Close-Range Fragrance Without Room-Filling Projection: How to Choose an Attar by Composition, Closeness and Dose

Close-Range Fragrance Without Room-Filling Projection: How to Choose an Attar by Composition, Closeness and Dose

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★ ★ Composition, closeness, dose - and the one question nobody selling fragrance can answerSOSA Adaa 3ml ₹379 · 6ml ₹669 · 12ml ₹1,149 - white musk, vetiver and cedarwood in the base, no oudh in the compositionPublished performance: 6-8 hours on skin. No projection figure exists for any SOSA attar, and none is quoted here
The short version — five things worth checking
For the reader who wants the whole argument in one place before deciding anything, and the nine pages underneath it when they want the detail
  • 1 Three things are yours and one is nobody's. The composition is published and checkable, the format behaves in a knowable way, the dose is entirely in your hands, and what another person thinks is theirs.
  • 2 For a close-range brief, read the base line of a pyramid. Adaa's is white musk, vetiver and cedarwood; Ameeri's is soft oudh, amber and white musk; Nawaab's is amber, leather and musk under an oud-led top.
  • 3 Dose is the largest lever and it is free. One dab at the inner wrist and four at the throat are the same bottle behaving like two different fragrances in a shared room.
  • 4 SOSA publishes 6-8 hours on skin, longer on warm or oily skin, and publishes no projection, sillage or scent-radius figure for any product. There is no industry-standard test for those.
  • 5 Adaa, 3ml ₹379, is the lightest-bodied composition in the range and carries no oudh. Nawaab, 3ml ₹399, is oud-led and the deepest - the wrong bottle for this entire family of questions.
★ See SOSA Adaa - where this family lands ₹379 Ask Sonal which lever to move ₹0
★ The three bases this family keeps returning to, lightest in body first
SOSA Adaa AttarSOSA Adaa Attar · 3ml ₹379Calabrian bergamot, green cardamom and neroli over jasmine sambac, magnolia and ylang ylang, on white musk, vetiver and cedarwood. The least body of the four and no oudh anywhere in itView Adaa →SOSA Ameeri AttarSOSA Ameeri Attar · 3ml ₹385Persian saffron, pink pepper and bergamot over Taif rose and Indian sandalwood, on soft oudh, amber and white musk. The warm answer, a complete dose at one dab rather than a starting pointView Ameeri →SOSA Nawaab AttarSOSA Nawaab Attar · 3ml ₹399White royal oud, Mysore sandalwood, Kashmir saffron and aged tobacco leaf on amber, leather and white musk. The deepest composition in the range, and on this page so you can rule it outView Nawaab →
✓ Every note on this page is quoted off the live SOSA product pages, with nothing added to any pyramid ✓ No distance, radius or rating figure appears anywhere in this family, because SOSA publishes none ✓ Nothing in this family predicts what another person will notice, say or think

Founder Diaries · Close Range · Presence Without Projection
By Sonal Sahani · ISIPCA Versailles 22 min read Updated October 2026
This is the whole argument in one place, and it has four parts: three that belong to you and one that belongs to nobody. You choose the composition, and the part of it that matters for close-range wear is the base, because the base is what is on you during the hours when conversations happen. You choose the format, and an oil dabbed on warm skin behaves differently from an alcohol spray - which is my craft judgement rather than a published figure. You choose the dose, which is the largest of the three levers and the only free one. And then there is the thing you probably came here to ask, which is what the person standing in front of you will make of it, and that is not mine to promise or anyone else's. Nine pages sit under this one. Each takes a part of this further, and this page tells you which.
Quick answers — read this first
What is the honest answer to wanting a fragrance that is pleasant up close but does not fill a room? Three things and a refusal. Buy on the base line of the pyramid, because the top is gone before anybody is close to you - Adaa ends on white musk, vetiver and cedarwood and carries no oudh. Prefer a dabbed oil to a spray, which is a real if smaller factor. Apply one dab at the inner wrist rather than three at the throat, which is the biggest lever and costs nothing. And accept that nobody can tell you what another person will think of it.

Which SOSA attar should I start with? Adaa, the 3ml at ₹379, for nearly everyone who arrives on these pages. It carries the least body of the four attars, it has no oudh in the composition, and three millilitres is a fortnight of honest wearing rather than a commitment. Ameeri at ₹385 is the warm alternative. Nawaab at ₹399 is oud-led and is the wrong bottle for this brief at any dose.

How much should I apply? One dab, one inner wrist, thirty minutes before you leave rather than at the door. If you have been told you wear too much, do exactly that with the bottle you already own for a week before you buy anything - it is the recommendation on the dose page and it costs ₹0. Add a second dab at the other wrist only if a full week shows one genuinely does not last your day, and never move upward to the throat.
The short answer
Short answer: Composition, closeness, dose, and then the refusal. Read the base line of any pyramid first, because the top notes are volatile and gone within half an hour: dry materials such as white musk, vetiver, cedarwood and amberwood carry less body than Madagascar vanilla, tonka, leather, oudh and resinous amber. Choose the format knowing that a dabbed oil has neither an atomiser nor evaporating alcohol to carry material outward - my assessment, not a specification. Then set the dose, which outranks both: one dab at a cool, low site, applied half an hour before you leave. And know that no page, including this one, can tell you what anybody else will think. Adaa, 3ml ₹379, is where the family lands.
The pick: the Adaa 3ml at ₹379 if you are buying. If you already own something you like, run one dab on the wrists for a week first and spend ₹0 - that resolves this for a good share of readers. Ameeri at ₹385 if you want warmth and will dose it smaller.
Next step: pick the page that matches your actual question: why a fragrance fills a room, the white musk and sandalwood confusion, approach against trail, the notes to look for, whether a quiet fragrance is worth having, the dose page, comparing two listings or musk against wood at hour four. Or describe your room and your dose and I will tell you which lever to move.
In this guide
Straight answer
How should I choose an attar for close-range wear without ending up with something that fills the room?
Buy Adaa, the 3ml at ₹379, and apply one dab to one inner wrist half an hour before you leave the house. Then read the rest of this, because the reasoning is what you will still be using in five years when you are looking at a bottle I had nothing to do with. Part one: the composition, and specifically the base. A published pyramid looks like a list of ingredients and is actually a timeline. Materials are sorted into top, heart and base by how quickly each one leaves warm skin, not by how important it is. The top is whatever is volatile enough to reach you at once and light enough to be gone soon - thirty to forty minutes, in practice. The heart carries the next couple of hours. The base is what remains until the end of the wear, which SOSA publishes as six to eight hours on skin and longer on warm or oily skin. Now line that up against your day: you got dressed at eight, you are in a meeting at eleven, you are at dinner at nine. Almost none of your social life happens in the first half hour. So the part of a listing that answers your question is the bottom line of it, which is the line most buyers skip because it is the least decorative. In this range those bases are: white musk, vetiver and cedarwood for Adaa, with no oudh anywhere in the composition; soft oudh, amber and white musk for Ameeri; Mysore sandalwood, oudh, Madagascar vanilla and tonka for Mastani; amber, leather and white musk for Nawaab, under an oud-led opening. Four genuinely different propositions to be standing next to, and the differences are published facts rather than performance claims. Part two: closeness, and the precise status of what I am about to say. SOSA's attars are alcohol-free, DPG-free oils on a sandalwood and jojoba carrier, applied with a dab applicator. An alcohol spray does two things an oil does not: it atomises into droplets fine enough to drift on a room's air, and the alcohol, evaporating off the skin, carries fragrance material outward as it goes. A fixed oil has no equivalent vehicle; it stays where it was placed and releases from that site as your skin warms it. In my experience at the bench and on my own wrist, that makes a dabbed oil sit closer than a spray for a comparable quantity of material. That is my professional assessment as a perfumer. It is not a published specification, and it never becomes a number. SOSA publishes one performance figure - six to eight hours on skin - and publishes nothing whatever about projection, sillage or scent radius, because there is no industry-standard test for those properties. Anybody quoting you a projection figure for an attar is quoting an impression dressed as data. Part three: dose, which is larger than both of the above and costs nothing. Four dabs is not a slightly stronger version of one dab; it is four separate warm surfaces releasing material into the same room for the same six to eight hours. Site matters as much as count: the throat, the neck and behind the ears are warm, high, uncovered and sit directly under the nose of everybody you greet, while the inner wrist is cooler, lower, shaded by a sleeve and inside your own airspace until a conversation is already happening. The hair and the collar are worse than the throat, because fibre holds material far longer than skin does and cannot be reconsidered at lunchtime. And timing is free: every composition is loudest in its first twenty minutes, so applying half an hour before you leave puts that phase in your own bathroom rather than in a lift. If somebody you like has told you that your perfume is too strong, the cheapest experiment available to you is one dab of what you already own, on the wrists only, for a week, and it costs ₹0. I would genuinely rather you did that and never bought anything from me. Part four: the refusal, which goes here rather than at the bottom. You may have come to this page wanting to know what other people will make of your fragrance - whether it is received kindly, whether it is remembered, whether anything is said about it. I cannot tell you that, nobody can, and I am not going to imply it in softer words. What anybody makes of a scent is assembled out of their own associations and their own day, and there is no composition, concentration or price that reaches inside that. What is left when you delete the promise is the three parts above, which are real, checkable and almost entirely sufficient for what you actually want.
What I cannot tell you
I cannot tell you what anyone else will notice, say, feel or think about how you smell, and this family of pages never will. That is not modesty and it is not a legal formality; it is the single rule the whole series is built on. Scent arrives in another person already bound to their history - the same Mysore sandalwood is a temple, a grandmother's cupboard or an expensive hotel depending entirely on who is smelling it - and no bottle has access to that. The reason the claim is so common in fragrance is that it cannot be checked at the till and cannot be disproved for months, which makes it the most commercially efficient sentence available and the least honest. Delete it and you are left with what is in the bottle, how the format behaves and how much you apply. Three things, all real, all yours.

One: composition, which means the base line

If you take a single habit from this family of pages, take this one: read the bottom line of a pyramid before you read the top. It costs nothing, it works on any brand's product page, and it changes which bottles you shortlist. The reason is simply how materials behave - volatility decides position, position decides when you meet a note, and your question is about hours two to six rather than about minute one. Everything else in this family is downstream of that.

The second habit is to sort the materials you find in a base line by body rather than by whether you like the sound of them. Body is the property that decides how much of a composition is asserting itself at a given dose. Low-body materials are the dry ones with little or no sweetness holding them up: white musk, vetiver, cedarwood, amberwood, tea. High-body materials are the ones a perfumer reaches for when a fragrance needs weight and persistence: Madagascar vanilla, tonka, leather, oudh, resinous amber. Neither list is better. The first list is what a close-range brief wants, and the second list is what an evening in December wants.

The four bases, which is the whole range in one table
Read the second column first. It is what you are wearing during the hours that matter to you
The attar Its base, which is your real subject Body in the base Where it belongs
Adaa · 3ml ₹379 White musk, vetiver, cedarwood - dry, lightly woody, nothing sweet holding it up The least of the four, and no oudh anywhere in the composition The default answer across this entire family, at one dab on the inner wrist
Ameeri · 3ml ₹385 Soft oudh, amber, white musk - warm, rounded, with real body under a Taif rose heart More than Adaa: two warmth materials in the line, with the oudh qualified as soft The warm answer, for a reader who finds dry austere. A complete dose at one dab
Mastani · 3ml ₹389 Mysore sandalwood, oudh, Madagascar vanilla, tonka - creamy, sweet, substantial Four high-body materials in one base line, the fullest of the four Evenings, and the clearest illustration in the range of what a high-body base reads like
Nawaab · 3ml ₹399 Amber, leather, white musk, under an oud-led opening of white royal oud and aged tobacco leaf The deepest in the range, with oud leading the whole composition rather than sitting in the base Not this brief, at any dose. It is here so you can rule it out with a reason rather than a hunch
The single worst outcome this family can produce is a reader who has been told they wear too much and who buys Nawaab because a page somewhere called it sophisticated. It is a composition I am proud of and it is the wrong tool for this job.

Two: closeness, which is a judgement and never a number

My own assessment, not a published figure
My craft assessment, labelled as exactly that, in one place for the whole family. Two things seem to me to decide how close a composition stays at a given quantity. The first is body in the base: dry musks and light woods have less material asserting itself at hour three than oudh, amber, vanilla and leather do, which ranks this range as Adaa, then Ameeri, then Mastani, then Nawaab. The second is format: an alcohol spray atomises into drifting droplets and uses evaporating alcohol as a vehicle to carry material outward, while an oil dabbed onto warm skin has neither, which is a large part of why SOSA's attars are built as oils at all. Both of those are a perfumer's judgement rather than a store specification. SOSA publishes 6-8 hours on skin and publishes nothing whatever about projection, sillage or scent radius, there is no standard industry test for them, and no figure appears anywhere in this family. And both are outranked by how much you apply, which is the next section.

It is worth saying why the absence of a number is a feature of these pages rather than a gap in them. A figure implies a measurement, a measurement implies a standard, and there is no standard. The variables that would have to be held constant - room volume, air movement, temperature, skin, dose, application site, and the sensitivity and adaptation of whoever is doing the detecting - are precisely the variables that make the question interesting. So a page that tells you a composition reads to a stated distance has told you something it invented. We would rather hand you a judgement, labelled, with the reasoning attached, and let you weigh it.

There is one more honest caution here, and it belongs to a sibling page rather than this one. You are the worst available judge of your own radius, because your nose adapts to a scent you are wearing within minutes and stops reporting it. That is why the people who most often fill a cabin are serenely unaware of it, and the people who write to me worried are usually wearing very little. The two cheap corrections - re-entering a small room you have left, and asking one person at a known hour - are set out properly on our page about telling real closeness from your own adaptation.

Three: dose, which is the largest lever and the free one

The dose rules for this entire family, in one table
Where, how much, when - and what each choice does to the amount of fragrance in a shared room
Where, and how much What that does When it is the right choice
One dab, one inner wrist The smallest honest dose that is still a fragrance: one cool, low, part-covered source The default everywhere in this family, and where I would stay for a full week before changing anything
One dab on each inner wrist Two cool sources, roughly twice the material, with no increase at all at head height Only when a week has shown that one genuinely does not last your day. Dry winter skin is the commonest legitimate reason
Inside of the elbow as a second site Warmer than the wrist but covered, and far from anybody's face A sensible way to add a little presence without putting anything above the collarbone
Anything at the throat, neck or behind the ears The warmest, highest, most exposed sites, releasing fastest and directly under the nose of everybody you greet Not for any page in this family. This single habit causes most of the complaints that bring readers here
Hair, collar or scarf Fibre holds material far longer than skin and keeps releasing all day, with no way to change your mind Never for this brief. If you insist on fabric at all, test an inside hem first and treat the decision as final for that garment
Applied thirty minutes early rather than at the door Moves the loudest twenty minutes of the composition into your own home instead of a lift or a corridor Always. Of everything in this family, this is the change readers skip most often and the one that most reliably works
Dose is also the reason several pages in this family recommend spending nothing. If your fragrance is a perfectly good composition applied three times at the throat, a new bottle is the least useful thing I could sell you.

Four: the part nobody can sell you

I want to spend a little more time here than a disclaimer would need, because the refusal is the reason the other three parts are worth reading. Roughly a third of the questions that bring readers to this family are, underneath the wording, questions about other people: will this be noticed kindly, will it be remembered, will somebody say something. Those are the most reasonable questions in fragrance and they are the ones no honest seller can answer.

The commercial incentive runs hard the other way. A claim about another person's reaction cannot be tested before you buy, cannot be disproved for months afterwards, and is exactly what the buyer hopes to hear. That combination is why it appears on so much packaging and so many product pages. When you next read a listing that promises you a reaction, notice that the promise is doing no work you can check - and then go and read the base line instead, which is work you can check.

What remains after the deletion is not thin. You can know what is in the bottle, because it is published. You can know how the format behaves, with a labelled judgement attached rather than a number. You can know, completely, how much you applied and where, because you did it. Three real things, and in my experience they carry a reader most of the way to what they wanted when they typed the question - which is to be pleasant at arm's length and invisible at four metres, without having to give up fragrance to achieve it.

Which of the nine pages you actually need

The family, routed
Nine pages under this one. Find your sentence in the left column
If this is you The lever to move first Where to go next
I like fragrance but I dislike anything that fills an enclosed space Dose and timing, before composition Why a fragrance fills a room, and the four levers in order
I am stuck between white musk, sandalwood and a fresh floral The vocabulary: two of those three are not bottles White musk, sandalwood or fresh floral at conversational distance
I want to be good up close and leave nothing behind me Split the brief: the base for the approach, the dose for the trail Refined on approach, with nothing left in the corridor
I want to know which notes to shortlist on any listing A shopping vocabulary, used on any brand's product page The notes to look for when you want a close-range fragrance
I want to know whether a quiet fragrance is worth having at all Three checkable things, two of which are free Can a quiet attar still be worth wearing? The honest answer
Somebody told me my perfume was too strong The quantity, the site and the hour - and a week that costs ₹0 If you have been told your perfume is too strong
I have two product pages open and cannot compare them A five-step method using the base line, the format and the concentration word Comparing two attars for closeness from their listings alone
I cannot decide between a clean musk and a soft wood Ask what you want at hour four, not which category you prefer Clean musk or soft woody: what you want at hour four
I want the whole frame before I decide anything Composition, format, dose, and the refusal - stated in full The three things you control, and the one nobody can promise
Nine pages, nine different jobs. If you only read two, read the dose page and the base-notes page: between them they cover the two levers that account for most of what readers actually want to change.

What I would buy, in what size, and when I would sell you nothing

Sonal’s recommendation
Adaa, the 3ml at ₹379, one dab at the inner wrist - after a week of using less of whatever you already own
Three of the four parts of this answer are yours and the fourth is nobody's. That is not a limitation of my range; it is the honest shape of the question.
— Sonal Sahani, founder and perfumer, ISIPCA Versailles-trained
What to buy The SOSA Adaa 3ml at ₹379 - the least body of the four attars, and no oudh in the composition
What to do first, for ₹0 One dab of what you own, inner wrists only, thirty minutes before you leave, held there for five working days
The warm alternative The Ameeri 3ml at ₹385, dosed smaller, if a dry base reads austere to you
What to rule out The Nawaab 3ml at ₹399 for this family of questions. Oud-led, and the deepest thing in the range
What to read on any listing The base line first, then the order inside it, then the format. The adjective at the top, never
What size to leave alone Any 12ml, until you have worn three millilitres of the same composition for a fortnight
What I cannot tell you I cannot say whether anybody will notice it, mention it, remember it or think anything at all
The ₹0 step is first because it is genuinely the likeliest answer. Most readers who arrive in this family own a perfectly good fragrance and apply three or four dabs of it to the warmest, most exposed site on their body at the moment of walking out of the door. Changing those three things takes a week and costs nothing, and if it works you should not buy anything from me at all. Where Adaa earns its ₹379 is when the week fails - when one dab on a single wrist is still more than you want in a small room, which means the composition carries more body than suits you. Three millilitres is a fortnight of honest wearing; the 6ml at ₹669 is for a composition you already know you will keep using.
Everything above, on one page.
See SOSA Adaa · 3ml ₹379
If the brief you are actually dressing for is festive rather than everyday - a wedding, a reception, a crowded Diwali evening where thirty people are wearing something - then this whole family is the wrong frame for you. A crowded room is the opposite problem: the question stops being how little you can put in the air and becomes whether your register is distinct at close quarters, and the answer moves from Adaa towards Ameeri or Mastani. The festive pages take that properly.
— the condition that changes this answer
Three levers that are yours, one question that is nobody's. Two routes out of this hub.
One costs ₹379. One costs nothing and is what I would try first.
See SOSA Adaa · 3ml ₹379
If you have already tried using less of what you own, or you own nothing you like. The least body of the four attars, no oudh in the composition, and the 3ml is the right size to start with.
Tell Sonal the room, the hour and your dose
If you are not sure which of the levers is yours. Describe the room you worry about, what you wear now, how many dabs and where, and I will tell you what to change - including when the answer is to buy nothing at all.
SS
ISIPCA
Versailles
A note from Sonal

I built this family of pages because of the same conversation repeating itself for two years. Somebody tells me they have been informed, usually kindly and usually once, that their perfume is too strong. They have taken it to heart. They want me to sell them something described as subtle, and they are slightly ashamed of the question. And in four cases out of five the fragrance was never the problem.

What I find difficult about this part of the trade is how much of the available advice is written to flatter rather than to help. It is easy to tell somebody that a bottle will make them memorable; it costs nothing, it cannot be checked, and it sells. It is harder to say that they should use a third of what they have, put it somewhere cooler, and come back in a week if that fails. The second answer is worth more and earns less, which is roughly why nobody writes it.

So the deal on these nine pages is this. I will tell you exactly what is in every bottle, because it is published and checkable. I will give you my craft judgement where a judgement is all that exists, and I will label it so you can discount it if you like. I will tell you how much to apply and where, honestly, including when the honest answer is nothing. And I will not tell you what the person in front of you thinks, because I do not know, and neither does anybody who says they do.

Frequently asked questions

What are the three things a fragrance seller can honestly tell me?
What is in the composition, because it is published and checkable. How the format behaves on skin, offered as a perfumer's judgement rather than a measurement. And how much to apply and where, which is entirely in your hands. The fourth thing - what another person will think of it - is not knowable by anybody, and SOSA's pages decline it rather than dressing it up.
Why does this guide keep saying to read the base of the pyramid?
Because a pyramid is a timeline sorted by how fast materials leave warm skin, and a close-range brief is about hours two to six rather than minute one. The top is substantially gone in thirty to forty minutes. Whatever is in the base line is what you are wearing during almost every conversation you will have that day.
Which SOSA attar carries the least body?
Adaa, at 3ml for 379 rupees. Its base is white musk, vetiver and cedarwood, there is no vanilla, tonka or oudh in the composition, and nothing sweet holds it up. Nawaab, at 399 rupees, is the other end of the range: oud-led, over amber, leather and white musk, and the deepest composition SOSA makes.
Is the dose really more important than which bottle I buy?
In most of the letters Sonal receives on this subject, yes. Four dabs is not a slightly stronger version of one dab; it is four separate warm surfaces releasing material for the full six to eight hours. Site matters as much as count, and the throat is the worst choice for this brief. Both are free to change, which is why several pages here recommend spending nothing first.
Does SOSA publish how far its attars carry?
No. The only published performance figure is 6-8 hours on skin, longer on warm or oily skin, which describes duration. SOSA publishes nothing about projection, sillage or scent radius, because there is no industry-standard test for them. Anything in these guides about closeness is Sonal's own assessment as a perfumer, labelled as such and never given as a number.
Which page in this family should I read first?
If somebody has told you that you wear too much, read the dose page, because its recommendation costs nothing. If you want the underlying skill, read the base-notes guide. If you are stuck between two product pages, read the comparison method. The hub table on this page routes all nine by the sentence you would use to describe your own situation.
Is an attar the right format for a close-range brief at all?
It is a reasonable one, and here is the honest version of why. These are alcohol-free oils on a sandalwood and jojoba carrier, applied by dab, so there is no atomised cloud at the moment of application and no evaporating alcohol carrying material outward. That is Sonal's craft judgement rather than a specification, and how much you apply still matters more than the format you chose.
The free version of the whole family
One dab, inner wrist, thirty minutes before you leave, for one week, with the bottle already on your shelf.
See SOSA Adaa · 3ml ₹379 Describe a feeling to SOSA
Want me to tell you which lever to move?
SOSA — Describe the room, the hour, the bottle and the number of dabs. I will tell you whether this is a composition question, a format question or a dose question - and when the honest answer is that you should buy nothing at all.
Alcohol-free, DPG-free oil attars on a sandalwood and jojoba carrier, hand-blended in Pune · 6-8 hours on skin · no projection figure published anywhere, so none claimed
Ask Sonal which one stays close → SOSA Adaa Attar · ₹379
Continue the read
More from SOSA
Editorial standards & sources
About this guide: Written by Sonal Sahani, ISIPCA Versailles-trained founder and perfumer at SOSA Home & Body. It is written for a reader who wants to be pleasant at conversational distance without filling a room, and the method - read the base of a pyramid, judge the format, then control the dose - applies to any brand. The product recommendations reflect the SOSA attar and perfume oil range only.

What this guide does and does not claim. Three things about a fragrance can be stated honestly, and this guide limits itself to them: what a composition contains, which SOSA publishes on each product page; how an oil behaves on skin compared with an alcohol spray, which is Sonal's own professional assessment and is marked as such wherever it appears; and how much you apply and where, which is entirely yours. The fourth thing - whether another person finds a scent pleasant, memorable or attractive - is theirs, and nothing here predicts it. SOSA makes no claim about compliments, attraction, confidence, mood, sleep, stress or wellbeing, and no medical, dermatological or allergy claim. Anyone with sensitive skin or a fragrance allergy should patch-test and use their own judgement or consult a doctor. Where a workplace is involved, that employer's own fragrance policy decides, not SOSA.

On performance figures. SOSA publishes one and only one performance figure for its attars: they are described as wearing 6-8 hours on skin, longer on warm or oily skin, and always as a skin scent rather than a room scent. SOSA does not publish projection, sillage or scent-radius data for any product, and no such figure appears anywhere in this guide. Any seller quoting a projection number for an attar is quoting something that was never measured. Wear time and perceived strength vary with skin, climate, dose and application site.

Facts verified 19 October 2026 against the live SOSA product pages: every SOSA attar is an alcohol-free, DPG-free oil perfume carried on sandalwood and jojoba oil with a built-in dab applicator, hand-blended in Pune, and sold in 3ml, 6ml and 12ml. SOSA Adaa (3ml ₹379 · 6ml ₹669 · 12ml ₹1,149) is the lightest in the range: Calabrian bergamot, green cardamom and neroli over jasmine sambac, magnolia and ylang ylang, on white musk, vetiver and cedarwood. SOSA Ameeri (₹385 · ₹679 · ₹1,165) is Persian saffron, pink pepper and bergamot over Taif rose and Indian sandalwood, on soft oudh, amber and white musk. SOSA Mastani (₹389 · ₹685 · ₹1,179) is litchi, bergamot and pink pepper over night-blooming jasmine and Damask rose, on Mysore sandalwood, oudh, Madagascar vanilla and tonka. SOSA Nawaab (₹399 · ₹699 · ₹1,199) is the deepest in the range: white royal oud, Mysore sandalwood, Kashmir saffron and aged tobacco leaf on amber, leather and white musk. The three evening attars come together as the SOSA Attar Trio (₹1,055 · ₹1,859 · ₹3,189). Those four are the whole attar range: oud is led in Nawaab and sits in the base of Ameeri and Mastani, Adaa carries none, white musk exists as a base note rather than as a scent of its own, and there is no single-note musk, no clean-linen or laundry accord and no aldehydic-soapy scent in the range. Separately, SOSA makes six perfume oils in 10ml, 50ml and 100ml - Zaffran, Tabac Noir and Samundar at ₹599, ₹1,799 and ₹3,499, and Khayaal, Chashni and Bahaar at ₹599, ₹1,899 and ₹3,599 - each an independent SOSA composition inspired by a widely known fragrance and not affiliated with, or endorsed by, the house named. SOSA does not run a sampler or tester programme; the 3ml attar is the trial size. A portion of every SOSA order supports girl-child education through Nanhi Kali. Prices and availability are subject to change - see the live product pages.
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