical
You mean as far from those three materials as possible Not Mastani at ₹389, which contains all three of them, and not Ameeri at ₹385, which contains two Samundar, 10ml ₹599. An aquatic marine accord shares nothing at all with rose, jasmine or sandalwood
You mean less sweet and less heavy Not Mastani again - Madagascar vanilla and tonka in the base are the sweetest thing in the range Adaa, 3ml ₹379. No oudh, no vanilla, no tonka, no amber, and the only unsweetened drydown of the four attars
You mean you are bored of florals and want something with an edge Not a fifth floral. Three of the four attars have a floral heart, and the fourth publishes no heart at all Nawaab, 3ml ₹399. Leather, aged tobacco and white royal oud, which is not modern in the least but is genuinely nothing like your shelf
Four readings of one word, and they point at four different bottles - which is why I would rather ask you what you meant than guess. The second column is the purchase I would refuse in each case.

Where the modern construction lives here

SOSA makes six perfume oils in 10ml, 50ml and 100ml, and two of them are relevant to you. Khayaal is sparkling bergamot and neroli over black tea and amberwood. The tea accord is the part that will read as new to you: dry, slightly tannic, a little bitter, and nothing like a flower. Amberwood underneath keeps the whole thing standing without the weight that a resin base would add, which is precisely the construction difference described above. Samundar is aquatic and marine - salt, air and a clean mineral quality - and it is the single most distant point in the SOSA range from a classical floral shelf.

I would steer you away from two of the six for your particular shelf. Zaffran is saffron sweet-amber, which is the register the warm end of the attar range already occupies, so as a widener it widens nothing. Tabac Noir is tobacco and vanilla, which is deep and traditional rather than contemporary. Chashni, sweet and fruity, and Bahaar, English pear and freesia over a soft musk, are both genuinely different from your three materials, and both are sweeter than I think you are asking for.

The honest trade: the oils are a different product in a bigger bottle at a higher entry price, and they are not attars. They do not sit on the sandalwood and jojoba carrier and they do not behave the way an attar behaves on skin. If what you love is the attar format specifically, then the truthful answer to your question is that I do not make a modern attar, and the nearest thing in that format is Adaa bought for its dryness rather than for its contemporaneity.

The other thing modern often means

I want to spend a section on this because it is the reading that saves readers the most money. When somebody tells me their collection is rose, jasmine and sandalwood and they want something modern, I ask one follow-up question: what specifically has become tiresome about the three bottles you own? The answers divide neatly. Some describe a structure: the three bottles seem old-fashioned, or go heavy after an hour. Others describe sweetness: a bit syrupy, and a wish for something cleaner.

The second group does not need a modern construction. They need a dry one, and that is Adaa at ₹379 for the 3ml: white musk, vetiver and cedarwood at the base, with nothing sweet anywhere in the pyramid - no vanilla, no tonka, no amber, no oudh. Against a sweet rose, a heavy jasmine and a creamy sandalwood, that is a real change of direction, it is in the format you already like, and it costs a third of what a 10ml oil does.

The first group does need the construction, and for them the oils are the answer and the attars are not. Telling the two groups apart takes one honest sentence about what is annoying you, which is why the free route at the end of this page is the one I would actually take.

What I would buy, and the question I would ask first

Sonal’s recommendation
Khayaal 10ml ₹599 if you meant the construction, Adaa 3ml ₹379 if you meant the sweetness
Nobody sells a modern note, because there is not one. What there is, is a modern way of building, and I only make it in one format.
— Sonal Sahani, founder and perfumer, ISIPCA Versailles-trained
What to buy if modern is the construction The Khayaal oil, 10ml ₹599 - black tea and amberwood, and an open middle where every attar here is dense
What to buy if you want maximum distance The Samundar oil, 10ml ₹599. An aquatic accord shares nothing with rose, jasmine or sandalwood
What to buy if modern meant less sweet The Adaa 3ml at ₹379, the only unsweetened base of the four attars, with the jasmine caveat stated honestly
What not to buy The Mastani at ₹389. Jasmine, rose and sandalwood in one bottle is your existing shelf recombined, with vanilla added
What I cannot tell you I cannot say which of those three readings is yours, because the word modern does not carry that information and I will not guess with your money
The free step first One sentence about what has become tiresome in the three bottles you own. That sentence decides the purchase, and sending it costs nothing
If you are going to buy without writing to me, buy on this rule: if the thing you are tired of is weight, buy the oil; if the thing you are tired of is sugar, buy Adaa. Weight and sugar feel similar in a bottle and they are different problems, and the easiest way to separate them is the timing of the complaint - hour one or hour four. Hour one heaviness is usually sweetness in the top. Hour four heaviness is the base, and no attar in this range has a light base.
Everything above, on one page.
See SOSA Khayaal · 10ml ₹599
If modern turns out to mean less sweet rather than less traditional - if the complaint about your three bottles is sugar rather than structure - then the oils are the wrong recommendation and Adaa at ₹379 is the right one: no vanilla, no tonka, no amber, no oudh, and the only dry drydown among the four attars.
— the condition that changes this answer
You used a word that is not a material. Two ways to turn it into a purchase.
One is the bottle that answers the construction. One is the sentence that tells us which question you are asking.
See SOSA Khayaal · 10ml ₹599
If what you want is the contemporary construction: an open middle, a light base, and black tea and amberwood doing work that no material in any SOSA attar does. A different format from an attar, and the only honest answer to that version of the question.
Tell Sonal what modern means to you
If you are not sure whether you are tired of the weight or the sweetness. Name your three bottles and one thing that annoys you about them, and I will tell you which of the three answers on this page is yours.
SS
ISIPCA
Versailles
A note from Sonal

I could call Adaa my modern attar. It is the lightest thing I make, it has a green citrus opening, it is dry, and plenty of houses would describe something like it that way without blinking. I have decided not to, because it is not true: Adaa is a classical floral pyramid with a dense heart of three flowers and a full woody base, and a reader who buys it expecting transparency will be disappointed by hour two.

The attar format is not built for transparency. An alcohol-free oil on a sandalwood and jojoba carrier gives you slowness and weight, which is most of what makes an attar worth owning - the thing comes up off the skin gradually and stays for the published six to eight hours. You cannot have that and also have air. Every format trades something.

So when a reader with a rose and a jasmine and a sandalwood asks me for something modern, the truthful answer sends them to a perfume oil, in a larger bottle, at a higher entry price, in a format they did not ask about. That is a worse sale than relabelling Adaa and I think it is the only version I can defend. The exception is the reader who meant less sweet, and for them Adaa really is the answer - which is why the first thing I want from anyone asking this question is one sentence about what has gone wrong with the bottles they own.

Frequently asked questions

Is there a modern attar in the SOSA range?
No. All four attars are classically built: three-tier pyramids with dense floral or spiced hearts and substantial woody or resinous bases, in an alcohol-free oil format whose character is weight and slowness. The contemporary construction in the SOSA range is a perfume oil - Khayaal, sparkling bergamot and neroli over black tea and amberwood, at 599 rupees for the 10ml. I would rather name that gap than relabel the lightest attar as modern.
Which attar is furthest from rose, jasmine and sandalwood?
Nawaab, at 399 rupees for the 3ml. It names sandalwood in its top line next to white royal oud, and nothing else on your list appears in it at all - no rose and no jasmine, and no published floral heart. It is also the most traditional thing in the range, so it answers the distance half of your question and not the modern half.
Why is Mastani the wrong purchase for me?
Because it contains all three of the materials you already own. Night-blooming jasmine and Damask rose sit in its heart, Mysore sandalwood at the top of its base, and Madagascar vanilla and tonka underneath. It is a fine fragrance and buying it would recombine your existing shelf into one bottle and sweeten it. Ameeri is the next closest, with Taif rose over Indian sandalwood.
What makes black tea and amberwood read as modern?
Tea is dry and tannic with a slight bitterness, and it occupies the middle of a composition without the density a flower brings - which is where the transparency comes from. Amberwood is a woody-amber material that holds a structure up while staying light, where a resin or balsam base would settle heavily. Together they produce the open middle and light drydown that the word modern usually describes.
Is a perfume oil the same thing as an attar?
No. The attars are alcohol-free oil perfumes on a sandalwood and jojoba carrier with a dab applicator, in 3ml, 6ml and 12ml, hand-blended in Pune and published at 6 to 8 hours on skin. The perfume oils are a separate line in 10ml, 50ml and 100ml with their own compositions and their own character. If the attar format is specifically what you want, the oils will feel like a different kind of product, because they are one.
How do I tell whether I want less sweet or less traditional?
Notice when the bottles you own start to annoy you. If it is in the first hour, the complaint is usually sweetness in the top and the answer is a dry attar - Adaa at 379 rupees. If it is at hour four, the complaint is the base settling heavily, which is a construction problem, and no attar in this range has a light base. That one observation decides between a 379 rupee purchase and a 599 rupee one.
The two-answer version of one word
Modern construction: Khayaal 10ml ₹599. Less sweet: Adaa 3ml ₹379. They are different requests.
See SOSA Khayaal · 10ml ₹599 Describe a feeling to SOSA
Three classical bottles on the shelf and one slippery word?
SOSA — Name the three, and one thing that annoys you. Weight and sweetness feel alike in a bottle and they are different problems with different answers. One sentence from you decides which of the three recommendations on this page is actually yours.
Alcohol-free, DPG-free oil attars hand-blended in Pune, plus six perfume oils in 10ml, 50ml and 100ml · 6-8 hours on skin · every note quoted off the live product pages
Ask Sonal which one stays close → SOSA Adaa Attar · ₹379
Continue the read
More from SOSA
Editorial standards & sources
About this guide: Written by Sonal Sahani, ISIPCA Versailles-trained founder and perfumer at SOSA Home & Body. It is written for a reader who already owns a fragrance and wants the next one to be genuinely different, and the method - read the published base lines, count the shared materials, then decide - applies to any brand. The product recommendations reflect the SOSA attar and perfume oil range only.

On the overlap figures in this guide. Where this guide says two SOSA attars overlap, the figure is derived from their own published note pyramids by counting shared materials against total materials, grouping them the way a nose groups them: Taif rose and Damask rose are both rose, Persian and Kashmir saffron are both saffron, jasmine sambac and night-blooming jasmine are both jasmine though they read differently. It is a measure of shared ingredients, not a measure of how similar two finished compositions smell to you - two scents can share five materials and still be told apart on a wrist. The figures are here because they are checkable against the product pages, and because the alternative is a seller's opinion about its own range. Across the four attars: Ameeri and Nawaab share the most (saffron, sandalwood, oudh, amber, white musk); Ameeri and Mastani are close behind (bergamot, pink pepper, rose, sandalwood, oudh); Adaa and Nawaab share the least, white musk alone.

On the Attar Trio. SOSA's three-attar pack is Ameeri, Nawaab and Mastani, and SOSA's own product page describes it as the evening attar trio - the trio for the evenings that matter. This guide recommends it on that basis and no other. It is not described here as a balanced wardrobe, because it is drawn from the two most overlapping pairs in the range and it does not include Adaa, which is the attar that contrasts most with the others.

What this guide does and does not claim. SOSA publishes one performance figure for its attars: they wear 6-8 hours on skin, longer on warm or oily skin, always as a skin scent rather than a room scent. SOSA publishes no projection, sillage or scent-radius data, and none appears here. Nothing about layering is published by SOSA and no combination has been formally evaluated, so anything this guide says about wearing two scents together is Sonal's own craft assessment, marked as such wherever it appears, and never a promise about what a combination will smell like on you. SOSA makes no claim about compliments, attraction, confidence, mood, sleep, stress or wellbeing, no claim about what another person will notice or think, and no medical, dermatological or allergy claim; anyone with sensitive skin or a fragrance allergy should patch-test and use their own judgement or consult a doctor.

Facts verified 19 October 2026 against the live SOSA product pages: every SOSA attar is an alcohol-free, DPG-free oil perfume carried on sandalwood and jojoba oil with a built-in dab applicator, hand-blended in Pune, sold in 3ml, 6ml and 12ml. SOSA Adaa (3ml ₹379 · 6ml ₹669 · 12ml ₹1,149): Calabrian bergamot, green cardamom and neroli over jasmine sambac, magnolia and ylang ylang, on white musk, vetiver and cedarwood - the only one of the four with no oudh. SOSA Ameeri (₹385 · ₹679 · ₹1,165): Persian saffron, pink pepper and bergamot over Taif rose and Indian sandalwood, on soft oudh, amber and white musk. SOSA Mastani (₹389 · ₹685 · ₹1,179): litchi, bergamot and pink pepper over night-blooming jasmine and Damask rose, on Mysore sandalwood, oudh, Madagascar vanilla and tonka. SOSA Nawaab (₹399 · ₹699 · ₹1,199): white royal oud, Mysore sandalwood, Kashmir saffron and aged tobacco leaf on amber, leather and white musk - oud-led, and the deepest in the range. The three evening attars come together as the SOSA Attar Trio (₹1,055 · ₹1,859 · ₹3,189). Separately, SOSA makes six perfume oils in 10ml, 50ml and 100ml - Zaffran, Tabac Noir and Samundar at ₹599, ₹1,799 and ₹3,499, and Khayaal, Chashni and Bahaar at ₹599, ₹1,899 and ₹3,599 - each an independent SOSA composition inspired by a widely known fragrance and not affiliated with, or endorsed by, the house named. SOSA does not run a sampler or tester programme; the 3ml attar is the trial size. A portion of every SOSA order supports girl-child education through Nanhi Kali. Prices and availability are subject to change - see the live product pages.
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