What Is the Best Attar for an Evening Wedding Reception When I Want a Rich, Elegant Scent That Doesn't Overpower Guests Seated Beside Me?

What Is the Best Attar for an Evening Wedding Reception When I Want a Rich, Elegant Scent That Doesn't Overpower Guests Seated Beside Me?

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★ ★ The one wedding page where the dose comes down rather than up - a seated dinner is a small roomSOSA Mastani 3ml ₹389 · 6ml ₹685 · 12ml ₹1,179 - night-blooming jasmine and Damask rose on Mysore sandalwood, oudh, vanilla and tonkaSOSA publishes 6-8 hours on skin and publishes no projection figure for any attar
The short version — five things worth checking
For the reader who wants an evening composition with real body, and who has worked out that a three-hour seated dinner is a different problem from a reception line
  • 1 A reception is two different briefs in one evening. The standing half is a crowded room, where register matters and volume does not. The seated dinner is a small room with fixed distances, and it is the half that sets the dose.
  • 2 Rich and quiet are not opposites. Richness is a property of the composition - what materials are in it and how much body they have. How much of it is in the air is a property of the dose. You can buy the first and control the second.
  • 3 The night-jasmine attar, 3ml ₹389, is litchi, bergamot and pink pepper over night-blooming jasmine and Damask rose, on Mysore sandalwood, oudh, Madagascar vanilla and tonka. It is the richest composition SOSA makes that is not oud-led.
  • 4 One dab, inner wrist, applied an hour before you leave is the dose for a seated evening. A composition this full does not need a second site, and a seated dinner is the worst place to discover that it did not.
  • 5 All four SOSA attars are alcohol-free oils on a sandalwood and jojoba carrier, and SOSA publishes 6-8 hours on skin as the only performance figure for any of them. No projection or sillage figure exists.
★ See the SOSA night-jasmine attar ₹389 Ask Sonal how much to wear to a seated dinner ₹0
★ Three evening registers, from the fullest to the driest
SOSA Mastani AttarSOSA Mastani Attar · 3ml ₹389Litchi, bergamot and pink pepper over night-blooming jasmine and Damask rose, on Mysore sandalwood, oudh, Madagascar vanilla and tonka - the fullest evening composition in the range, and the reason this page spends its length on doseView the night-jasmine attar →SOSA Ameeri AttarSOSA Ameeri Attar · 3ml ₹385Persian saffron, pink pepper and bergamot over Taif rose and Indian sandalwood, on soft oudh, amber and white musk - the same festive family with nothing sweet beneath it, and the easier neighbour at a long tableView Ameeri →SOSA Adaa AttarSOSA Adaa Attar · 3ml ₹379Bergamot, green cardamom and neroli over jasmine sambac, magnolia and ylang ylang, on white musk, vetiver and cedarwood - no oudh at all, and the answer if you have ever been told you wear too muchView Adaa →
✓ Nothing on this page predicts what the person seated beside you will notice, say or think ✓ No projection, sillage or radius figure appears here, because SOSA publishes none for any product ✓ Every note named is quoted off the live SOSA product pages, and nothing has been added to a pyramid

Founder Diaries · Close Range · Presence Without Projection
By Sonal Sahani · ISIPCA Versailles 18 min read Updated October 2026
There are two weddings inside one reception, and they want opposite things from you. For the first hour and a half you are standing, moving, greeting and being photographed in a room with three hundred other scented people in it, and that is the crowded-room brief this family is built around: register matters, volume buys you nothing. Then somebody shows you to a chair, and for the next three hours the person on your left cannot move away from you. That is the strictest small room of the entire wedding season - stricter than a car, because it lasts longer, and stricter than a cinema, because you are conversing. The honest answer to your question is that you choose the composition for the first half and the dose for the second, and the dose has to come down.
Quick answers — read this first
What should I wear to an evening wedding reception? The SOSA night-jasmine attar, the 3ml at ₹389, one dab at the inner wrist and nothing else anywhere. It is the fullest composition in the range that is not oud-led - night-blooming jasmine and Damask rose over Mysore sandalwood, oudh, Madagascar vanilla and tonka - which gives you the evening richness a reception asks for, while the single dab keeps it a half-metre proposition rather than a table-wide one.

Can a rich attar still be appropriate at a seated dinner? Yes, and this is the most useful thing on the page. Richness and quantity are separate variables that marketing runs together. Richness describes what is in the bottle - the body, the weight, the materials. Quantity describes how much of it is on your skin. A full composition at one dab is a perfectly good dinner companion; a light composition at five dabs is not. Buy for the first and set the second for the strictest part of your evening.

How much should I apply if I will be seated at a long dinner? Half of what you would apply to go dancing, which in practice means one dab at a single inner wrist, applied about an hour before you leave rather than on the way out. If the evening is a formal dinner from beginning to end rather than a reception you circulate through, go further down still - one dab, and if you are between bottles, Adaa at ₹379 on a dry base is easier on a neighbour than anything with vanilla under it.
The short answer
Short answer: Wear the SOSA night-jasmine attar, the 3ml at ₹389, at one dab on the inner wrist. A reception is two briefs: a standing, circulating, crowded-room half where the useful lever is how distinct your register is, and a seated dinner half where one neighbour is at a fixed arm's length for three hours and cannot leave. The second half sets the dose, so the dose comes down rather than up. What it does not have to set is the composition, because richness and quantity are independent - you can wear the fullest thing in the range and wear very little of it.
The pick: the night-jasmine attar at 3ml ₹389 if the evening register is what you are after, or Ameeri at ₹385 if you would rather have the same festive family with nothing sweet beneath it, which is the easier proposition at a long table. Three millilitres is the right size for either: a one-dab evening wear goes a very long way.
Next step: read the daytime wedding page for the crowded-room argument in full and the formal dinner party page, which decides the floral-against-woody question on exactly this variable. The family hub holds the method. Or tell me the shape of the evening - circulating or seated, and for how long - and I will tell you the dose.
In this guide
Straight answer
What is the best attar for an evening wedding reception when I want something rich and elegant that does not overpower the person seated beside me at dinner?
The night-jasmine attar, the 3ml at ₹389, at one dab on a single inner wrist - a rich composition and a small amount of it, which is the combination the question is actually asking for. First, the structural point: your evening has two halves with opposite requirements. The reception proper - the line, the stage, the photographs, the standing hour with a glass in your hand - is a crowded room, and in a crowded room nothing you wear changes the air of the space. It cannot be filled because three hundred people have already filled it. The only zone where your choice is legible is the half-metre around you, which makes register the lever and volume irrelevant. Then you sit down, and everything inverts. A seated dinner is a fixed geometry: the same two neighbours, at the same arm's length, for three hours, with no option of stepping away. That is the strictest small room in this family, and it is stricter than the car and the cinema that the dates family worries about, because it lasts longer than a car journey and involves conversation that a film does not. Second, which half sets which decision. The standing half sets your composition, because that is where distinctiveness is doing work. The seated half sets your dose, because that is where a misjudgement is expensive and cannot be corrected. This is how I would make almost every fragrance decision with two settings in it: choose for the one where choice matters and dose for the one where the constraint is tightest. The alternative - dosing for the reception line and discovering the consequences over the soup - is the mistake this page exists to prevent. Third, why the rich composition is still the right one. There is a widespread assumption that a reader who wants to be considerate at a dinner table must buy something thin. That assumption confuses two independent variables. Richness is about materials: Mysore sandalwood, oudh, Madagascar vanilla and tonka under night-blooming jasmine and Damask rose is a full, worked, evening composition with genuine body, and it will read as one at any quantity. How far it reaches is a function of how much is on your skin and where. One dab of something full is a smaller fragrance, in the social sense, than four dabs of something light. So you are not obliged to downgrade your taste in order to be a good neighbour; you are obliged to be disciplined about quantity. Fourth, the practical dose, precisely. One dab, one inner wrist, applied about an hour before you leave rather than at the door. The hour matters more at an evening function than at a daytime one, because the first twenty minutes after application are the loudest stretch of any composition ever made, and at a reception those twenty minutes land in a car and then in a receiving line. Nothing on the throat, nothing behind the ears, nothing in the hair. If you must have a second site, use the other wrist and stop there. Fifth, the alternative for a table-heavy evening. If the function is a formal dinner from the start - placed cards, four courses, no circulating - I would move to Ameeri at ₹385 instead, not because it is weaker but because it has nothing sweet holding it up. Soft oudh, amber and white musk under a Taif rose and Indian sandalwood heart is a drier shape, and a dry base is, in my experience, an easier thing to sit next to for three hours than a vanilla-and-tonka one. And sixth, the part I am not going to answer. The question underneath your question is whether the person next to you will mind. I cannot tell you that. Nobody can, and I will come back to why below, because the refusal is the thing that makes the rest of this page worth trusting.
What I cannot tell you
Your title contains a worry about somebody else, and I would rather meet it head-on than answer around it. I cannot tell you whether the person seated beside you at dinner will find your fragrance pleasant, overwhelming or entirely unremarkable, and I will not imply that I can. That reaction is theirs. It is built out of their own associations - a grandmother's dressing table, a bad year, a flower they happen to dislike - and no composition, price or concentration reaches past it. Any page that promises you a reaction in that chair is selling you something it cannot deliver. What is honestly available is still substantial, and it is the whole of this page: the geometry of a seated dinner, which is knowable; the published composition of what you are wearing, which is checkable; and the quantity on your skin, which is entirely yours and is the only one of the three that most readers have never deliberately adjusted.

Why a reception is two briefs in one evening

Set the two halves side by side and the difference is not subtle. In the standing half, distances are constantly changing, air is moving because people are moving through it, and every encounter lasts between thirty seconds and four minutes. In the seated half, the distance is fixed by the width of a chair, the air over a dinner table is almost still, and the encounter lasts as long as the meal. Those are not two versions of the same room. They are two different physical situations, and a single dose cannot be optimal for both.

There is also a duration effect that is specific to sitting down, and it is the reason I treat a long dinner as the stricter case rather than merely the closer one. A fragrance encountered for two minutes is an event. A fragrance encountered for three hours is an environment. Our noses adapt quickly to a smell that is continuously present - which is why you stop noticing your own - but adaptation is far less reliable when the source keeps moving in and out of range, as a neighbour's wrist does every time they reach for a glass. The upshot is that a seated neighbour has the least pleasant version of the exposure: long enough to become an environment, intermittent enough not to fade into one.

None of which is an argument for wearing nothing. It is an argument for one dab rather than three, and for putting that dab somewhere that moves with a hand rather than sitting under a chin. The inner wrist is in your own airspace when you gesture and in nobody else's until they are close to you, which is precisely the profile a long table needs. The throat is the opposite: it is warm, it is permanently at the height of a seated conversation, and it cannot be lowered.

The reception, stage by stage

Here is the evening as I would plan it, with the dose column reading downwards rather than upwards. The point of the table is that the quantity never rises as the night goes on, even though the instinct at the eleven o'clock dance floor is that it should.

One reception, five stages, and a dose that only ever falls
Each stage of an evening function, what makes it hard for a fragrance, and what I would actually do in it
The setting What makes it hard Dose I would use Composition I would reach for
The getting-ready hour at home Nothing is hard here except the temptation, which is to apply at the door and in quantity One dab, one inner wrist, about an hour before you leave the house An evening composition with real body. The night-jasmine attar's Mysore sandalwood and oudh base is the register this stage is for
The receiving line and the first standing hour Three hundred scented people, a room that cannot be filled, and constant brief encounters at arm's length Nothing added. This is the half the composition was chosen for, not the half the dose was set for Whatever you began with. Register is the lever here and it was pulled at home
The seated dinner, two to three hours at a fixed distance The strictest small room of the season - still air, a neighbour who cannot step away, and a long exposure Zero added, and this stage is why the figure at home was one dab rather than three A dry base is the easier neighbour. Ameeri's soft oudh, amber and white musk has body without sugar under it
The stage, the photographs and the gift queue Repeated two-second embraces at zero distance, mostly shoulder to shoulder Unchanged. What changes here is placement, and placement was decided at home Nothing above the collarbone. The hair and a collar hold material far longer than skin and cannot be reconsidered later
The dance floor at eleven, five hours into the wear You can no longer smell your own fragrance, which feels like evidence that it has gone. It has not Still nothing. You stopped registering it hours ago; the base is doing exactly what 6-8 hours on skin describes The same bottle. A second composition applied now gives the table both of them at once
The last row is the one readers argue with, and it is the one I am most sure of. The feeling that a fragrance has disappeared at hour five is overwhelmingly a fact about your own nose rather than about your skin.

Rich and quiet are not opposites

I want to spend a section on this because it is the misconception that costs readers the most. Fragrance marketing has trained everybody to treat strength as a single dial running from light to heavy, with "subtle" at one end and "rich" at the other. It is not one dial. It is at least two, and they are independent. The first is the character and body of the composition: how much material is in it, how heavy those materials are, whether there is sweetness holding the base up. The second is how much of that composition is sitting on your skin and where. A reader who wants to be considerate has been told to move the first dial, when the second is the one that was actually doing the damage - and the second is free.

Work it through with the range. The night-jasmine attar is the fullest non-oud-led composition SOSA makes: litchi, bergamot and pink pepper at the top, night-blooming jasmine and Damask rose at the heart, and a base of Mysore sandalwood, oudh, Madagascar vanilla and tonka, which is four heavy materials stacked. At one dab on an inner wrist, that is a rich fragrance occupying a small amount of space. Adaa is the lightest: bergamot, green cardamom and neroli over jasmine sambac, magnolia and ylang ylang, finishing on white musk, vetiver and cedarwood, with no oudh in it at all. At four dabs across wrists and throat, that is a light fragrance occupying a large amount of space. The second of those two is the harder dinner companion, and it is the one most people would describe as the safer purchase.

So the instruction for a reception is not "buy something quiet". It is "buy what you actually want to wear in the evening, and then be deliberate in a way you have probably never been". One dab is not a compromise or a half-measure. On an alcohol-free oil at this concentration it is a complete wear, and it is what the published 6-8 hours on skin describes.

My own assessment, not a published figure
Here is the craft part, labelled as my own judgement because that is what it is and no store specification exists for it. SOSA's attars are oils on a sandalwood and jojoba carrier, applied by dab. An alcohol spray atomises into droplets small enough to hang in the air, and the alcohol carries material outward as it evaporates off the skin; a fixed oil has neither mechanism, so it releases slowly from the one site where you placed it. At a dinner table I find that a genuinely useful property, because a seated neighbour is encountering your wrist rather than a cloud, and a wrist is something you can move. What I will not do is turn that into a figure. SOSA publishes 6-8 hours on skin, which is a longevity statement, and publishes nothing at all about how far anything reads. There is no standard test for it, so any projection number quoted anywhere for any attar was never measured against one.

The part about your neighbour that I am not going to claim

I have put the refusal in its own section rather than a footnote because of where the commercial pressure sits on a page like this. The easy thing to write would be that a well-chosen attar will be appreciated by the person beside you, that good taste is universally legible, that the right bottle makes you a pleasure to sit next to. Every one of those sentences would sell more product than this paragraph does, and not one of them is knowable.

Scent arrives at another person through their own biography. The same vanilla-and-sandalwood base that reads as luxurious to one guest reads as cloying to the next and as a specific disliked relative to a third, and the material is identical in all three cases. There is no concentration high enough, no price point expensive enough and no provenance impressive enough to override somebody else's associations, and a seller who implies otherwise is describing a wish. So the useful question is not whether your neighbour will approve. The useful question is whether you have given them a small, well-placed, well-chosen amount of something rather than a large, badly-placed amount of anything - and that question has a real answer, which is the whole of what this page has been doing.

What I would wear, and how little of it

Sonal’s recommendation
The night-jasmine attar, the 3ml, at one dab on a single inner wrist
Buy the composition you actually want for an evening, and then be deliberate about quantity in a way almost nobody is. Those are two decisions, not one.
— Sonal Sahani, founder and perfumer, ISIPCA Versailles-trained
What to buy The SOSA night-jasmine attar, 3ml at ₹389 - the fullest evening composition in the range that is not oud-led
The dose One dab, one inner wrist, applied about an hour before you leave rather than at the door
If the evening is a formal seated dinner throughout The Ameeri 3ml at ₹385 - the same festive family, with nothing sweet holding the base up
Where not to apply it The throat, behind the ears, the hair and a collar. A seated conversation sits at exactly the height of a throat
What not to do at eleven o'clock Add a second dab. You cannot smell it because you stopped registering it hours ago, not because it has gone
What I cannot tell you I cannot say whether the person beside you will find it pleasant. That is theirs and it is not for sale
Three millilitres is the right size and it is not a hedge. A one-dab evening wear is a very small amount of oil, and 3ml of something you wear to four functions a year will outlast the year comfortably. The reason I would not send you to the 12ml at ₹1,179 is that this is a specific and rather opinionated composition - night jasmine on a vanilla and tonka bottom is not a register everybody wants to live with - and I would want you to have sat through a long dinner in it before you commit to twelve millilitres. If you already own something full and evening-shaped that you like, the honest advice is to wear that at one dab and spend nothing; the dose is the lesson on this page, not the bottle.
Everything above, on one page.
See the SOSA night-jasmine attar · 3ml ₹389
If your evening is a formal seated dinner from beginning to end rather than a reception you circulate through - placed cards, four courses, the same two neighbours for the whole of it - then the standing half that justified the rich composition never happens, and the dose has to come down harder than anything above. One dab of a dry base, on one wrist, and nothing else; or, if you own something you have worn for a fortnight and trust, that at half of what you normally use, and no purchase at all.
— the condition that changes this answer
You want richness at dinner without being the dinner. Two routes out of this page.
One of them is a ₹389 bottle and one of them is a question about your evening.
See the night-jasmine attar · 3ml ₹389
If the evening register is what you want and you are prepared to be strict about one dab. Night-blooming jasmine and Damask rose over Mysore sandalwood, oudh, Madagascar vanilla and tonka - the fullest composition in the range short of the oud-led one.
Tell Sonal the shape of the evening
If you do not yet know whether you will be circulating or seated, or for how long. Describe the function and what is on your shelf, and I will give you a dose and tell you honestly when the bottle you own is already the answer.
SS
ISIPCA
Versailles
A note from Sonal

I have been the person at the long table on both sides of this. Once as the guest who had applied generously at six for a reception that turned out to be a sit-down dinner at eight, and spent four courses with my hands in my lap trying to take up less air than I had bought.

And once, years later, on the other side of it, next to someone whose fragrance I would have admired across a room and found quite a lot of at forty centimetres for three hours. Neither of us said anything, and nothing was ruined. But it taught me that the seated dinner is the single geometry I should be designing advice for, because it is the one with no exit.

So I will keep giving the same unglamorous instruction on these pages. Buy the full thing if the full thing is what you love. Then put one dab of it on one wrist, an hour before you go, and trust that six to eight hours is what six to eight hours means.

Frequently asked questions

How much attar should I wear to a wedding reception with a seated dinner?
One dab at a single inner wrist, applied about an hour before you leave. A seated dinner is the strictest geometry of the wedding season - fixed distances, still air over a table, and two to three hours with no option of stepping away - and it is the half of the evening that should set your quantity, even though the standing half is the one that sets your choice of composition.
Can I wear a rich evening attar without it being too much at a dinner table?
Yes, and the two things are independent in a way that fragrance marketing obscures. How rich a composition is depends on the materials in it. How much of it is in the air depends on how much you applied and where. One dab of a full, sandalwood-and-oudh evening composition occupies less social space than four dabs of a light one, so you do not have to downgrade your taste in order to be considerate.
Which SOSA attar suits an evening reception best?
The night-jasmine attar, at 3ml for 389 rupees: litchi, bergamot and pink pepper over night-blooming jasmine and Damask rose, on a base of Mysore sandalwood, oudh, Madagascar vanilla and tonka. It is the fullest composition in the range short of the oud-led one, which is the evening register a reception asks for. If the whole evening is a formal seated dinner, Ameeri at 385 rupees is the drier alternative.
Should I reapply attar during a long reception?
Almost never, and certainly not because you can no longer smell it. Your own nose adapts to a fragrance you are wearing within minutes, which the page on telling real closeness from habituation sets out in full, so by hour five the absence of sensation tells you about your nose rather than about your skin. A second dab applied at eleven sits on top of a base that is still working rather than replacing it, which is how an evening ends louder than it began.
Where should I apply attar if I will be sitting at a long table?
The inner wrist, and nowhere above the collarbone. A wrist is in your own airspace when you gesture and in nobody else's until they are close to you, and it moves, which gives a neighbour intervals rather than a constant source. The throat sits at exactly the height of a seated conversation and is warmer, which releases material faster, and the hair and a collar hold fragrance for far longer than skin does.
Is an attar a better choice than a perfume spray for a seated dinner?
In my own assessment as a perfumer, an oil is a more forgiving format at close quarters, because there is no atomised burst at the moment of application and no alcohol evaporating off the skin to carry material outward. That is my craft judgement rather than a published specification - SOSA publishes 6-8 hours on skin and publishes nothing about how far anything reads - and it matters far less than how much you apply.
The whole page in one instruction
Choose for the standing hour. Set the quantity for the seated three. One dab, one wrist.
See the night-jasmine attar · 3ml ₹389 Describe a feeling to SOSA
Reception on Saturday and no idea whether you will be standing or seated?
SOSA — Tell me the shape of the evening and what is on your shelf. I will give you a dose rather than a sales pitch - and I will say plainly when the bottle you already own is the right one.
Alcohol-free, DPG-free oil attars hand-blended in Pune · 6-8 hours on skin · no projection figure claimed anywhere, because none is published
Ask Sonal which one stays close → SOSA Mastani Attar · ₹389
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Editorial standards & sources
About this guide: Written by Sonal Sahani, ISIPCA Versailles-trained founder and perfumer at SOSA Home & Body. It is written for a reader who wants to be pleasant at conversational distance without filling a room, and the method - read the base of a pyramid, judge the format, then control the dose - applies to any brand. The product recommendations reflect the SOSA attar and perfume oil range only.

What this guide does and does not claim. Three things about a fragrance can be stated honestly, and this guide limits itself to them: what a composition contains, which SOSA publishes on each product page; how an oil behaves on skin compared with an alcohol spray, which is Sonal's own professional assessment and is marked as such wherever it appears; and how much you apply and where, which is entirely yours. The fourth thing - whether another person finds a scent pleasant, memorable or attractive - is theirs, and nothing here predicts it. SOSA makes no claim about compliments, attraction, confidence, mood, sleep, stress or wellbeing, and no medical, dermatological or allergy claim. Anyone with sensitive skin or a fragrance allergy should patch-test and use their own judgement or consult a doctor. Where a workplace is involved, that employer's own fragrance policy decides, not SOSA.

On performance figures. SOSA publishes one and only one performance figure for its attars: they are described as wearing 6-8 hours on skin, longer on warm or oily skin, and always as a skin scent rather than a room scent. SOSA does not publish projection, sillage or scent-radius data for any product, and no such figure appears anywhere in this guide. Any seller quoting a projection number for an attar is quoting something that was never measured. Wear time and perceived strength vary with skin, climate, dose and application site.

Facts verified 19 October 2026 against the live SOSA product pages: every SOSA attar is an alcohol-free, DPG-free oil perfume carried on sandalwood and jojoba oil with a built-in dab applicator, hand-blended in Pune, and sold in 3ml, 6ml and 12ml. SOSA Adaa (3ml ₹379 · 6ml ₹669 · 12ml ₹1,149) is the lightest in the range: Calabrian bergamot, green cardamom and neroli over jasmine sambac, magnolia and ylang ylang, on white musk, vetiver and cedarwood. SOSA Ameeri (₹385 · ₹679 · ₹1,165) is Persian saffron, pink pepper and bergamot over Taif rose and Indian sandalwood, on soft oudh, amber and white musk. SOSA Mastani (₹389 · ₹685 · ₹1,179) is litchi, bergamot and pink pepper over night-blooming jasmine and Damask rose, on Mysore sandalwood, oudh, Madagascar vanilla and tonka. SOSA Nawaab (₹399 · ₹699 · ₹1,199) is the deepest in the range: white royal oud, Mysore sandalwood, Kashmir saffron and aged tobacco leaf on amber, leather and white musk. The three evening attars come together as the SOSA Attar Trio (₹1,055 · ₹1,859 · ₹3,189). Those four are the whole attar range: oud is led in Nawaab and sits in the base of Ameeri and Mastani, Adaa carries none, white musk exists as a base note rather than as a scent of its own, and there is no single-note musk, no clean-linen or laundry accord and no aldehydic-soapy scent in the range. Separately, SOSA makes six perfume oils in 10ml, 50ml and 100ml - Zaffran, Tabac Noir and Samundar at ₹599, ₹1,799 and ₹3,499, and Khayaal, Chashni and Bahaar at ₹599, ₹1,899 and ₹3,599 - each an independent SOSA composition inspired by a widely known fragrance and not affiliated with, or endorsed by, the house named. SOSA does not run a sampler or tester programme; the 3ml attar is the trial size. A portion of every SOSA order supports girl-child education through Nanhi Kali. Prices and availability are subject to change - see the live product pages.
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