★ Quiet luxury · two axes, not one
Projection is physics. Quality is purchasing. They have almost nothing to do with each other.
Projection is how fast molecules leave your skin into the air. It is governed by volatility, solvent, dose and skin temperature.
A rate, not a grade
Quality is what those molecules are: how pure, how well rectified, how well matched. It affects texture, not reach.
Purity, not power
Woody materials are heavy. Sandalwood and oud constituents have low vapour pressure by nature, which is exactly why they last and exactly why they do not shout.
Heavy by nature
There are four combinations, not two: loud and rough, loud and fine, quiet and rough, quiet and fine. Most shopping advice pretends there are two.
Four boxes
An attar has no alcohol at all, so it sits at the low-projection end of that grid by construction rather than by failure.
Low reach by design
If you genuinely want room presence, an eau de parfum does it better than any oil and we would rather say so.
Keep your sprays
Projection is how fast molecules leave your skin into the air. It is governed by volatility, solvent, dose and skin temperature.
A rate, not a grade
Quality is what those molecules are: how pure, how well rectified, how well matched. It affects texture, not reach.
Purity, not power
Woody materials are heavy. Sandalwood and oud constituents have low vapour pressure by nature, which is exactly why they last and exactly why they do not shout.
Heavy by nature
There are four combinations, not two: loud and rough, loud and fine, quiet and rough, quiet and fine. Most shopping advice pretends there are two.
Four boxes
An attar has no alcohol at all, so it sits at the low-projection end of that grid by construction rather than by failure.
Low reach by design
If you genuinely want room presence, an eau de parfum does it better than any oil and we would rather say so.
Keep your sprays
✓ Four woods, not one — cedar, sandalwood, oud and vetiver behave differently ✓ Alcohol-free, DPG-free, dab applicator · 3ml from ₹379 · 6–8 hours on skin ✓ We will tell you when SOSA does not make the wood you are asking for
Founder Diaries · Woody fragrance
Quality: the grade and purity of what is evaporating. Governed by what the perfumer bought. Expensive to increase.
Why woods specifically: sandalwood and oud constituents are heavy molecules with low vapour pressure. They last long and travel short. That is chemistry, not failure.
The four boxes: loud-rough, loud-fine, quiet-rough, quiet-fine. Only the last two get confused with each other.
Four attarsFrom ₹379Write down which one you actually want before you spend anything. If the answer is "I want people to notice me when I walk in", you are shopping for projection, and the product category that does that is an alcohol-based eau de parfum — buy one and be happy. If the answer is "I want the person sitting next to me to find something well made", you are shopping for texture, and an attar is built for exactly that. The unhappiest fragrance purchases are made by people who wanted the first and bought the second.
Adaa · daytimeFrom ₹379Shop → Nawaab · eveningFrom ₹399Shop → Pack of 3 · try the rangeFrom ₹1,055Shop →
SOSA products & prices (verified September 2026): Attars (concentrated perfume oil, alcohol-free, DPG-free, IFRA-compliant, dab applicator): Adaa 3ml ₹379 · 6ml ₹669 · 12ml ₹1,149; Ameeri 3ml ₹385 · 6ml ₹679 · 12ml ₹1,165; Mastani 3ml ₹389 · 6ml ₹685 · 12ml ₹1,179; Nawaab 3ml ₹399 · 6ml ₹699 · 12ml ₹1,199; Pack of 3 (Ameeri, Nawaab, Mastani) 3ml ₹1,055 · 6ml ₹1,859 · 12ml ₹3,189. Solid body perfumes (15g balm): Sway ₹459 · Sterling ₹469 · Velour ₹479 · Lust ₹479 · Desire ₹489 · Siren ₹489 · titan ₹500 · Fire ₹509 · Storm ₹529. Carried on sandalwood oil and jojoba, hand-blended in Pune by an ISIPCA Versailles-trained perfumer; 6–8 hours on skin, longer on warm or oily skin. Fragrance sensitivity is individual — patch-test if your skin reacts to new products. Prices and availability subject to change — see the live product pages.
A woody fragrance that does not fill a room is being judged, most of the time, by a test it was never built to pass. Projection is a rate: how quickly molecules leave warm skin and reach a nose a metre away. It is set by vapour pressure, by how much solvent is helping them off, by how much you applied and by how warm you are. Quality is something else entirely — how pure those molecules are, how well the harsh fractions were removed, how well the composition holds together over eight hours. The two variables are almost independent, and woody materials happen to sit at the awkward end of the first one, which is why good woods get accused of being weak ones.
Quick answers — read this first
Projection: a rate of evaporation. Governed by volatility, solvent, dose and skin temperature. Cheap to increase.Quality: the grade and purity of what is evaporating. Governed by what the perfumer bought. Expensive to increase.
Why woods specifically: sandalwood and oud constituents are heavy molecules with low vapour pressure. They last long and travel short. That is chemistry, not failure.
The four boxes: loud-rough, loud-fine, quiet-rough, quiet-fine. Only the last two get confused with each other.
The short answer
Short answer: They are different axes. Low projection means little material is reaching the air around you; low quality means the material that does reach it is rough. A fragrance can be quiet and flawless, quiet and cheap, loud and flawless, or loud and cheap. Judging quality by reach confuses the two, and it penalises woody fragrance in particular.
Why woods get penalised: The molecules responsible for sandalwood, cedar and oud character are relatively heavy, with low vapour pressure. Fewer of them leave the skin per minute than from a citrus or a light aromatic, which is simultaneously why woods last six hours and why they are never the notes you smell from across a room. Longevity and projection are, in this family, close to being a trade-off.
How to grade quality instead: Smoothness at minute five, continuity at minute thirty, and shape at hour four. Those three tests say nothing about reach and everything about grade. In the SOSA range the woody options are Adaa (cedarwood and white musk, from ₹379), Ameeri (Taif rose over Indian sandalwood, ₹385) and Nawaab (white royal oud, Mysore sandalwood, Kashmir saffron, ₹399) — all of them attars, all of them low-projection by construction.
In this guide
Straight answer
What is the difference between low projection and low quality in a woody perfume?
1. Projection is a rate, and four things set it. For a molecule to be smelled by somebody standing near you, it has to leave your skin and travel. How readily it does that is its vapour pressure — essentially, how much it wants to be a gas at body temperature. Light, small molecules leave readily; heavy ones do not. On top of that sit three practical multipliers: how much solvent is carrying them off the skin, how much you applied, and how warm your skin is. Alcohol is the great projection amplifier, because as it flashes off it drags a plume of fragrance with it. None of those four variables is a statement about the grade of the material.
2. Quality is a property of the material and of the construction. What you are paying for when you buy up in grade is mostly the absence of things — trace by-products from synthesis, harsh fractions that better rectification removes, the off-notes that a cheaper distillation leaves in. On top of that sits construction: whether the composition has a middle, whether the handovers between phases are seamless, whether it still has a recognisable shape at hour four. All of those properties are audible at thirty centimetres and none of them require the fragrance to reach three metres.
3. Woody materials sit at the heavy end, which is why they are unfairly accused. The constituents that produce sandalwood creaminess, cedar dryness and oud density are large molecules by perfumery standards. Fewer of them leave warm skin per minute than from a bergamot or a light aromatic. The consequence is a genuine trade-off: woods last because they evaporate slowly, and they evaporate slowly which is why they do not shout. A sandalwood that projected like a fresh citrus would also be gone in ninety minutes. People who complain that a woody fragrance is weak are usually describing correct physics.
4. There are four boxes on this grid, not two. Loud and rough is the commonest thing on the mass market: volume is cheap, and volume hides the roughness. Loud and fine exists and is expensive to make, because a high-projection fragrance is exposed to a great many noses at once. Quiet and fine is what most people mean by quiet luxury — restrained by design, smooth under inspection. Quiet and rough is a thin formula sold as restraint, and it is the one to watch for: sharp at minute five, hollow at minute thirty, and collapsed into flat sweetness by hour three.
5. And where an attar sits, stated plainly. A SOSA attar has no alcohol in it at all. The concentrate is carried on sandalwood oil and jojoba, applied with a dab applicator, and there is nothing to launch it outward. It therefore lives in the low-projection column by construction — six to eight hours on skin, noticeable within roughly an arm's length, and essentially invisible from across a room. If projection is the property you actually value, an eau de parfum is the right product and we would rather tell you than sell you an oil you will spend a year arguing with.
2. Quality is a property of the material and of the construction. What you are paying for when you buy up in grade is mostly the absence of things — trace by-products from synthesis, harsh fractions that better rectification removes, the off-notes that a cheaper distillation leaves in. On top of that sits construction: whether the composition has a middle, whether the handovers between phases are seamless, whether it still has a recognisable shape at hour four. All of those properties are audible at thirty centimetres and none of them require the fragrance to reach three metres.
3. Woody materials sit at the heavy end, which is why they are unfairly accused. The constituents that produce sandalwood creaminess, cedar dryness and oud density are large molecules by perfumery standards. Fewer of them leave warm skin per minute than from a bergamot or a light aromatic. The consequence is a genuine trade-off: woods last because they evaporate slowly, and they evaporate slowly which is why they do not shout. A sandalwood that projected like a fresh citrus would also be gone in ninety minutes. People who complain that a woody fragrance is weak are usually describing correct physics.
4. There are four boxes on this grid, not two. Loud and rough is the commonest thing on the mass market: volume is cheap, and volume hides the roughness. Loud and fine exists and is expensive to make, because a high-projection fragrance is exposed to a great many noses at once. Quiet and fine is what most people mean by quiet luxury — restrained by design, smooth under inspection. Quiet and rough is a thin formula sold as restraint, and it is the one to watch for: sharp at minute five, hollow at minute thirty, and collapsed into flat sweetness by hour three.
5. And where an attar sits, stated plainly. A SOSA attar has no alcohol in it at all. The concentrate is carried on sandalwood oil and jojoba, applied with a dab applicator, and there is nothing to launch it outward. It therefore lives in the low-projection column by construction — six to eight hours on skin, noticeable within roughly an arm's length, and essentially invisible from across a room. If projection is the property you actually value, an eau de parfum is the right product and we would rather tell you than sell you an oil you will spend a year arguing with.
TL;DR: projection is a rate of evaporation, set by vapour pressure, solvent, dose and skin temperature. Quality is the purity and construction of what is evaporating. They are close to independent, and woody materials are heavy enough that low reach is normal rather than a defect. Grade a woody fragrance on smoothness at minute five, continuity at minute thirty and shape at hour four — none of which requires it to be smelled from three metres away.
When you want presence instead
titan solid perfume ₹500
If low projection is the part you cannot live with, the honest move inside the SOSA range is not a different attar but a different product. titan is a 15g solid balm at ₹500 — Arabica coffee, burnt wood and black pepper over frankincense resin and warm cedar smoke. It is assertive and smoky and makes no attempt at restraint. It still will not fill a room the way an alcohol spray does, because no alcohol-free format will, and we would rather be clear about that than let you discover it after purchase.
Why these two things became the same word
Blame the shop. A fragrance counter gives you about ninety seconds, a paper strip and a nose already saturated by everything sprayed in the previous hour. In those conditions the only property that transmits reliably is intensity — smoothness needs three quiet minutes, continuity needs half an hour, and shape needs an afternoon. So the whole retail apparatus optimised for the variable it could actually demonstrate, and buyers learned, quite rationally, that the fragrance which hit hardest on the strip was the better one. That training does not survive contact with a woody oil, and the usual verdict is that the oil is weak rather than that the test is wrong.
Then online reviewing hardened it. Performance vocabulary — projection, sillage, beast mode, nuclear — is easy to write, easy to compare and produces satisfying rankings. Texture vocabulary is hard: smoothness, roundness, seamlessness and the absence of a scratchy edge are difficult to describe and impossible to rank numerically. So the measurable variable became the discussed variable, and the discussed variable became the one people believe indicates quality. It is worth knowing that this is a historical accident of how fragrance gets talked about, not a fact about how fragrance is made.
The three decisions if a quiet woody fragrance is on your shortlist
1
DECISION ONE · WHAT ARE YOU BUYING FOR
Reach and refinement are separate purchases
Four attarsFrom ₹379Write down which one you actually want before you spend anything. If the answer is "I want people to notice me when I walk in", you are shopping for projection, and the product category that does that is an alcohol-based eau de parfum — buy one and be happy. If the answer is "I want the person sitting next to me to find something well made", you are shopping for texture, and an attar is built for exactly that. The unhappiest fragrance purchases are made by people who wanted the first and bought the second.
Quick test: at what distance do you want to be smelled? Three metres and one metre are different products.
2
DECISION TWO · TEST FOR GRADE, NOT REACH
Three checks that cost nothing
Put one dab on the inside of a wrist and run three tests through the day. Minute five: is there a thin, bright, slightly metallic edge behind the smell? That edge is impurity and it is the clearest sign of a cheap material. Minute thirty: is there a hole — a stretch where the top has gone and the base has not arrived? That is a formula built at the two ends with nothing in the middle. Hour four: is it still recognisably the same fragrance, or has it flattened into anonymous sweetness? Collapse is what cheapness looks like in the long run. None of the three requires the fragrance to travel a centimetre further than your own nose.
Worth knowing: you adapt to your own scent in about twenty minutes. For the hour-four test ask somebody who has just walked up to you.
3
DECISION THREE · DOSE HONESTLY
More dabs is not more reach
The natural response to a quiet oil is to apply more of it, and it does not do what people expect. Increasing the dose raises the concentration in the air immediately around you; it does very little to the distance at which you can be detected, because that is governed by vapour pressure rather than by quantity. The practical result of four dabs is not a scent trail but a dense pocket within half a metre of your body — which, in a shared office or a car, is the least comfortable outcome of all. One dab is a whisper, two is a sentence, and three is usually a mistake being made hopefully.
The four woods, and how each behaves on the projection axis
Reach varies across the woody family more than people expect, and it has nothing to do with grade. Read across, and read the third column, where we say what SOSA does not make.
The woody family
Four woods, four different evaporation behaviours
| The wood | What it actually smells like | Where it is in the SOSA range |
|---|---|---|
| Oud / agarwood (dark wood) ★ | dense, resinous, animalic at the edges, medicinal in some distillations — the heaviest wood in common use and the one most people either love immediately or find suffocating | white royal oud leads Nawaab; a soft oudh sits deep in Ameeri |
| Sandalwood (creamy wood) | creamy, milky, soft-edged, faintly lactonic — the opposite of dry; it rounds everything it is put beside and is the reason a woody fragrance can feel comforting rather than austere | Indian sandalwood in Ameeri, beside Taif rose; and Mysore sandalwood in Nawaab, beside white royal oud and Kashmir saffron. It is also the carrier oil under every SOSA attar |
| Cedar (dry wood) | dry, pencil-shaving, slightly pencil-box and slightly resinous — the driest of the common woods, with no creaminess and no sweetness of its own | a base note in Adaa, sitting under bergamot, cardamom and white musk; and as cedar smoke in the titan and Siren solid perfumes |
| Woody musk | not a wood and not quite a smell — a soft, warm, skin-like diffusion that makes everything above it read cleaner and last longer; "woody musk" means a musk with a dry woody facet rather than a powdery or soapy one | white musk with cedarwood in the Adaa base — the closest thing in the range to a clean woody-musk skin scent |
| Vetiver (rooty, earthy) | a grass root rather than a wood at all — earthy, smoky-green, slightly bitter, cooling on skin; grouped with woods because it behaves like one in a composition | nothing wearable. SOSA makes a vetiver car perfume and nothing else with vetiver in it. There is no vetiver attar and no vetiver solid |
| Read the third column before the second. Four of the five entries above are notes SOSA uses, and one is a note SOSA does not make in any wearable form. We would rather lose the sale than sell you a rose-sandalwood attar because you searched for vetiver. Oud and sandalwood are the heaviest and the slowest to leave the skin, which is why they last longest and travel least. Cedar and musk sit slightly lighter. | ||
Shop this guide
If you are grading on texture rather than reach
Adaa · daytimeFrom ₹379Shop → Nawaab · eveningFrom ₹399Shop → Pack of 3 · try the rangeFrom ₹1,055Shop →
The SOSA principle
Longevity and projection are, in the woody family, close to a trade-off.
The same low vapour pressure that keeps sandalwood on your skin for six hours is what stops it reaching the far side of a room. A wood that projected like citrus would also be gone like citrus.
How to grade a quiet woody fragrance without fooling yourself
One product, one day, one wrist. Comparative testing on skin is how people talk themselves into bad conclusions — two fragrances on two arms interfere with each other and with your own adaptation. Wear one thing. Put a single dab on the inside of a wrist, which runs warm enough to keep a heavy wood moving, and then get on with your life. The tests that matter happen at minute five, minute thirty and hour four, and none of them needs a second sample.
Use a borrowed nose for the verdict that counts. Olfactory adaptation is not a minor effect: within about twenty minutes your receptors largely stop reporting a smell that is not changing, and the effect is stronger on quiet fragrances. The wearer of a good woody attar routinely believes it has vanished by lunchtime while every colleague can still smell it clearly. Ask somebody at 4pm whether it reads smooth or sharp — not whether they can smell it at all.
Do not use warmth as a substitute for quality, and do not fight the chemistry. Heat raises vapour pressure, so the same attar will read louder on a hot Pune afternoon than in an air-conditioned office, and louder on oily skin than on dry. That is a legitimate lever to use — apply to the throat rather than the forearm if you want more presence — but it changes reach, not grade. If more presence is what you want permanently, change format rather than technique.
You cannot hear grade from three metres away. Everything that makes a fragrance good is audible at thirty centimetres — and nowhere else.
— Sonal Sahani, SOSA
What to buy
A ladder for the reader who has separated the two axes and decided which one they are actually shopping on. The bottom row is the correct answer for anyone who chose reach.
The two-axis edit
What to buy once you know which variable you care about
| Buy | What it is | Wears | Price |
|---|---|---|---|
| Adaa | Cedarwood and white musk under a fresh top — quiet by construction and clean enough to survive it — cedarwood and white musk under bergamot and green cardamom | 6–8 hours per dab | 3ml ₹379 |
| Nawaab ★ | White royal oud, Mysore sandalwood, Kashmir saffron — the heaviest and slowest in the range, which is why it lasts longest and travels least — oud, Mysore sandalwood, saffron | 6–8 hours per dab | 3ml ₹399 |
| Ameeri | Taif rose over Indian sandalwood — creamy rather than pale, and a good test of whether you like warmth at close range — Taif rose over Indian sandalwood | 6–8 hours per dab | 3ml ₹385 |
| titan (solid) | Burnt wood, black pepper, cedar smoke — more assertive than any of the attars, in a solid balm — but still not a room-filler, and we will not claim otherwise | 6–8 hours | ₹500 |
| Buy nothing here | If reach is the variable you are actually buying on, keep your eau de parfum. No alcohol-free format competes on projection and no application trick closes that gap — telling you so costs us the sale and is still the right answer | Not our sale to make | ₹0 |
Honest notes before you buy: three things before you spend anything. First, “woody” is four different smells wearing one word. Dry woods (cedar) are pale and unsweet; creamy woods (sandalwood) are soft and milky; dark woods (oud) are dense and resinous; and vetiver is not a wood at all but a root that behaves like one. People who say they love woody perfume and then dislike everything we suggest have almost always fallen into the gap between two of those four. Work out which one you mean before you buy, and the purchase gets easy. Second, an attar persists rather than projects. There is no alcohol to launch it, so a SOSA attar sits close to the skin for six to eight hours instead of filling a room — if you want a woody scent noticed from across an office, an eau de parfum does that job better and we will say so. Third, we do not make every wood. There is no vetiver in any SOSA wearable and no cedar-led attar; cedar is a base note in Adaa and cedar smoke in the titan solid. Where the honest answer is that we have nothing for you, that is what the page will say. All SOSA attars are alcohol-free, DPG-free and IFRA-compliant, carried on sandalwood oil and jojoba, hand-blended in Pune, applied with a dab applicator rather than sprayed. Fragrance sensitivity is individual; patch-test if your skin reacts to new products. A portion of every order supports girl-child education through Nanhi Kali.
The dry, cool end of the range
SOSA Adaa From ₹379
Adaa is the SOSA attar people mean when they say they want woody but light. Bergamot, green cardamom and neroli on top; jasmine sambac and magnolia through the middle; white musk and cedarwood underneath, which is where the woodiness actually lives. It reads as composed rather than sweet, wears equally on any skin, and is the lightest thing in the range. 3ml ₹379 · 6ml ₹669 · 12ml ₹1,149, alcohol-free and DPG-free, 6–8 hours on skin.
SS
ISIPCA
Versailles
Versailles
A note from Sonal
The message I get most often about the attars is some version of "I love it but I wish it were stronger". What almost all of those people mean is that they wish it reached further, and that is a request I cannot meet with an oil. There is no alcohol in the bottle to throw it off your skin, and adding concentrate does not substitute for that — it just puts more material in the same small space. I would rather say that clearly than keep selling 12ml bottles to somebody who wants a different product.
What I do work on is the part that is actually mine to control. Whether the opening has an edge on it. Whether there is a hole at twenty-five minutes. Whether Nawaab still has the Mysore sandalwood legible under the oud at the fifth hour or has slumped into generic sweetness. Those are purchasing and formulation decisions and they are where the price of a bottle actually goes — not into how far it travels.
If you have spent years grading fragrance by reach, an attar will disorient you for about a week. Some people never come round to it and go back to sprays, which is a completely reasonable outcome. Three millilitres is ₹379, which is a cheap way to find out which kind of wearer you are. A portion of every order funds a girl's classroom through Nanhi Kali.
Frequently asked questions
Does low projection mean a perfume is cheap?
No. Projection is a rate of evaporation, set by vapour pressure, how much solvent is carrying the material off your skin, how much you applied and how warm you are. Quality is the purity and construction of the material itself. A fragrance can be quiet and flawless or loud and rough — volume is the cheapest property in perfumery to manufacture, which is why it is a poor proxy for grade.
Why do woody perfumes project less than fresh ones?
Because the molecules responsible for sandalwood, cedar and oud character are relatively heavy and have low vapour pressure, so fewer of them leave warm skin per minute. That is the same property that makes woods last six to eight hours. In this family longevity and projection are close to a trade-off: a wood that travelled like citrus would also disappear like citrus.
How do I tell a restrained fragrance from a thin one?
Three checks. At minute five, listen for a thin or metallic edge behind the smell — that is material impurity. At minute thirty, listen for a hole where the top has left and the base has not arrived. At hour four, ask whether it is still recognisably the same fragrance or has flattened into generic sweetness. A thin formula fails at least two of the three; a restrained one passes all of them quietly.
Will more dabs make an attar project further?
Not meaningfully. Extra dabs raise the concentration in the air immediately around you but do very little to the distance at which you can be detected, because that depends on volatility rather than quantity. Four dabs produces a dense pocket within half a metre rather than a scent trail, which in a shared office is the worst of both outcomes. One dab is a whisper, two is a sentence.
Which SOSA attar should I choose if I want depth rather than reach?
Nawaab, from ₹399 for 3ml — white royal oud with Mysore sandalwood and Kashmir saffron, the heaviest and slowest composition in the range. If you want the same discipline in a cooler, drier register, Adaa at ₹379 does it with cedarwood and white musk instead. Both are alcohol-free, dab-applied, and wear 6–8 hours on skin.
Two axes, not one
Projection is physics. Quality is purchasing. Stop grading one with the other
SOSA attars hand-blended in Pune by an ISIPCA Versailles-trained perfumer: Adaa from ₹379 with cedarwood and white musk in the base, Ameeri from ₹385 on Taif rose and Indian sandalwood, Nawaab from ₹399 on white royal oud, Mysore sandalwood and Kashmir saffron. The titan solid perfume at ₹500 for burnt wood and cedar smoke. Alcohol-free, DPG-free, IFRA-compliant, dab applicator, 6–8 hours on skin. An attar persists rather than projects — if you want reach, buy a spray.
Shop SOSA attars → Pack of 3 from ₹1,055
Continue the read
More on the quiet end of the woody family
- Why quiet fragrances need better materials — nowhere to hide an edge.
- How far a woody attar actually travels — measured, not guessed.
- Heavy vs strong — two more words people use interchangeably.
- Why an attar works at conversation distance — the geometry of an oil.
- Brand: the SOSA founder story.
Editorial standards & sources
About this guide: Written by Sonal Sahani, ISIPCA Versailles-trained founder and perfumer at SOSA Home & Body, on the woody fragrance family and what the SOSA range does and does not contain within it. Note descriptions and wear-time are SOSA’s own for the stated products; how any fragrance performs varies with skin chemistry, temperature and humidity. Fragrance sensitivity is individual and this is general guidance, not medical advice.SOSA products & prices (verified September 2026): Attars (concentrated perfume oil, alcohol-free, DPG-free, IFRA-compliant, dab applicator): Adaa 3ml ₹379 · 6ml ₹669 · 12ml ₹1,149; Ameeri 3ml ₹385 · 6ml ₹679 · 12ml ₹1,165; Mastani 3ml ₹389 · 6ml ₹685 · 12ml ₹1,179; Nawaab 3ml ₹399 · 6ml ₹699 · 12ml ₹1,199; Pack of 3 (Ameeri, Nawaab, Mastani) 3ml ₹1,055 · 6ml ₹1,859 · 12ml ₹3,189. Solid body perfumes (15g balm): Sway ₹459 · Sterling ₹469 · Velour ₹479 · Lust ₹479 · Desire ₹489 · Siren ₹489 · titan ₹500 · Fire ₹509 · Storm ₹529. Carried on sandalwood oil and jojoba, hand-blended in Pune by an ISIPCA Versailles-trained perfumer; 6–8 hours on skin, longer on warm or oily skin. Fragrance sensitivity is individual — patch-test if your skin reacts to new products. Prices and availability subject to change — see the live product pages.