What Fragrance Should I Use in the Entrance, Living Room and Master Bedroom of a Luxury Listing?

What Fragrance Should I Use in the Entrance, Living Room and Master Bedroom of a Luxury Listing?

★ 2,000 sq ft to 6,000 sq ft · one machine, or zones?Vaayu ₹11,999 · Aangan ₹25,999 · Sukoon ₹1,899 · free shipping above ₹499A portion funds girl-child education
★ SOSA · property viewings & premium presentation
Count the volumes a door closes, not the square feet on the brochure. A 3,000 sq ft flat with six doors is not one space, and no single machine treats it as one
★ ★ ★ ★ ★
★★★★★
"The rule about counting doors rather than square feet reorganised how I prepare every large listing."
Rajeev Anand Large apartments, Mumbai
Count the doors
★★★★★
"6,000 sq ft villa, double height. Was told honestly that one unit at the entrance plus the stair void does most of it and where the second would go if I wanted it."
Meghna Salvi Villas, Alibaug
Volume, not floor area
★★★★★
"Penthouse with a terrace. Half my square footage was outdoors and effectively unscentable, which nobody had ever said out loud."
Yash Thakkar Penthouses, Worli
Told what not to try
★★★★★
"Bedrooms lighter than the living areas, entrance strongest. It sounds obvious and I had been doing the opposite."
Ananya Bose Duplexes, Bengaluru
Zoned by intensity
★★★★★
"HVAC mount in the sales gallery and the freestanding one in the show flat. Two different problems, two different machines."
Deepak Rane Gallery + show flat, Pune
Aangan + Vaayu
★★★★★
"Wall mount meant it was out of sight in an empty flat, which matters when the room is the product."
Zoya Merchant Empty premium, Bandra
Out of the sightline
★★★★★
"The rule about counting doors rather than square feet reorganised how I prepare every large listing."
Rajeev Anand Large apartments, Mumbai
Count the doors
★★★★★
"6,000 sq ft villa, double height. Was told honestly that one unit at the entrance plus the stair void does most of it and where the second would go if I wanted it."
Meghna Salvi Villas, Alibaug
Volume, not floor area
★★★★★
"Penthouse with a terrace. Half my square footage was outdoors and effectively unscentable, which nobody had ever said out loud."
Yash Thakkar Penthouses, Worli
Told what not to try
★★★★★
"Bedrooms lighter than the living areas, entrance strongest. It sounds obvious and I had been doing the opposite."
Ananya Bose Duplexes, Bengaluru
Zoned by intensity
★★★★★
"HVAC mount in the sales gallery and the freestanding one in the show flat. Two different problems, two different machines."
Deepak Rane Gallery + show flat, Pune
Aangan + Vaayu
★★★★★
"Wall mount meant it was out of sight in an empty flat, which matters when the room is the product."
Zoya Merchant Empty premium, Bandra
Out of the sightline
Vaayu: waterless cold-air nebulisation · no water, no heat, no dampness · under 38 dB 1000 m³ (≈2,000–3,000 sq ft) · 400ml tank ≈75 days · app + 1h/4h/8h/24h timers · key-lock 0.9 kg and smaller than a shoebox — one machine can serve a whole portfolio of listings

 

Founder Diaries · Property Viewings · Apartments, Penthouses & Villas
By Sonal Sahani · ISIPCA Versailles 11 min read Updated September 2026
This question usually arrives expecting three answers and the useful reply is that it needs one scent and three settings. The entrance, the living room and the master bedroom are doing three genuinely different jobs during a viewing, they are three very different volumes, and they should read at three different levels — but they should all read as the same house. What follows is the specification for each: what the room is for while a buyer is in it, roughly what volume it is, what level it should be at, and where the air should be coming from. Then the bottle, which is one bottle, and why choosing three is a mistake I see constantly.
Quick answers — read this first
The entrance: about 33 m³, the highest air turnover in the property and the reading that cannot be retaken. It needs to be at level rather than strong, and it is where the machine goes.

The living room: around 195 m³, the largest volume and where a buyer stays longest. It has to hold for the duration, and it is the space that decides your setting.

The master bedroom: about 70 m³, more enclosed, and the room where over-scenting is most conspicuous. It should be the lightest reading in the property.

The scent: one composition throughout — the Ritz-Carlton-inspired Quiet Luxury (white tea, bergamot, cedar) as the default, the 1 Hotels-inspired Forest Suite (cedarwood, vetiver, green leaves) where the property is warm or the kitchen has no door.
The short answer
Short answer: the same fragrance in all three rooms, at three different levels. The Ritz-Carlton-inspired Quiet Luxury — white tea, bergamot and cedar — is the default for a luxury listing, with the 1 Hotels-inspired Forest Suite where the property runs warm or has an open kitchen.
The pick: one Vaayu at ₹11,999 standing in the entrance zone at waist height, set for the living room's volume, running from two hours before with the bedroom door open. The entrance is at level, the living room holds, the master bedroom is the lightest reading in the property.
Shop: the Vaayu ₹11,999 — waterless, up to 1000 m³, 400ml tank for about 75 days, Bluetooth app, 1h/4h/8h/24h timers, adjustable intensity, under 38 dB, key-lock, 0.9 kg, four hotel-inspired scents supplied. Hotel Collection 15ml ₹299, 100ml ₹999, 300ml ₹1,799 for the ultrasonic machines. Free shipping above ₹499.
Straight answer
What fragrance should I use in the entrance, living room and master bedroom of a luxury listing?
1. One composition in all three rooms. The Ritz-Carlton-inspired Quiet Luxury — white tea, bergamot and cedar — as the default, or the 1 Hotels-inspired Forest Suite — cedarwood, vetiver and green leaves — where the property runs warm or the kitchen opens onto the living area. Both are supplied among the Vaayu's four scents.

2. The entrance: at level, not strong, and it is where the machine goes. Around 33 m³ of air with the highest turnover in the property because the front door keeps opening. It is the first reading and the only one that cannot be taken again, so it should have arrived before the buyer does rather than announcing itself when they walk in.

3. The living room: this is the room that decides your setting. Around 195 m³, the largest volume, and where the buyer will sit down and stay longest. Set the machine for this space and let the other two be consequences of it. It has to hold a steady level for forty minutes rather than peak.

4. The master bedroom: the lightest reading in the property. About 70 m³, one door, one window, very little air exchange, and the room where a buyer is most likely to notice preparation. Open the door two hours before and add nothing.

5. Do not buy a different bottle for each room. Compositions do not stay where you put them. Three in one flat meet in the corridors and produce accords nobody designed, and no amount of adjusting fixes it, because you can only move the boundaries.

6. And none of it before the free work. Ventilation, drain traps, and finding out whether the property has a smell with a cause. If it does, that is a material fact — find it, fix it or disclose it.

A portion of every order supports girl-child education through Nanhi Kali.
TL;DR: one composition in all three rooms, at three levels. The Ritz-Carlton-inspired Quiet Luxury at ₹299 is the default and the 1 Hotels-inspired Forest Suite suits a warm property or an open kitchen. The entrance takes the machine and reads at level, the living room decides the setting because it is the largest volume, and the master bedroom is the lightest reading in the property.
SOSA Vaayu · freestanding or wall-mounted
Where the machine actually stands in a three-room plan
SOSA Vaayu · freestanding or wall-mounted ₹11,999
An entrance hall is perhaps 33 m³ of air, a living room around 195 m³ and a master bedroom about 70 m³. The machine goes in the smallest of the three and supplies the largest, because a diffuser placed at the entrance releases into the space the buyer meets first and then loses the rest of its output to the room the buyer walks into. Put it in the living room instead and the entrance — the only reading that cannot be retaken — gets whatever happens to drift back. Freestanding on a console at waist height, or wall-mounted out of the sightline in an empty flat. 165 × 80.5 × 215 mm, 0.9 kg, under 38 dB.

Three rooms, three jobs, three volumes

These three spaces get grouped together in every version of this question and they have almost nothing in common. One is small, briefly occupied and constantly ventilated. One is large, continuously occupied and the place where the actual decision gets discussed. One is small, enclosed, and the room where a buyer's guard is highest. A single number cannot be right for all three, and the mistake most people make is not choosing the wrong scent — it is choosing one level and applying it everywhere, which produces a hall that is fine, a living room that is thin and a bedroom that is too much.

1
THE ENTRANCE
33 cubic metres, the highest turnover, and the reading you only get once
Begin where the buyer begins. An entrance hall in a large flat is perhaps 120 sq ft — 11.2 m² and about 33 m³ of air, which is a sixth of the living room. It is also the single most ventilated space in the property, because the front door opens and closes and each opening exchanges a meaningful fraction of a volume that small. Those two facts pull in opposite directions and that is what makes the room difficult: a small volume over-scents easily, and a high turnover strips whatever you put there. The resolution is not a higher setting, which produces something that lands as an event when the door swings open. It is placement plus time. The machine goes here, at waist height on a console or wall-mounted out of the sightline, and it starts two hours out so the hall is at a settled level rather than climbing. The job the entrance is doing during a viewing is a first reading, and a first reading has one property that no other moment in a viewing has: you cannot take it again. Everything after it is revision. So the target is deliberately unambitious — the buyer should register that the property is well kept and then stop thinking about it, which is what 'at level rather than strong' means in practice. The machine belongs here rather than in the living room for a reason worth stating plainly: a diffuser at the entrance supplies the first reading and then supplies the living room as air moves inward, whereas a diffuser in the living room supplies the living room and gives the entrance whatever drifts back, which is not much and arrives late.
2
THE LIVING ROOM
195 cubic metres, forty minutes, and the setting the whole property inherits
Then the room that governs everything. A 700 sq ft living area under a 10 ft ceiling is 65 m² and roughly 195 m³ — the largest single volume in most apartments and, more importantly, the only room in a viewing where a buyer stops moving. They sit. They look at the view. They ask what the maintenance is, and how old the building is, and whether the furniture is included. That is where a viewing turns into a conversation, and it typically runs to thirty or forty minutes. Which changes the brief for this room entirely: everywhere else you are managing an impression that lasts seconds, and here you are managing one that has to survive sustained exposure. A composition that is charming for ten seconds and tiring after twenty minutes is a disaster in this room specifically, and it is why the brief for a viewing is clean, quiet and impossible to dislike rather than impressive. Set the machine for this volume. A 1000 m³ unit supplying 195 m³ in an open-plan flat that totals perhaps 500 m³ is running at half capacity, which means the low setting delivers a true level rather than a weak one, and low and steady is what survives forty minutes. This is also the room where the second bottle earns itself: if the kitchen opens onto the living area, or the flat runs warm in the afternoon, the drier register holds a separate line beside cooking in a way the cooler one does not.
3
THE MASTER BEDROOM
70 cubic metres, and the lightest reading in the property
And then the room that needs the least done to it. A 250 sq ft master bedroom at a 10 ft ceiling is 23.2 m² and about 70 m³ — roughly a third of the living room's air, behind a door, with one window that will be shut and an attached bathroom that will be inspected. Everything about it concentrates whatever arrives: less air to dilute into, almost no exchange once the door is closed, and a buyer standing still in it for two or three minutes with nothing to do but assess. It should be the lightest reading in the property, and the way to achieve that is to do nothing in it at all — open the door two hours before and let the same composition arrive diluted by distance and by the doorway it has come through. The second half of this room is not fragrance at all and it is the half I would check first. The attached bathroom is where a listing most often has a smell with a cause: a dried-out drain trap in a shower gully or basin, letting sewer air back up an unused waste. Run water down every trap in the property twenty-four hours ahead. If a smell persists after that, it is a leak, a failed seal or damp behind a tray — a material fact about the property, which you find, fix or disclose. You do not put a machine in front of it, and no page on this site will tell you otherwise.
The order I would walk these three rooms in, thirty minutes before a buyer arrives: out of the front door, back in through it, straight to the sofa and sit down for a minute, then into the bedroom with the door closed behind you. Three readings, three different jobs, one bottle.

The specification, room by room

The three rooms of a typical 2,200 sq ft luxury listing, specified rather than described. The fourth column is the reading you are aiming at and the fifth is where the air is actually coming from, which is the column most people never think about and the one that decides whether the first three are achievable.

Room by room
Three jobs, three volumes, three levels, one composition
Room What it is doing during a viewing Typical volume Target reading Where the air comes from
Entrance ★ The first reading, and the only one that cannot be taken again About 33 m³ At level, arrived, unremarkable. Never strong The machine stands here, waist height, from two hours out
Living room Forty minutes of sustained exposure while the actual conversation happens About 195 m³ Holding steadily for the duration rather than peaking The entrance machine, carried inward. This volume decides the setting
Master bedroom Two or three still minutes with a buyer's guard at its highest About 70 m³ The lightest reading in the property Its open door, for the two hours before. Nothing else
Attached bathroom Inspected rather than experienced 15–25 m³ Neutral, and not scented at all Water down the traps 24 hours before. A smell here is a defect question
The corridor between them Transition, and where a second bottle would give itself away 40–70 m³ Continuous with both rooms it joins Whatever is moving through. This is why one composition, not three
Kitchen, if it has no door Supplying a competing smell the whole time 80–120 m³ Let it be a kitchen. Deal with the source, not the symptom Extraction on, then the drier register in the living room
Shop this guide
One bottle, one machine, one alternative
The SOSA principle
A first reading is the one moment in a viewing you cannot revise. Which is exactly why the entrance should be at level and never strong.
The entrance takes the machine. The living room sets the level, because it is the largest volume and the longest exposure. The master bedroom gets an open door and nothing else.

One bottle, and why three is a mistake

So, the scent, and the answer is singular. The Ritz-Carlton-inspired Quiet Luxury — white tea, bergamot and cedar — is the default for a luxury listing, in all three rooms, at three different levels. The reasoning is that the brief for a viewing is narrower than people expect and it is not 'impressive'. It is clean, quiet, expensive, unrecognisable as any particular perfume and very difficult to dislike, because you are scenting for a buyer whose preferences you do not know and cannot ask about. White tea gives it a cool clarity, bergamot supplies just enough lift for a hall, and cedar is the dry spine that keeps it legible in a large room for forty minutes without becoming tiring. The one substitution worth making is the 1 Hotels-inspired Forest Suite — cedarwood, vetiver and green leaves — where the property runs warm, faces west, or has a kitchen open to the living area. Warmth amplifies a composition and an open kitchen competes with it; the drier, lower-sitting register handles both better, because dryness occupies a different address in the nose from cooking and never argues with it. The Westin-inspired White Tea Serenity is the lighter option for a small flat. Avoid anything heavily floral and anything a buyer might recognise as a specific perfume they wear, or that somebody they dislike wears.

Then the mistake, which is common enough to be worth a paragraph of its own. People buy a bright citrus for the entrance, something plush for the living room and something calming for the bedroom, reasoning by room function — and the reason it fails is that rooms are not sealed and compositions do not stay where they are put. Air crosses every doorway continuously, so what you have actually built is not three fragranced rooms but two blending zones and a corridor, and the accords that appear in those transitions were designed by nobody. They are usually muddier and heavier than any of the three bottles, and they cannot be corrected, because turning one down moves the boundary rather than changing the mixture. There is a second failure that costs more. A buyer moving through a property with three fragrances in it does not think 'how thoughtfully zoned'. They notice that the smell keeps changing, and a smell that keeps changing is a smell somebody put there. The moment fragrance becomes visible as a decision, it stops being an attribute of the house. And practically, three bottles means three tanks or three rinses, three things to carry between listings and three things to get wrong at half past four on a Saturday. One bottle, one machine, and the levels handled by placement and open doors.

Then the running detail and the boundary. Start two hours before, on the lowest useful setting, on the 4h timer so the machine runs through the appointment and stops itself. Twenty-four hours before that, the free work: windows on opposite elevations, every internal door open, and water down every drain trap in the flat. Three hours before, close up and let the property come to temperature with the air conditioning on. Thirty minutes before, walk the three rooms in the buyer's order and adjust downward only. Placement is waist height or above, out of the path of an AC supply grille, not in the swing of the front door, and wall-mounted out of the sightline in an empty flat — the Vaayu is 165 × 80.5 × 215 mm and 0.9 kg, so it goes on a wall or into a car boot with equal ease. On the constraints: it takes its own undiluted oil and ships with four hotel-inspired scents, while the water-based Hotel Collection bottles at ₹299 for 15ml belong in the ultrasonic Sukoon at ₹1,899 and Boond at ₹899, which consume 30–50 ml of water an hour and are therefore wrong for a closed vacant flat. A reed diffuser takes 24 to 72 hours and suits a listing shown over months. A candle must be attended. And above all of it: fragrance is the last step in preparing a property and never a substitute for one. If any of these three rooms smells of damp, drains, smoke or anything with a cause, that is a material fact about the property. Find it, fix it or disclose it.

Three bottles in one flat do not make three moods. They make two blending zones and a corridor nobody composed.
— Sonal Sahani, SOSA

The SOSA edit

In buying order for the three rooms that decide a viewing. Note how little of it is a purchase: two of the six rows cost nothing, and the composition arrives with the machine. The last row is the product people most often ask me for by name and the one that does not exist.

The SOSA edit
Entrance, living room and master bedroom, in buying order
Buy What it is When it earns its place Price
1. Ventilation and the drain traps ★ Windows on opposite elevations 24 hours before; water down every waste in the flat Before anything else, and free. Most listings that smell wrong have a cause rather than a shortage of fragrance ₹0
2. SOSA Vaayu Waterless, up to 1000 m³, 400ml for about 75 days, app, 1h/4h/8h/24h timers, under 38 dB, key-lock, 0.9 kg One unit, standing in the entrance zone at waist height, set for the living room's volume ₹11,999
3. The Ritz-Carlton-inspired Quiet Luxury White tea, bergamot and cedar — cool, quiet and unrecognisable as a specific perfume The default for all three rooms. Supplied among the Vaayu's four scents; ₹299 for 15ml for the ultrasonic machines ₹299
4. The 1 Hotels-inspired Forest Suite Cedarwood, vetiver and green leaves — the driest and lowest-sitting of the seven Where the property runs warm, faces west, or has a kitchen open to the living area ₹299
5. An open bedroom door Two hours of it, while the machine runs elsewhere in the property Instead of a second machine. The master bedroom arrives at a diluted version of the same composition on its own ₹0
Not in the range: a room spray for the home The sprays SOSA makes are car perfumes. There is no home spray and this page will not pretend otherwise A spray peaks in a minute and is largely gone in thirty, which is the wrong duration for a scheduled viewing in any case
Honest notes for buyers: fragrance is the last step in preparing a property, never the first, and it must never be used to cover a defect. Damp, a leak, drains, smoke or anything structural is a material fact about a property: find it, fix it or disclose it. Scent a listing that is genuinely sound. On the machines: the Vaayu at ₹11,999 is waterless cold-air nebulisation — no water, no heat and no dampness — covering up to 1000m³ or roughly 2,000–3,000 sq ft, with a 400ml tank lasting about 75 days, Bluetooth app control, 1h/4h/8h/24h timers, under-38dB running, auto-stop and a key-lock, at 0.9 kg and smaller than a shoebox, so one machine can serve a whole portfolio. The Aangan at ₹25,999 covers up to 3,000m³ for sales galleries and clubhouses. The ultrasonic Sukoon, Boond and Megh are water-based and add 30–50 ml of water an hour to the air, which makes them the wrong choice for a closed or humid vacant property. A reed diffuser needs 24–72 hours to establish, so it suits a listing shown over months rather than a viewing tomorrow. A candle must be attended and put out, which rules it out of an unoccupied property. SOSA does not make a room spray for the home; the sprays in the range are car perfumes. The Hotel Collection scents are SOSA's own interpretations inspired by the world's finest hotels; SOSA is an independent Indian fragrance house, not affiliated with or endorsed by any hotel brand. A portion of every order supports girl-child education through Nanhi Kali.
The Ritz-Carlton-inspired · Quiet Luxury
One composition, whichever room you are standing in
The Ritz-Carlton-inspired · Quiet Luxury ₹299 / 15ml
White tea, bergamot and cedar — cool, quiet, unmemorable as a product and very hard to dislike, which is the entire brief for a property somebody else is buying. The mistake this page argues against is not a matter of taste. Two compositions in one flat do not stay in their rooms; they meet in the hall and produce a third accord that nobody chose and nobody can adjust. The 1 Hotels-inspired Forest Suite is the alternative where the property runs warm or the kitchen has no door. Water-based, for ultrasonics; the Vaayu runs its own oil.
SS
ISIPCA
Versailles
A note from Sonal

The request I get for this is nearly always phrased as three questions and it is one question with three answers to the same variable. What people are actually asking is not which three scents, but how strong each room should be — and once you separate intensity from composition the whole thing becomes simple, cheaper and considerably harder to get wrong. One bottle. The entrance at level because it is the reading you cannot retake, the living room set properly because it is the largest volume and the longest exposure, and the bedroom lightest because it is small, shut and the room where somebody is genuinely deciding whether they could live there.

I would add one thing about the entrance specifically, because it is where the machine goes and people resist that. A hall is the smallest room in the sequence and the one everybody wants to make strongest, and those two instincts together produce almost every over-scented property I have walked into. Thirty-three cubic metres is not much air. Put the machine there and let it be quiet. The buyer should walk in and think the flat is well kept, not that something has been sprayed — and if what they walk into is a property with a smell that has a cause behind it, no bottle in this range is the answer. Find it, fix it or disclose it, and scent a listing that deserves it.

Everything is made and supported from Pune, and a part of every order funds girl-child education through Nanhi Kali. You get a space that smells like somewhere considered; a girl gets a classroom. That equation has always felt right to me.

Frequently asked questions

Should the entrance, living room and master bedroom have different fragrances?
No. One composition throughout, at three different levels. The Ritz-Carlton-inspired Quiet Luxury — white tea, bergamot and cedar — is the default for a luxury listing, with the 1 Hotels-inspired Forest Suite where the property runs warm or the kitchen opens onto the living area.
Which room should the scent machine actually stand in?
The entrance. It supplies the first reading — the only one that cannot be taken again — and then supplies the living room as air moves inward. A machine in the living room does the opposite: it serves the living room properly and gives the entrance whatever drifts back, which is not much and arrives late.
Which room decides the setting?
The living room, because it is the largest volume — around 195 m³ in a typical luxury flat — and because it is the only room where a buyer stops moving and stays for thirty or forty minutes. Set the machine for that space and let the entrance and the bedroom be consequences of it.
How strong should the master bedroom be?
The lightest reading in the property. It is roughly 70 m³ against the living room's 195 m³, it is enclosed, and it is where a buyer is most alert to preparation. Open its door for the two hours before the viewing and add nothing — it will arrive at a diluted version of the same composition on its own.
What should I use if the kitchen opens onto the living room?
The 1 Hotels-inspired Forest Suite — cedarwood, vetiver and green leaves. Dry, low-sitting materials occupy a different address in the nose from cooking, so the composition stands beside a kitchen rather than arguing with it. Run the extraction first, though: deal with the source before you add anything.
Three rooms, one bottle
The entrance takes the machinethe living room decides the setting
The Vaayu is ₹11,999 — waterless cold-air nebulisation, up to 1000 m³, a 400ml tank lasting about 75 days, Bluetooth app plus onboard control, 1h/4h/8h/24h timers, adjustable intensity, under 38 dB, auto-stop, key-lock and 0.9 kg, supplied with four hotel-inspired scents. The Hotel Collection is ₹299 for 15ml, ₹999 for 100ml and ₹1,799 for 300ml for the ultrasonic machines. Free shipping above ₹499, and a portion of every order supports girl-child education through Nanhi Kali.
Shop the Hotel Collection → See the Vaayu · ₹11,999
Editorial standards & sources
About this guide: Written by Sonal Sahani, ISIPCA Versailles-trained founder and perfumer at SOSA Home & Body, specifying the entrance, living room and master bedroom of a luxury listing by the job each does during a viewing, the volume each typically is, the level each should read at and where its air should come from — and on why one composition throughout beats a different bottle per room, both physically and in what it tells a buyer.

Facts verified August 2026: Product facts used in this guide. SOSA Vaayu ₹11,999: waterless cold-air nebulising diffuser, atomises undiluted fragrance oil to a dry residue-free nano-mist, coverage up to 1000m³ (approximately 2,000–3,000 sq ft), 400ml refillable tank lasting up to about 75 days per fill, Bluetooth app plus onboard control, 1h/4h/8h/24h timer scheduling, adjustable intensity, under 38 dB, DC 12V/1A at 5W, 165 × 80.5 × 215 mm and 0.9 kg, freestanding or wall/HVAC mounted, auto-stop and key-lock, CE, RoHS and SGS certified, supplied with four hotel-inspired fragrances. SOSA Aangan ₹25,999: HVAC-connected or standalone commercial nebulising diffuser, coverage up to 3,000m³ (roughly 8,000–10,000 sq ft), 800ml reservoir, metal body, programmable schedules, under 42 dB. Ultrasonic machines are water-based and consume 30–50 ml of water an hour: Sukoon ₹1,899 (500ml, 270–320 sq ft, 16–18 hours on low, 3–6 drops per tank, steady/2H/4H timers, three 15ml Hotel Collection scents included), Boond ₹899 (300ml), Megh ₹3,499 (6 litres). Hotel Collection water-based fragrance 15ml ₹299, 100ml ₹999, 300ml ₹1,799, Pack of 7 at 15ml ₹1,799 against ₹2,093 bought singly; the Vaayu and Aangan take their own undiluted oil rather than these water-based bottles. Reed diffusers (separate alcohol-free line) from ₹749, requiring 24–72 hours to reach their working level. Scented candles from ₹379, scenting a room in roughly 15–20 minutes but requiring attendance. Free shipping above ₹499. Timings: a nebulising diffuser reaches a working level within minutes and a stated viewing level well inside two hours. This guide makes no claim that fragrance affects a property's price, offer level or time on market; it is presentation, in the same category as photography, styling and lighting. Fragrance must never be used to conceal a material defect. SOSA is not affiliated with or endorsed by any hotel brand. Prices subject to change — see the live product pages.
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