★ Woody fragrance · where the money goes
In most bottles the liquid is the cheapest thing in the box. Understanding why is the whole education.
Naturals are mixtures and they are priced by yield. Sandalwood, rose and saffron are expensive because of how much raw material a kilo of oil consumes.
Yield, not rarity
Good synthetics are not cheap. Some captive molecules cost more per kilo than the naturals they sit beside.
Synthetics cost too
Fixatives and bases are where the money quietly goes, and they are invisible at the point of sale, which is why they get cut first.
The invisible half
Batch size changes everything. A small house pays more per gram for the same material than a global brand does.
Scale is a discount
For most brands the liquid is a minority of the retail price. Packaging, distribution and retail margin take the rest.
Juice is a minority
A dab of attar lasts 6 to 8 hours, so 3ml at ₹379 is a low cost per wear even though it looks like a small bottle.
Cost per wear
Naturals are mixtures and they are priced by yield. Sandalwood, rose and saffron are expensive because of how much raw material a kilo of oil consumes.
Yield, not rarity
Good synthetics are not cheap. Some captive molecules cost more per kilo than the naturals they sit beside.
Synthetics cost too
Fixatives and bases are where the money quietly goes, and they are invisible at the point of sale, which is why they get cut first.
The invisible half
Batch size changes everything. A small house pays more per gram for the same material than a global brand does.
Scale is a discount
For most brands the liquid is a minority of the retail price. Packaging, distribution and retail margin take the rest.
Juice is a minority
A dab of attar lasts 6 to 8 hours, so 3ml at ₹379 is a low cost per wear even though it looks like a small bottle.
Cost per wear
✓ Four woods, not one — cedar, sandalwood, oud and vetiver behave differently ✓ Alcohol-free, DPG-free, dab applicator · 3ml from ₹379 · 6–8 hours on skin ✓ We will tell you when SOSA does not make the wood you are asking for
Founder Diaries · Woody fragrance
Synthetics: not automatically cheap. Some captive molecules outprice the naturals beside them.
Fixatives and bases: the invisible half of the cost, and the first thing cut when a brief is tight.
Everything else: packaging, distribution and retail margin, which in most bottles exceed the cost of the liquid. Compare cost per wear instead of bottle price.
Four attarsFrom ₹379Everything a fragrance spends on cheap, loud materials is audible in the first twenty minutes, and everything it spends on the base is audible at hour four. So the counter test flatters exactly the wrong purchases. Buy the smallest size, wear it on an ordinary day, and see whether the fragrance gets quieter and rounder or changes character and goes slightly sour. That single observation is worth more than every sourcing claim you will read, and it costs ₹379 to run on any of these.
Adaa · daytimeFrom ₹379Shop → Nawaab · eveningFrom ₹399Shop → Pack of 3 · try the rangeFrom ₹1,055Shop →
SOSA products & prices (verified September 2026): Attars (concentrated perfume oil, alcohol-free, DPG-free, IFRA-compliant, dab applicator): Adaa 3ml ₹379 · 6ml ₹669 · 12ml ₹1,149; Ameeri 3ml ₹385 · 6ml ₹679 · 12ml ₹1,165; Mastani 3ml ₹389 · 6ml ₹685 · 12ml ₹1,179; Nawaab 3ml ₹399 · 6ml ₹699 · 12ml ₹1,199; Pack of 3 (Ameeri, Nawaab, Mastani) 3ml ₹1,055 · 6ml ₹1,859 · 12ml ₹3,189. Solid body perfumes (15g balm): Sway ₹459 · Sterling ₹469 · Velour ₹479 · Lust ₹479 · Desire ₹489 · Siren ₹489 · titan ₹500 · Fire ₹509 · Storm ₹529. Carried on sandalwood oil and jojoba, hand-blended in Pune by an ISIPCA Versailles-trained perfumer; 6–8 hours on skin, longer on warm or oily skin. Fragrance sensitivity is individual — patch-test if your skin reacts to new products. Prices and availability subject to change — see the live product pages.
Here is the uncomfortable structure of this industry, stated once and plainly: in a great many perfume bottles, the liquid is the cheapest thing in the box. Packaging, distribution, retail margin and marketing routinely account for more of the retail price than the fragrance itself does, and that is true at every price point including the expensive end. Which does not mean materials are cheap — some of them are extraordinary — it means the relationship between what you pay and what is in the bottle is looser than anyone selling to you would like to discuss. This page breaks the cost down line by line, because a buyer who understands it makes better decisions than one who is told to trust a story about provenance.
Quick answers — read this first
Naturals: priced by yield. A kilo of rose oil consumes an enormous quantity of petals, and that is the whole explanation.Synthetics: not automatically cheap. Some captive molecules outprice the naturals beside them.
Fixatives and bases: the invisible half of the cost, and the first thing cut when a brief is tight.
Everything else: packaging, distribution and retail margin, which in most bottles exceed the cost of the liquid. Compare cost per wear instead of bottle price.
The short answer
Where the money actually goes: Roughly in this order. Naturals, priced by extraction yield rather than by rarity alone. Captive and speciality synthetics, some of which cost more per kilo than the naturals beside them. Fixatives and base materials, invisible at the counter and expensive. Then batch size, packaging, distribution and retail margin, which for most brands add up to more than the liquid.
Why niche costs more than mass market: Smaller batches mean higher prices per gram for identical materials, shorter production runs mean less amortisation of development, and a smaller brand cannot negotiate the way a global one can. Some of the premium is better materials and some of it is simply arithmetic about scale.
What to compare instead of bottle price: Cost per wear. A dab of attar wears six to eight hours, so 3ml at ₹379 covers a great many days. A 50ml eau de parfum used at four sprays a day is a different consumption curve entirely, and the headline prices are not comparable.
In this guide
Straight answer
Why do niche woody perfumes cost what they do?
1. Naturals are priced by yield, not by mystique. A natural extract is expensive because of how much raw material it consumes and how slow the process is. Rose oil requires an enormous mass of petals for a very small quantity of oil, harvested by hand in a narrow window each year. Saffron is the dried stigma of a crocus, picked individually. Sandalwood requires a tree of some age, and genuine Mysore material is strictly controlled. None of this is romance: it is agriculture and distillation arithmetic, and it is why a small number of materials dominate the cost line of a natural-heavy formula. It is also why a fragrance can list an expensive material and use a quantity of it that barely registers.
2. Synthetics are not the cheap option people assume. The industry's best synthetic materials are developed over years, protected, and sold at prices that can exceed the naturals sitting next to them in the same formula. What synthetics buy you is not economy but precision: a single molecule says one thing clearly, lasts predictably and behaves the same in every batch, which is exactly what a natural cannot promise. A good woody fragrance is almost always both — naturals for depth and internal complexity, synthetics for clarity and structure — and a house that boasts about being entirely natural is usually telling you about its marketing rather than its quality.
3. The base is where the money quietly goes. Top notes are cheap, evaporate in minutes and do the selling. Fixatives, musks and heavy woody materials are expensive, do nothing at the counter and are the only part you actually live with. When a brief has a tight cost target, the base is what gets thinned, and the result is a fragrance that performs acceptably for ninety minutes and goes hollow afterwards. If you want one rule for judging value in a woody fragrance, it is this: the money is in hour four.
4. Batch size and scale change the price of identical materials. A global brand buying by the tonne pays meaningfully less per kilogram than a small house buying by the kilo, for exactly the same oil from exactly the same supplier. Small runs also mean development costs are spread over fewer bottles, regulatory and compliance work is amortised over fewer units, and every inefficiency is visible. So part of what you pay for in a niche fragrance is better materials, and part of it is simply the arithmetic of not being large. It is worth knowing which part you are paying for.
5. And then everything that is not the fragrance. Bottles, caps, boxes, filling, freight, duties, retailer margin, returns, sampling and advertising. In a conventional retail structure these routinely exceed the cost of the liquid, sometimes by a wide margin — a heavy glass bottle with a weighted cap can cost more than what it contains. A small house selling directly avoids several of those layers, which is the honest reason a Pune-blended attar can carry Mysore sandalwood and Kashmir saffron at ₹399 for 3ml rather than at four figures. It is not a claim about magic sourcing; it is a claim about how few people stand between the bench and you.
2. Synthetics are not the cheap option people assume. The industry's best synthetic materials are developed over years, protected, and sold at prices that can exceed the naturals sitting next to them in the same formula. What synthetics buy you is not economy but precision: a single molecule says one thing clearly, lasts predictably and behaves the same in every batch, which is exactly what a natural cannot promise. A good woody fragrance is almost always both — naturals for depth and internal complexity, synthetics for clarity and structure — and a house that boasts about being entirely natural is usually telling you about its marketing rather than its quality.
3. The base is where the money quietly goes. Top notes are cheap, evaporate in minutes and do the selling. Fixatives, musks and heavy woody materials are expensive, do nothing at the counter and are the only part you actually live with. When a brief has a tight cost target, the base is what gets thinned, and the result is a fragrance that performs acceptably for ninety minutes and goes hollow afterwards. If you want one rule for judging value in a woody fragrance, it is this: the money is in hour four.
4. Batch size and scale change the price of identical materials. A global brand buying by the tonne pays meaningfully less per kilogram than a small house buying by the kilo, for exactly the same oil from exactly the same supplier. Small runs also mean development costs are spread over fewer bottles, regulatory and compliance work is amortised over fewer units, and every inefficiency is visible. So part of what you pay for in a niche fragrance is better materials, and part of it is simply the arithmetic of not being large. It is worth knowing which part you are paying for.
5. And then everything that is not the fragrance. Bottles, caps, boxes, filling, freight, duties, retailer margin, returns, sampling and advertising. In a conventional retail structure these routinely exceed the cost of the liquid, sometimes by a wide margin — a heavy glass bottle with a weighted cap can cost more than what it contains. A small house selling directly avoids several of those layers, which is the honest reason a Pune-blended attar can carry Mysore sandalwood and Kashmir saffron at ₹399 for 3ml rather than at four figures. It is not a claim about magic sourcing; it is a claim about how few people stand between the bench and you.
TL;DR: the cost of a woody fragrance is naturals priced by yield, speciality synthetics that are often more expensive than naturals, fixatives and base materials that are invisible at the counter, and then batch size, packaging, distribution and margin — which in most bottles exceed the liquid. Judge value at hour four, and compare cost per wear rather than bottle price: a dab of attar lasts six to eight hours.
Where a solid sits on the cost curve
titan solid perfume ₹500
Formats have different cost structures too. titan is a 15g solid balm at ₹500 — Arabica coffee, burnt wood and black pepper over frankincense resin and warm cedar smoke, alcohol-free, 6–8 hours, heat-stable. A balm carries more product by weight than a 3ml attar and less concentrate by proportion, which is why the arithmetic lands where it does. It also survives an Indian summer in a bag, which is a kind of value that does not appear on a note list.
Why the same material can cost twenty times what it costs elsewhere
Origin, grade and processing. Two suppliers can both honestly sell you "sandalwood oil" and be offering materials that differ by an order of magnitude in price: different species, different tree age, different distillation, different santalol content. The same is true of rose — the material from one growing region commands a multiple of another — and of vetiver, where Haitian, Java and Indian origins are different products at different prices. So a note list tells you what family a material belongs to and almost nothing about what was paid for it, which is the single biggest reason note lists are a poor guide to quality.
There is also a large hidden cost that buyers never see: compliance and stability work. A fragrance sold commercially has to meet safety standards, which means restriction levels, documentation and testing. A formula that works beautifully on the bench may need reworking to comply, and every reformulation costs time. Then there is maceration — good compositions are left to marry for weeks, which ties up capital and space. None of this appears anywhere on the packaging, and all of it is the difference between a fragrance that is stable and consistent across batches and one that is not.
The three decisions this should change about how you buy
1
DECISION ONE · JUDGE AT HOUR FOUR, NOT AT THE COUNTER
The expensive half is the part nobody smells
Four attarsFrom ₹379Everything a fragrance spends on cheap, loud materials is audible in the first twenty minutes, and everything it spends on the base is audible at hour four. So the counter test flatters exactly the wrong purchases. Buy the smallest size, wear it on an ordinary day, and see whether the fragrance gets quieter and rounder or changes character and goes slightly sour. That single observation is worth more than every sourcing claim you will read, and it costs ₹379 to run on any of these.
Quick test: a good base gets smaller. A thin one gets different.
2
DECISION TWO · COMPARE COST PER WEAR
Bottle prices are not comparable across formats
A 3ml attar looks small next to a 50ml spray, and the comparison is meaningless without consumption. One or two dabs give six to eight hours of close wear, which means a 3ml bottle covers a great many days, while four sprays a day of an eau de parfum is a much steeper curve. Work out roughly what a day of wearing costs you in each format before deciding which is expensive. It will not always favour the attar — sprays project and attars do not, and if projection is what you need you should pay for it — but it will at least be an honest comparison.
What we would not do: tell you an attar is always better value. It is a different product with a different job, and for room-filling wear it is the wrong purchase at any price.
3
DECISION THREE · DECIDE WHAT YOU ARE PAYING THE PREMIUM FOR
Materials, scale, or presentation
When a woody fragrance costs a great deal, the premium is some mixture of three things: genuinely better materials, the arithmetic of small-batch production, and packaging and positioning. All three are legitimate, but only the first one is in the bottle. If you cannot tell which you are buying, the hour-four test will tell you — a fragrance whose premium went into presentation performs exactly like a cheap one after the top notes leave, and there is no sourcing story that survives that.
The four woods, and where each one is in the SOSA range
The four woods sit at very different points on the cost curve, which is worth knowing before you interpret any price. The third column is our own inventory, including where it stops.
The woody family
What each wood costs to put in a bottle
| The wood | What it actually smells like | Where it is in the SOSA range |
|---|---|---|
| Oud / agarwood (dark wood) ★ | dense, resinous, animalic at the edges, medicinal in some distillations — the heaviest wood in common use and the one most people either love immediately or find suffocating | white royal oud leads Nawaab; a soft oudh sits deep in Ameeri |
| Sandalwood (creamy wood) | creamy, milky, soft-edged, faintly lactonic — the opposite of dry; it rounds everything it is put beside and is the reason a woody fragrance can feel comforting rather than austere | Indian sandalwood in Ameeri, beside Taif rose; and Mysore sandalwood in Nawaab, beside white royal oud and Kashmir saffron. It is also the carrier oil under every SOSA attar |
| Vetiver (rooty, earthy) | a grass root rather than a wood at all — earthy, smoky-green, slightly bitter, cooling on skin; grouped with woods because it behaves like one in a composition | nothing wearable. SOSA makes a vetiver car perfume and nothing else with vetiver in it. There is no vetiver attar and no vetiver solid |
| Cedar (dry wood) | dry, pencil-shaving, slightly pencil-box and slightly resinous — the driest of the common woods, with no creaminess and no sweetness of its own | a base note in Adaa, sitting under bergamot, cardamom and white musk; and as cedar smoke in the titan and Siren solid perfumes |
| Woody musk | not a wood and not quite a smell — a soft, warm, skin-like diffusion that makes everything above it read cleaner and last longer; "woody musk" means a musk with a dry woody facet rather than a powdery or soapy one | white musk with cedarwood in the Adaa base — the closest thing in the range to a clean woody-musk skin scent |
| Read the third column before the second. Four of the five entries above are notes SOSA uses, and one is a note SOSA does not make in any wearable form. We would rather lose the sale than sell you a rose-sandalwood attar because you searched for vetiver. Cedar and vetiver are the two cheapest materials in this table and the two directions we do not lead with — which should tell you that our gaps are about range-building rather than about cost. | ||
Shop this guide
What the money buys in this range
Adaa · daytimeFrom ₹379Shop → Nawaab · eveningFrom ₹399Shop → Pack of 3 · try the rangeFrom ₹1,055Shop →
The SOSA principle
The cheap materials are audible in the first twenty minutes. The expensive ones are audible at hour four.
Which is precisely why testing at a counter rewards the wrong fragrances, and why we sell a 3ml size that is too small to be a serious purchase and exactly the right size to be a test.
How to get the most out of what you have paid for
One or two dabs, on warm pulse points, never rubbed. A concentrated oil applied to the inner wrist, the hollow of the throat or behind the ear releases steadily over six to eight hours. Rubbing destroys the top notes you paid for and accelerates you into the base. If you are using more than two dabs of anything in this range, you are spending money to be closer and heavier rather than more present.
Store it out of heat and light. The expensive part of a fragrance is the part most vulnerable to degradation — naturals oxidise, and a bottle left on a sunny windowsill in a Pune May will lose its top notes and turn slightly sour within months. A drawer is sufficient. This is the cheapest way to protect what you have already paid for and almost nobody does it.
Buy small, then commit. 3ml at ₹379 to ₹399 is the right size for a decision and the wrong size for a signature; 12ml is the opposite. And be realistic about what the format gives you: an attar persists rather than projects, sitting within about an arm's length for six to eight hours. If you need to be noticed across a room, the correct purchase is an alcohol-based eau de parfum and no amount of spending on materials will change that.
Cheap materials are loud in the first twenty minutes. Expensive ones do not speak until the afternoon.
— Sonal Sahani, SOSA
What to buy
The ladder arranged by what your money is actually buying in each case. The last row is the honest position for a reader whose requirement is one this format cannot meet.
The value edit
What to buy, and what your money is going into
| Buy | What it is | Wears | Price |
|---|---|---|---|
| Adaa | Cedarwood and white musk under a fresh top — the cheapest entry to the range at ₹379, and the one where the money is in the base rather than in any single expensive natural | 6–8 hours per dab | 3ml ₹379 |
| Nawaab ★ | White royal oud, Mysore sandalwood, Kashmir saffron — where the expensive materials are — white royal oud, Mysore sandalwood and Kashmir saffron are the costliest things we work with, and the price reflects the formula rather than the bottle | 6–8 hours per dab | 3ml ₹399 |
| Ameeri | Taif rose over Indian sandalwood — Taif rose over Indian sandalwood; rose and sandalwood are both yield-priced naturals, which is where the ₹385 goes | 6–8 hours per dab | 3ml ₹385 |
| titan (solid) | Burnt wood, black pepper, cedar smoke — a different cost structure entirely — more product by weight, less concentrate by proportion, and heat-stable in a way liquids are not | 6–8 hours | ₹500 |
| Buy nothing here | If you want projection, spend your money on an eau de parfum instead. Paying more for a better attar will get you better materials and the same radius — an oil persists rather than projects and no price point alters that | Not our sale to make | ₹0 |
Honest notes before you buy: three things before you spend anything. First, “woody” is four different smells wearing one word. Dry woods (cedar) are pale and unsweet; creamy woods (sandalwood) are soft and milky; dark woods (oud) are dense and resinous; and vetiver is not a wood at all but a root that behaves like one. People who say they love woody perfume and then dislike everything we suggest have almost always fallen into the gap between two of those four. Work out which one you mean before you buy, and the purchase gets easy. Second, an attar persists rather than projects. There is no alcohol to launch it, so a SOSA attar sits close to the skin for six to eight hours instead of filling a room — if you want a woody scent noticed from across an office, an eau de parfum does that job better and we will say so. Third, we do not make every wood. There is no vetiver in any SOSA wearable and no cedar-led attar; cedar is a base note in Adaa and cedar smoke in the titan solid. Where the honest answer is that we have nothing for you, that is what the page will say. All SOSA attars are alcohol-free, DPG-free and IFRA-compliant, carried on sandalwood oil and jojoba, hand-blended in Pune, applied with a dab applicator rather than sprayed. Fragrance sensitivity is individual; patch-test if your skin reacts to new products. A portion of every order supports girl-child education through Nanhi Kali.
The dry, cool end of the range
SOSA Adaa From ₹379
Adaa is the SOSA attar people mean when they say they want woody but light. Bergamot, green cardamom and neroli on top; jasmine sambac and magnolia through the middle; white musk and cedarwood underneath, which is where the woodiness actually lives. It reads as composed rather than sweet, wears equally on any skin, and is the lightest thing in the range. 3ml ₹379 · 6ml ₹669 · 12ml ₹1,149, alcohol-free and DPG-free, 6–8 hours on skin.
SS
ISIPCA
Versailles
Versailles
A note from Sonal
The first thing I would tell anyone about fragrance pricing is that the liquid is usually the least expensive component of a finished bottle. Once you know that, a lot of marketing becomes easier to read. It also means the honest way to compete as a small house is to keep the layers between the bench and the customer as few as possible — which is the reason a 3ml attar with Mysore sandalwood and Kashmir saffron in it can be ₹399 rather than four figures. It is not clever sourcing. It is a short supply chain.
Where I do spend is on the base, and I would encourage you to judge me on it. Anyone can make an impressive first twenty minutes; the materials for that are inexpensive and the effect is immediate. What costs money and judgement is making hour four worth wearing. When people tell me an attar of mine "lasts well", what they are usually noticing is that the base is still coherent rather than that it is still detectable, and those are different achievements.
If you are comparing us with an expensive niche woody fragrance, do not compare bottle prices — compare a day of wearing. And do not assume the more expensive thing has better materials in it, because a substantial part of any luxury price is packaging and position. Buy 3ml of whichever direction interests you, wear it for a week, and judge the afternoon. A portion of every order funds a girl's classroom through Nanhi Kali.
Frequently asked questions
Why are niche woody perfumes so expensive?
Several costs stack. Naturals are priced by extraction yield — rose, saffron and sandalwood consume enormous quantities of raw material. Speciality synthetics can cost more per kilo than the naturals beside them. Fixatives and base materials are expensive and invisible. Then small batch sizes, packaging, distribution and retail margin, which in most bottles exceed the cost of the liquid.
Are synthetic materials cheaper than naturals?
Not necessarily. The industry's best synthetic molecules are developed over years, protected, and often sold at prices above the naturals they sit beside. What they provide is precision and consistency rather than economy. Most good woody fragrances use both — naturals for depth and complexity, synthetics for clarity and structure.
How can I tell whether I am paying for materials or for packaging?
Test at hour four. Cheap materials are loud and immediate; expensive ones live in the base. A fragrance whose premium went into presentation performs like an inexpensive one once the top notes leave — it changes character and often turns slightly sour or papery. A well-funded base simply gets quieter and rounder.
Is a 3ml attar good value compared with a 50ml spray?
Compare cost per wear rather than bottle price. One or two dabs of an attar give six to eight hours of close wear, so 3ml at ₹379 covers a great many days, while four sprays a day of an eau de parfum is a steeper curve. But they are different products — a spray projects and an attar does not — so if you need to be noticed across a room, the spray is the right purchase whatever the arithmetic says.
Which materials in the SOSA range are the expensive ones?
White royal oud, Mysore sandalwood and Kashmir saffron, all of which are in Nawaab (3ml ₹399) — the most expensive formula we make. Taif rose and Indian sandalwood in Ameeri (3ml ₹385) are also yield-priced naturals. Cedar and musk, in Adaa (3ml ₹379), are considerably less costly, which is reflected in the price.
Where the money goes
In most bottles the liquid is the cheapest component — judge the base, not the box
SOSA attars hand-blended in Pune by an ISIPCA Versailles-trained perfumer and sold direct: Nawaab from ₹399 with white royal oud, Mysore sandalwood and Kashmir saffron; Ameeri from ₹385 with Taif rose and Indian sandalwood; Adaa from ₹379 with cedarwood and white musk. The titan solid at ₹500. Alcohol-free, DPG-free, IFRA-compliant, dab applicator, 6–8 hours on skin. Compare cost per wear, and if you need projection, buy a spray instead.
Shop SOSA attars → Pack of 3 from ₹1,055
Continue the read
More on the woody family
- How much oud is in an attar — the arithmetic of agarwood.
- Expensive rather than strong — what the money buys perceptually.
- Low projection vs low quality — why quiet is not cheap.
- Mysore vs Australian vs accord — one material, three price bands.
- Brand: the SOSA founder story.
Editorial standards & sources
About this guide: Written by Sonal Sahani, ISIPCA Versailles-trained founder and perfumer at SOSA Home & Body, on the woody fragrance family and what the SOSA range does and does not contain within it. Note descriptions and wear-time are SOSA’s own for the stated products; how any fragrance performs varies with skin chemistry, temperature and humidity. Fragrance sensitivity is individual and this is general guidance, not medical advice.SOSA products & prices (verified September 2026): Attars (concentrated perfume oil, alcohol-free, DPG-free, IFRA-compliant, dab applicator): Adaa 3ml ₹379 · 6ml ₹669 · 12ml ₹1,149; Ameeri 3ml ₹385 · 6ml ₹679 · 12ml ₹1,165; Mastani 3ml ₹389 · 6ml ₹685 · 12ml ₹1,179; Nawaab 3ml ₹399 · 6ml ₹699 · 12ml ₹1,199; Pack of 3 (Ameeri, Nawaab, Mastani) 3ml ₹1,055 · 6ml ₹1,859 · 12ml ₹3,189. Solid body perfumes (15g balm): Sway ₹459 · Sterling ₹469 · Velour ₹479 · Lust ₹479 · Desire ₹489 · Siren ₹489 · titan ₹500 · Fire ₹509 · Storm ₹529. Carried on sandalwood oil and jojoba, hand-blended in Pune by an ISIPCA Versailles-trained perfumer; 6–8 hours on skin, longer on warm or oily skin. Fragrance sensitivity is individual — patch-test if your skin reacts to new products. Prices and availability subject to change — see the live product pages.