★ Woody attars · sandalwood in context
A note has no fixed character. It has a job, and the job changes with whatever is standing next to it.
In Nawaab, sandalwood sits beside white royal oud and Kashmir saffron. Its job is to smooth a dense, resinous material.
It smooths the oud
In Ameeri, sandalwood sits under Taif rose. Its job is to give a bright floral a floor to stand on and hours to stand for.
It floors the rose
The nose assigns figure and ground. Whichever material is more intense becomes the figure, and sandalwood is rarely the loudest thing in a room.
Figure and ground
Rose and sandalwood is one of the oldest pairings in Indian perfumery — the rose distilled directly into sandalwood oil.
An old partnership
Every SOSA attar is carried on sandalwood oil and jojoba, so a little sandalwood is present even where the note list does not mention it.
Sandalwood underneath
There is no single-note sandalwood attar in this range. It is always accompanied, and we would rather say so than imply otherwise.
Always accompanied
In Nawaab, sandalwood sits beside white royal oud and Kashmir saffron. Its job is to smooth a dense, resinous material.
It smooths the oud
In Ameeri, sandalwood sits under Taif rose. Its job is to give a bright floral a floor to stand on and hours to stand for.
It floors the rose
The nose assigns figure and ground. Whichever material is more intense becomes the figure, and sandalwood is rarely the loudest thing in a room.
Figure and ground
Rose and sandalwood is one of the oldest pairings in Indian perfumery — the rose distilled directly into sandalwood oil.
An old partnership
Every SOSA attar is carried on sandalwood oil and jojoba, so a little sandalwood is present even where the note list does not mention it.
Sandalwood underneath
There is no single-note sandalwood attar in this range. It is always accompanied, and we would rather say so than imply otherwise.
Always accompanied
✓ Four woods, not one — cedar, sandalwood, oud and vetiver behave differently ✓ Alcohol-free, DPG-free, dab applicator · 3ml from ₹379 · 6–8 hours on skin ✓ We will tell you when SOSA does not make the wood you are asking for
Founder Diaries · Woody fragrance
In Ameeri: Indian sandalwood sits under Taif rose. Rose is bright and high-pitched, so sandalwood becomes the creamy ground and is clearly audible as a wood.
The rule: the nose picks the most intense material as the subject and hears everything else as context.
The limit: there is no single-note sandalwood attar in this range. It is always accompanied.
AmeeriFrom ₹385If you want to be able to point at the sandalwood and name it, Ameeri is the purchase — the rose sits above it and the wood is plainly there underneath, creamy and warm, for six to eight hours. If you want sandalwood as an effect rather than a smell, Nawaab is where it does the more impressive work: you will talk about the oud and the saffron and the reason the whole thing feels expensive is the wood you did not mention. Both are correct answers to "I like sandalwood" and they are not interchangeable.
Adaa · daytimeFrom ₹379Shop → Nawaab · eveningFrom ₹399Shop → Pack of 3 · try the rangeFrom ₹1,055Shop →
SOSA products & prices (verified September 2026): Attars (concentrated perfume oil, alcohol-free, DPG-free, IFRA-compliant, dab applicator): Adaa 3ml ₹379 · 6ml ₹669 · 12ml ₹1,149; Ameeri 3ml ₹385 · 6ml ₹679 · 12ml ₹1,165; Mastani 3ml ₹389 · 6ml ₹685 · 12ml ₹1,179; Nawaab 3ml ₹399 · 6ml ₹699 · 12ml ₹1,199; Pack of 3 (Ameeri, Nawaab, Mastani) 3ml ₹1,055 · 6ml ₹1,859 · 12ml ₹3,189. Solid body perfumes (15g balm): Sway ₹459 · Sterling ₹469 · Velour ₹479 · Lust ₹479 · Desire ₹489 · Siren ₹489 · titan ₹500 · Fire ₹509 · Storm ₹529. Carried on sandalwood oil and jojoba, hand-blended in Pune by an ISIPCA Versailles-trained perfumer; 6–8 hours on skin, longer on warm or oily skin. Fragrance sensitivity is individual — patch-test if your skin reacts to new products. Prices and availability subject to change — see the live product pages.
Put a dab of Nawaab on one wrist and a dab of Ameeri on the other and you will not believe that both contain sandalwood. In one it is a smoothness you can barely name; in the other it is the creamy floor holding up a rose. Nothing about the wood has changed. What has changed is what stands next to it — and understanding that one mechanism explains more about why fragrances disappoint people than any amount of note-list reading.
Quick answers — read this first
In Nawaab: Mysore sandalwood sits beside white royal oud and Kashmir saffron. Oud is louder, so sandalwood becomes texture — the thing that keeps oud from being harsh.In Ameeri: Indian sandalwood sits under Taif rose. Rose is bright and high-pitched, so sandalwood becomes the creamy ground and is clearly audible as a wood.
The rule: the nose picks the most intense material as the subject and hears everything else as context.
The limit: there is no single-note sandalwood attar in this range. It is always accompanied.
The short answer
Short answer: Because a note’s character is set by its neighbours. Beside white royal oud in Nawaab, sandalwood reads as smoothness — it rounds the resinous, medicinal edges of the oud and you experience it as texture rather than as wood. Beneath Taif rose in Ameeri, the same wood reads as a creamy floor, plainly audible and giving the rose body and hours.
The perceptual mechanism: The nose organises a mixture into figure and ground, and the more intense material becomes the figure. Oud is one of the most intense materials in perfumery; a good rose is bright and insistent. Sandalwood is neither, which is why it so often ends up as the ground — and why it is the most useful supporting wood there is.
The honest bit: SOSA makes no single-note sandalwood attar. Sandalwood is in Nawaab beside oud and saffron, in Ameeri beside rose, and in the carrier oil under every attar we make. If you want sandalwood alone and unaccompanied, that is a soliflore and we do not build one.
In this guide
Straight answer
Why does the sandalwood in Nawaab smell different from the sandalwood in Ameeri?
1. In Nawaab, sandalwood is doing structural diplomacy. White royal oud leads that attar, and oud is dense, resinous and — depending on the distillation — capable of a medicinal or animalic sharpness that divides people in the first ten minutes. Mysore sandalwood beside it does something specific: it fills the gaps, rounds the edges and gives the oud a smooth surface to sit on, while Kashmir saffron adds a dry, leathery-golden lift above. You do not consciously smell the sandalwood; you notice that the oud is not harsh. That is the note doing its job invisibly, and it is the reason Nawaab reads as luxurious rather than as challenging.
2. In Ameeri, sandalwood is the floor and you can hear it. Taif rose is bright, high-pitched and slightly green-lemony at the top — beautiful and, alone, a little weightless on skin. Indian sandalwood underneath gives it a creamy, milky body to stand on, extends its life by hours, and adds the soft warmth that makes the whole thing read festive rather than fresh. Here the wood is plainly audible, because rose and sandalwood occupy different registers rather than competing for the same one. This pairing is not our invention: distilling rose directly into sandalwood oil is one of the oldest attar traditions in India.
3. The mechanism underneath both: figure and ground. When you smell a mixture, your nose does not enumerate its parts — it organises them, promoting the most intense or most unfamiliar material to the foreground and hearing everything else as context. Oud is among the most intense materials in perfumery; a good Taif rose is insistent in a different way. Sandalwood is rarely the loudest thing present, which is why it so reliably becomes the ground — and why it is the most useful supporting wood a perfumer has.
4. There is also a material difference, and we will name it. Nawaab specifies Mysore sandalwood; Ameeri specifies Indian sandalwood. Both are of the same botanical family and both give the creamy, soft-edged character the note is known for, but no two sandalwood materials are identical — origin, tree age and distillation all shift the balance between the milky and the woody facets. So the difference you smell between the two attars is mostly context and partly material. Anyone who tells you it is entirely one or the other is simplifying.
5. And a detail most houses never mention: the carrier. Every SOSA attar is carried on sandalwood oil and jojoba. That means a quiet layer of sandalwood sits under all four of them, including Adaa, which does not list it as a note. It is not enough to make Adaa a sandalwood fragrance — the cedarwood and white musk in its base are what you will smell — but it is part of why SOSA attars have a family resemblance in the dry-down. We would rather explain that than let you discover it and wonder.
2. In Ameeri, sandalwood is the floor and you can hear it. Taif rose is bright, high-pitched and slightly green-lemony at the top — beautiful and, alone, a little weightless on skin. Indian sandalwood underneath gives it a creamy, milky body to stand on, extends its life by hours, and adds the soft warmth that makes the whole thing read festive rather than fresh. Here the wood is plainly audible, because rose and sandalwood occupy different registers rather than competing for the same one. This pairing is not our invention: distilling rose directly into sandalwood oil is one of the oldest attar traditions in India.
3. The mechanism underneath both: figure and ground. When you smell a mixture, your nose does not enumerate its parts — it organises them, promoting the most intense or most unfamiliar material to the foreground and hearing everything else as context. Oud is among the most intense materials in perfumery; a good Taif rose is insistent in a different way. Sandalwood is rarely the loudest thing present, which is why it so reliably becomes the ground — and why it is the most useful supporting wood a perfumer has.
4. There is also a material difference, and we will name it. Nawaab specifies Mysore sandalwood; Ameeri specifies Indian sandalwood. Both are of the same botanical family and both give the creamy, soft-edged character the note is known for, but no two sandalwood materials are identical — origin, tree age and distillation all shift the balance between the milky and the woody facets. So the difference you smell between the two attars is mostly context and partly material. Anyone who tells you it is entirely one or the other is simplifying.
5. And a detail most houses never mention: the carrier. Every SOSA attar is carried on sandalwood oil and jojoba. That means a quiet layer of sandalwood sits under all four of them, including Adaa, which does not list it as a note. It is not enough to make Adaa a sandalwood fragrance — the cedarwood and white musk in its base are what you will smell — but it is part of why SOSA attars have a family resemblance in the dry-down. We would rather explain that than let you discover it and wonder.
TL;DR: the same wood does two jobs. In Nawaab, Mysore sandalwood stands beside white royal oud and reads as smoothness — it rounds the oud rather than announcing itself. In Ameeri, Indian sandalwood sits under Taif rose and reads as a creamy floor, clearly audible and giving the rose body and hours. The nose promotes the most intense material to the foreground and hears the rest as context. There is no single-note sandalwood attar in this range.
Sandalwood as the floor
SOSA Ameeri From ₹385
Ameeri is Taif rose over Indian sandalwood — the pairing where you can actually hear the wood. The rose is bright and slightly green at the top; the sandalwood underneath gives it body, warmth and six to eight hours it would not have alone. 3ml ₹385 · 6ml ₹679 · 12ml ₹1,165, alcohol-free and DPG-free. Buy this one if you want sandalwood you can identify.
Why context rewrites a note more thoroughly than people expect
Two things are happening at once. The first is straightforward masking: a more intense material occupies the nose’s attention and a less intense one becomes hard to detect separately, even though it is contributing to the total impression. The second is contrast. Placed beside something dense and resinous, sandalwood’s creaminess is exaggerated and reads as relief; placed beside something bright and floral, the same creaminess reads as depth. The wood is the same and your perception of it has been deliberately steered by the perfumer. This is most of what composition is, and it is why note lists are such poor predictors of how a fragrance will feel.
It also explains a very common shopping error. Someone falls in love with sandalwood in a rose fragrance, concludes that sandalwood is their note, and buys an oud-sandalwood composition expecting the same pleasure. What they loved was the interaction, not the ingredient. The useful question is never "do I like sandalwood" but "do I like sandalwood next to what". Beside rose it is festive and warm; beside oud it is smooth and serious; beside a clean musk it would be a skin scent; alone it is quiet, meditative and, for many people, considerably less interesting than they expected.
Three decisions if sandalwood is the thing you are chasing
1
DECISION ONE · AUDIBLE OR INVISIBLE
Do you want to smell the wood or feel it
AmeeriFrom ₹385If you want to be able to point at the sandalwood and name it, Ameeri is the purchase — the rose sits above it and the wood is plainly there underneath, creamy and warm, for six to eight hours. If you want sandalwood as an effect rather than a smell, Nawaab is where it does the more impressive work: you will talk about the oud and the saffron and the reason the whole thing feels expensive is the wood you did not mention. Both are correct answers to "I like sandalwood" and they are not interchangeable.
Quick test: when you describe fragrances you love, do you name ingredients or textures? Ingredient-namers want Ameeri; texture-describers want Nawaab.
2
DECISION TWO · WARM OR SERIOUS
The two attars occupy different social registers
Ameeri is festive. Rose over sandalwood is celebratory in India in a way that needs no explanation — it belongs to weddings, to good clothes, to evenings that matter. Nawaab is the other register: rich, deep, a little formal, marketed as masculine luxury and thoroughly unisex on skin. Neither is an office fragrance and we would not pretend otherwise. Both are for occasions where a fragrance is part of what you are wearing rather than something you have forgotten about by ten in the morning.
What we would not do: call either of them a sandalwood attar. Sandalwood is a component in both, and the headline is rose in one and oud in the other.
3
DECISION THREE · WHICH SIZE TO TEST IN
This is a comparison worth doing properly
The only way to understand this page is to wear both on the same day, one per wrist, and pay attention at hour four rather than at minute four. The Pack of 3 from ₹1,055 contains Ameeri and Nawaab together with Mastani, which makes the comparison straightforward and costs less than buying two 3ml bottles separately in most combinations. Do not attempt this on paper strips — sandalwood is one of the materials that behaves least like itself on blotter and most like itself on warm skin.
Sandalwood among the other three woods
Read the second column for why sandalwood is so good at supporting other materials, and the third for exactly where it sits in this range — always beside something.
Sandalwood in company
The supporting wood, and what it is supporting here
| The wood | What it actually smells like | Where it is in the SOSA range |
|---|---|---|
| Sandalwood (creamy wood) ★ | creamy, milky, soft-edged, faintly lactonic — the opposite of dry; it rounds everything it is put beside and is the reason a woody fragrance can feel comforting rather than austere | Indian sandalwood in Ameeri, beside Taif rose; and Mysore sandalwood in Nawaab, beside white royal oud and Kashmir saffron. It is also the carrier oil under every SOSA attar |
| Oud / agarwood (dark wood) | dense, resinous, animalic at the edges, medicinal in some distillations — the heaviest wood in common use and the one most people either love immediately or find suffocating | white royal oud leads Nawaab; a soft oudh sits deep in Ameeri |
| Cedar (dry wood) | dry, pencil-shaving, slightly pencil-box and slightly resinous — the driest of the common woods, with no creaminess and no sweetness of its own | a base note in Adaa, sitting under bergamot, cardamom and white musk; and as cedar smoke in the titan and Siren solid perfumes |
| Vetiver (rooty, earthy) | a grass root rather than a wood at all — earthy, smoky-green, slightly bitter, cooling on skin; grouped with woods because it behaves like one in a composition | nothing wearable. SOSA makes a vetiver car perfume and nothing else with vetiver in it. There is no vetiver attar and no vetiver solid |
| Woody musk | not a wood and not quite a smell — a soft, warm, skin-like diffusion that makes everything above it read cleaner and last longer; "woody musk" means a musk with a dry woody facet rather than a powdery or soapy one | white musk with cedarwood in the Adaa base — the closest thing in the range to a clean woody-musk skin scent |
| Read the third column before the second. Four of the five entries above are notes SOSA uses, and one is a note SOSA does not make in any wearable form. We would rather lose the sale than sell you a rose-sandalwood attar because you searched for vetiver. On this page the third column matters for one reason: sandalwood appears twice in the range and is alone in neither place. | ||
Shop this guide
Both sides of the comparison
Adaa · daytimeFrom ₹379Shop → Nawaab · eveningFrom ₹399Shop → Pack of 3 · try the rangeFrom ₹1,055Shop →
The SOSA principle
A note has no character of its own. It has a job, and neighbours decide what the job is.
Which is why "do I like sandalwood" is the wrong question and "do I like sandalwood beside rose, or beside oud" is the right one. The two produce different fragrances and, quite often, different customers.
How to run this comparison on your own skin
One dab of each, one on each wrist, and no rubbing. Apply them at the same time so they age together, and keep them far enough apart that you can smell them separately — wrist and opposite wrist, not two points on the same arm. Rubbing shears the film and bruises the top notes, which matters more for the rose than for the oud.
Judge at hour one, hour four and hour seven. The two attars diverge most at the beginning and converge somewhat at the end, because sandalwood and the carrier are what remain in both. That late convergence is the clearest possible demonstration of this page’s argument, and you cannot experience it from a shop counter.
Do not judge either from a blotter. Sandalwood needs skin warmth to show its creamy side; on paper it reads thinner, drier and more generic than it will on you. Oud and rose both survive paper better, which is exactly why a paper test of these two attars will exaggerate the difference between them and mislead you about the wood.
Put sandalwood beside oud and it becomes smoothness. Put it beside rose and it becomes ground. Same wood, two different questions answered.
— Sonal Sahani, SOSA
What to buy
A ladder for a reader who already knows sandalwood is their wood and is deciding which company to buy it in.
The sandalwood-in-context edit
Which sandalwood you actually want
| Buy | What it is | Wears | Price |
|---|---|---|---|
| Adaa | Cedarwood and white musk under a fresh top — the cedarwood-and-musk alternative — listed here only because some readers who say sandalwood mean "soft and unsweet" and would prefer this | 6–8 hours per dab | 3ml ₹379 |
| Nawaab ★ | White royal oud, Mysore sandalwood, Kashmir saffron — sandalwood as smoothness, beside white royal oud and Kashmir saffron — the wood doing invisible work in the richest thing we make | 6–8 hours per dab | 3ml ₹399 |
| Ameeri | Taif rose over Indian sandalwood — sandalwood as a creamy floor under Taif rose — the one where you can hear the wood plainly | 6–8 hours per dab | 3ml ₹385 |
| titan (solid) | Burnt wood, black pepper, cedar smoke — no sandalwood at all; a smoky solid for readers who arrive at this page and discover they wanted burnt wood instead | 6–8 hours | ₹500 |
| Buy nothing here | If you want sandalwood alone, unaccompanied, buy a sandalwood soliflore from a house that makes one. Ours is always beside something, and calling either of these attars a sandalwood fragrance would be stretching the word | Not our sale to make | ₹0 |
Honest notes before you buy: three things before you spend anything. First, “woody” is four different smells wearing one word. Dry woods (cedar) are pale and unsweet; creamy woods (sandalwood) are soft and milky; dark woods (oud) are dense and resinous; and vetiver is not a wood at all but a root that behaves like one. People who say they love woody perfume and then dislike everything we suggest have almost always fallen into the gap between two of those four. Work out which one you mean before you buy, and the purchase gets easy. Second, an attar persists rather than projects. There is no alcohol to launch it, so a SOSA attar sits close to the skin for six to eight hours instead of filling a room — if you want a woody scent noticed from across an office, an eau de parfum does that job better and we will say so. Third, we do not make every wood. There is no vetiver in any SOSA wearable and no cedar-led attar; cedar is a base note in Adaa and cedar smoke in the titan solid. Where the honest answer is that we have nothing for you, that is what the page will say. All SOSA attars are alcohol-free, DPG-free and IFRA-compliant, carried on sandalwood oil and jojoba, hand-blended in Pune, applied with a dab applicator rather than sprayed. Fragrance sensitivity is individual; patch-test if your skin reacts to new products. A portion of every order supports girl-child education through Nanhi Kali.
Sandalwood as the smoothing hand
SOSA Nawaab From ₹399
Nawaab is white royal oud with Mysore sandalwood and Kashmir saffron — the same wood doing invisible work. You will notice the oud and the saffron; what you will not notice, and what is doing most of the work, is the sandalwood keeping the whole thing smooth. 3ml ₹399 · 6ml ₹699 · 12ml ₹1,199, 6–8 hours on skin. Buy this one if you want sandalwood you can feel.
SS
ISIPCA
Versailles
Versailles
A note from Sonal
This comparison is the one I use when someone tells me they like a note. Sandalwood is in two of my attars and it is doing entirely different work in each, and if you had smelled only one of them you would have a confident and incomplete idea of what sandalwood is. Notes do not have personalities. They have jobs.
In Nawaab the Mysore sandalwood is there to make the white royal oud liveable. Oud can be magnificent and it can also be sharp, and the sandalwood fills in around it so that what you experience is depth rather than an edge. In Ameeri the Indian sandalwood is doing the opposite — holding up a Taif rose that would otherwise float away after two hours, and giving it a creamy warmth that is, to me, the most Indian thing in the whole range.
What I do not have is a sandalwood on its own. It is a beautiful material and a soliflore of it is a quiet, meditative fragrance that I have never quite wanted to add to a four-attar range. If that is what you are looking for, buy it from someone who specialises in it. If you want to understand what sandalwood does, wear these two on opposite wrists for one day — the Pack of 3 from ₹1,055 makes that easy. A portion of every order funds a girl’s classroom through Nanhi Kali.
Frequently asked questions
Why does sandalwood smell different in Nawaab and Ameeri?
Because its neighbours are different. In Nawaab it sits beside white royal oud and Kashmir saffron, where its job is to smooth a dense, resinous material, so you perceive texture rather than wood. In Ameeri it sits under Taif rose, where it is the creamy floor and is plainly audible. The nose promotes the most intense material to the foreground and hears the rest as context.
Which SOSA attar has more sandalwood in it?
We publish notes, not percentages, so the honest answer is that you should choose by role rather than by quantity. If you want to smell the sandalwood, buy Ameeri (3ml ₹385); if you want to feel it, buy Nawaab (3ml ₹399). Both are alcohol-free, both wear 6–8 hours, and both are carried on sandalwood oil and jojoba in addition to their listed notes.
Is there a single-note sandalwood attar at SOSA?
No. Sandalwood is always accompanied in this range — beside oud and saffron in Nawaab, beside Taif rose in Ameeri, and present quietly in the carrier oil under all four attars. A sandalwood soliflore is a legitimate thing to want and we do not make one.
Is rose and sandalwood a traditional Indian combination?
Yes, and a very old one. Distilling rose directly into sandalwood oil is a long-established attar method in India, which is why the pairing feels familiar and celebratory to Indian noses. Ameeri is a modern expression of that tradition: Taif rose over Indian sandalwood, 3ml ₹385.
How should I compare the two at home?
One dab of each on opposite wrists, applied at the same time, no rubbing, and judged at hour one, hour four and hour seven. They diverge most at the start and converge at the end, because sandalwood and the carrier are what remain in both. Do not use paper strips — sandalwood shows its creamy character only on warm skin.
Two sandalwoods, one range
Beside oud it becomes smoothness. Beneath rose it becomes ground.
SOSA attars hand-blended in Pune by an ISIPCA Versailles-trained perfumer. Nawaab from ₹399 — white royal oud, Mysore sandalwood, Kashmir saffron. Ameeri from ₹385 — Taif rose over Indian sandalwood. Adaa from ₹379 — cedarwood and white musk in the base. Pack of 3 with Ameeri, Nawaab and Mastani from ₹1,055. Alcohol-free, DPG-free, IFRA-compliant, carried on sandalwood oil and jojoba, dab applicator, 6–8 hours on skin. There is no single-note sandalwood attar in this range.
Shop SOSA attars → Pack of 3 from ₹1,055
Continue the read
More on sandalwood
- What sandalwood actually smells like — the material itself.
- Soft sandalwood, sharp sandalwood — why the same note splits.
- If you love smooth, creamy woods — the router for this direction.
- Does a woody perfume need oud? — what luxury actually costs.
- Brand: the SOSA founder story.
Editorial standards & sources
About this guide: Written by Sonal Sahani, ISIPCA Versailles-trained founder and perfumer at SOSA Home & Body, on the woody fragrance family and what the SOSA range does and does not contain within it. Note descriptions and wear-time are SOSA’s own for the stated products; how any fragrance performs varies with skin chemistry, temperature and humidity. Fragrance sensitivity is individual and this is general guidance, not medical advice.SOSA products & prices (verified September 2026): Attars (concentrated perfume oil, alcohol-free, DPG-free, IFRA-compliant, dab applicator): Adaa 3ml ₹379 · 6ml ₹669 · 12ml ₹1,149; Ameeri 3ml ₹385 · 6ml ₹679 · 12ml ₹1,165; Mastani 3ml ₹389 · 6ml ₹685 · 12ml ₹1,179; Nawaab 3ml ₹399 · 6ml ₹699 · 12ml ₹1,199; Pack of 3 (Ameeri, Nawaab, Mastani) 3ml ₹1,055 · 6ml ₹1,859 · 12ml ₹3,189. Solid body perfumes (15g balm): Sway ₹459 · Sterling ₹469 · Velour ₹479 · Lust ₹479 · Desire ₹489 · Siren ₹489 · titan ₹500 · Fire ₹509 · Storm ₹529. Carried on sandalwood oil and jojoba, hand-blended in Pune by an ISIPCA Versailles-trained perfumer; 6–8 hours on skin, longer on warm or oily skin. Fragrance sensitivity is individual — patch-test if your skin reacts to new products. Prices and availability subject to change — see the live product pages.