Should a Members’ Lounge Smell Different From the Main Lobby?

Should a Members’ Lounge Smell Different From the Main Lobby?

★ ★ Members do not perceive two fragrances — they perceive a route that is continuous, or a seam where something has gone wrongVaayu ₹11,999 · Aangan ₹25,999 · Meenar ₹38,500 · commercial fragrance specified and quoted per propertyA portion funds girl-child education
★ SOSA Home & Body · club and commercial scenting
Different, yes — but different in intensity, not in identity. One composition carried the length of the property at a falling level is read as a building settling down; two compositions are read as a building that has not decided
★ ★ ★ ★ ★
★★★★★
"Put the 130ml in our entryway. Three different guests asked which hotel it reminded them of. That's the win for me."
Ritu K. Delhi
Garden Bloom · verified buyer
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"Reminds me of the Manali homestay we drive up to. Bottling the mountains for a Mumbai bedroom is a small miracle."
Tanmay S. Mumbai
Mountain Breeze · verified buyer
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"Put it in the guest room before my parents visited. My mother asked me where the spa smell was coming from."
Ishaan V. Mumbai
Evening Calm · verified buyer
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"Gifted to my dad for his study. He's the hardest person to buy fragrance for. He texted me asking for a second one."
Karishma N. Delhi
Mountain Breeze · verified buyer
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"I was worried it would be too strong at night. It's the opposite — soft and gentle, just there in the background."
Meera D. Delhi
Evening Calm · verified buyer
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"Gave the 50ml as a housewarming gift for a friend who works from home. She ordered three more for the rest of the house."
Shreya P. Chennai
Morning Freshness · verified buyer
★★★★★
"Put the 130ml in our entryway. Three different guests asked which hotel it reminded them of. That's the win for me."
Ritu K. Delhi
Garden Bloom · verified buyer
★★★★★
"Reminds me of the Manali homestay we drive up to. Bottling the mountains for a Mumbai bedroom is a small miracle."
Tanmay S. Mumbai
Mountain Breeze · verified buyer
★★★★★
"Put it in the guest room before my parents visited. My mother asked me where the spa smell was coming from."
Ishaan V. Mumbai
Evening Calm · verified buyer
★★★★★
"Gifted to my dad for his study. He's the hardest person to buy fragrance for. He texted me asking for a second one."
Karishma N. Delhi
Mountain Breeze · verified buyer
★★★★★
"I was worried it would be too strong at night. It's the opposite — soft and gentle, just there in the background."
Meera D. Delhi
Evening Calm · verified buyer
★★★★★
"Gave the 50ml as a housewarming gift for a friend who works from home. She ordered three more for the rest of the house."
Shreya P. Chennai
Morning Freshness · verified buyer
✓ Alcohol-free · phthalate-free · paraben-free · IFRA-compliant · 0 ppm formaldehyde · composed in Pune ✓ A closed door is a boundary; an open plan is one volume — that decides whether two settings are possible at all ✓ One composition, several intensities: fewer refill lines, one written specification, no seam

 

Founder Diaries · Club Scenting · Members’ Lounges & Long Dwell
By Sonal Sahani · ISIPCA Versailles 11 min read Updated August 2026
It should feel different and it should not be different. Those two statements only look contradictory until you examine what a member is actually capable of perceiving as they walk from a car park into a chair. Nobody carries a fragrance accurately in memory across a forty-second walk. A member cannot compare the lobby composition with the lounge composition analytically, because by the time they reach the second one the first has gone from working memory and their receptors have already begun adapting to whatever is in front of them. What they perceive instead is far simpler and far more consequential: whether the route was continuous, and whether the building got quieter as they moved into it. Intensity is the variable they read. Composition is the variable they remember over years. Change the first between rooms; never change the second.
Quick answers — read this first
The answer: one fragrance, two levels. The lounge should sit clearly below the lobby, and it should be the same composition doing less work rather than a second composition doing a different job.

What members actually perceive: not two smells, but a route. A falling level along the walk from door to chair is read as the building settling, which is precisely the feeling a club wants at that moment. A change of composition is read as discontinuity — usually described as the club smelling confused, or of something in the corridor not being right.

The physical trap: two scented volumes that meet without a door do not meet in a line, they meet in a band, and in that band both compositions are present at partial strength and neither reads as designed. The corridor between a lobby and a lounge is exactly where that band lands.

The honest gaps: no throw, gradient or falloff figure is published for any SOSA machine, so nobody can write “the lounge at sixty per cent of the hall” into a specification. It is set by walking and recorded as a position and an intensity. And where the lounge opens off the lobby with no door, it is not a second zone at all and a second machine will not make it one.
The short answer
Short answer: yes to smelling different in strength, no to smelling different in kind. The main lobby is a transit volume that members cross in under a minute, so it may carry the club’s signal clearly. The members’ lounge is a long-dwell room where people sit for hours, so it must sit below the level anyone would name. Run one composition at two settings. That difference is the one members register, and it costs nothing beyond deciding it.
Why two fragrances underperform even when both are good: a signature earns its value through repetition, and splitting the property across two compositions halves the repetitions while doubling the operational burden — two specifications, two refill cadences, two chances for someone to adjust the wrong thing. It also creates a mixing band at every junction. Members rarely say “there are two fragrances here”. They say the place smells slightly off near the stairs, which is harder to diagnose and harder to fix.
What to specify: where lobby and lounge are genuinely separate volumes, two Vaayu ₹11,999 units running the same fragrance at different intensities, each with a key-lock, run windows of 1h / 4h / 8h / 24h, day selection and auto-stop, covering up to 1000 m³ ≈ 2,000–3,000 sq ft, under 38 dB, on DC 12V / 1A at 5W. Where the whole floor is one air system, Aangan ₹25,999 on a mechanical HVAC or AHU connection covers up to 3,000 m³ ≈ 8,000–10,000 sq ft from one source. Free shipping above ₹499.
Straight answer
Should the members’ lounge smell different from the main lobby?
1. Different in level, identical in composition. One fragrance across the whole member route — threshold, hall, corridor, lounge — with the intensity falling as the dwell time rises. That gradient is what members experience as a well-run building, and they experience it without ever being able to describe the mechanism.

2. The perceptual reason is that nobody compares two compositions across a walk. Fragrance memory is poor over seconds and receptors begin adapting on arrival at each new concentration. What survives the walk is a sense of continuity or discontinuity. Two good compositions therefore do not produce two good impressions; they produce one impression of a building that has not quite decided what it is.

3. Check first whether they are two volumes at all. A closed door is a boundary; an open plan is one volume. A lounge that opens off the hall through a wide arch shares the hall’s air, and no arrangement of machines will hold two concentrations in one body of air. In that case the gradient is made by where the source sits and how far the seating is from it.

4. Where they are two volumes, use two machines on one fragrance. Not one machine attempting two settings, and not two fragrances. Two units of the same machine, one composition, two recorded intensities, both key-locked. That is the cleanest specification a committee can hold, and it survives a change of general manager.

5. Let the lounge be the quietest point on the member’s route. The gradient should run downward from the door inward, not the reverse. Everything SOSA makes is alcohol-free, phthalate-free, paraben-free, IFRA-compliant and 0 ppm formaldehyde, composed in Pune, and a portion of every order supports girl-child education through Nanhi Kali.
TL;DR: same fragrance, lower in the lounge. A member walking from the door to a chair cannot compare two compositions but reads the change in level instantly, and a falling gradient is experienced as the building settling. Two fragrances produce a mixing band at every junction and halve the repetitions a signature depends on. If the lounge opens off the lobby without a door, it is one volume and the gradient has to come from source position rather than from a second setting.
SOSA Vaayu waterless cold-air scent machine
Two volumes, one composition
Vaayu · waterless cold-air nebuliser ₹11,999
Where a lobby and a lounge are separated by doors, the correct specification is two units of the same machine running the same fragrance at two recorded intensities. Each covers up to 1000 m³ ≈ 2,000–3,000 sq ft, holds a sealed residue-free 400ml tank lasting up to about 90+ days depending on intensity and hours, runs at under 38 dB, and mounts freestanding, on a wall or into an HVAC return on a DC 12V / 1A 5W point that the electrical drawing should show at the position. Adjustable intensity, run windows of 1h / 4h / 8h / 24h, a choice of days, auto-stop and — the part that matters most across two zones — a key-lock, so the two settings stay two settings instead of quietly converging. Bluetooth app plus onboard buttons. CE, RoHS and SGS. Black and white.

What a member can actually perceive on the walk in

The whole question turns on a fact about perception that clubs rarely account for, because it is counter-intuitive to anybody who has been sitting with two sample bottles at a table. Smelling two things side by side and smelling two things forty seconds apart are completely different tasks, and only the first one supports comparison. Three consequences follow, and together they settle the design.

1
CONSEQUENCE ONE · MEMORY
The lobby is gone by the time the lounge arrives
SOSA Mountain Breeze cedar reed diffuserMountain Breeze₹849A committee choosing between two compositions does so with both in front of them, sniffing alternately, and the differences are vivid. A member does not have that. They meet one fragrance at the door, walk, meet another in the lounge, and have no reliable trace of the first to hold the second against. So the elaborate distinction a committee agonised over is simply not available to the person it was designed for. What is available is coarse and reliable: is this more than the last place, or less. The nose is excellent at detecting change and poor at recalling absolutes, which is why a member notices a fragrance walking past a doorway and stops noticing it once they sit down in the same room.
The design implication: spend the difference on something members can perceive. A step down in level is perceived instantly. A step across to a different composition is mostly perceived as a vague wrongness.
2
CONSEQUENCE TWO · REPETITION
A signature is built by how often it is met, not by how many there are
SOSA Aangan HVAC nebulising diffuserAangan₹25,999The value of a club’s fragrance is not aesthetic, it is associative. A member who has come twice a week for eleven years has met that smell something over a thousand times, always in the same building, usually before something pleasant. That is the entire asset, and it is built by repetition. Running a second composition in the lounge halves the number of encounters with each, and the lounge is where members spend most of their hours, so it halves them unevenly. It also doubles the administration: two specifications to write, two things to refill, two settings for a well-meaning steward to adjust, and two opportunities for the club to drift over a decade without noticing. One composition held for ten years is worth more than two excellent ones held for five.
The operational fact: for the waterless commercial machines no purchasable refill oil is listed and no price is published — the fragrance is specified and quoted per property. One composition therefore also means one specification on file, which is a real simplification for a club secretary.
3
CONSEQUENCE THREE · THE GRADIENT
A falling level is read as hospitality, not as a technical decision
SOSA Evening Calm reed diffuserEvening Calm₹799Here is the part that is genuinely worth engineering. A member coming in off a hot street meets a clear, composed signal at the threshold, walks through a hall where it is a little softer, down a corridor where it is softer still, and settles into a lounge where it has receded into the furniture. That sequence is experienced as the building taking their coat — a progressive relaxation that mirrors what the visit is for. Reverse it, and put the strongest point in the lounge, and the same member experiences a room that will not leave them alone. The gradient is also why hotels are so hard to locate a diffuser in: the fragrance is introduced into moving air rather than released from an object on a table, so there is no gradient to walk up and no source to find. A club should aim for the same — no hot spot, no object, no place where the smell is obviously coming from.
The placement rule that follows: put the source in the airflow path, above head height, and well away from where members sit. Two sources in one volume make two peaks with a valley between, because the midpoint is the farthest point from both.

The seam, and exactly where it lands in a club

If a club does run two compositions, the interesting question is not whether each is good but what happens where they meet. Two scented volumes never meet in a line; they meet in a band whose width depends on door position, airflow and how often that door is opened. Inside the band both fragrances are present at partial strength, mixing into something neither was composed to be. In a club that band almost always lands in the least forgiving place available: the corridor between the hall and the lounge, or the lobby end of the lounge itself, which is precisely where members walk slowly, greet each other and stand about talking before sitting down.

What makes this expensive to diagnose is that nobody reports it correctly. Members do not say there are two fragrances meeting badly. They say the corridor smells stale, or that something near the lounge door is not right, or simply that the club has started to smell a bit much — and the club responds by cleaning the corridor, which does nothing, or by turning something up, which widens the band. I have been called in twice for what was presented as a musty corridor and turned out to be a seam. In both cases the fix was to stop running the second fragrance, which cost nothing and improved the property that afternoon.

There is a related structural point that decides more club specifications than any question of taste. A closed door is a boundary; an open plan is one volume. Two rooms that share air cannot hold two concentrations, so if your lounge opens off the hall through a wide arch you do not have two zones and you cannot set two levels — you have one volume with a source somewhere in it, and the only gradient available is distance from that source. Buying a second machine for the lounge in that situation does not create a second zone; it creates a second peak inside the first. Reason in volume as well: a double-height hall with a galleried lounge above it is one large connected body of air whose size a floor-area figure conceals entirely, which is why coverage is rated in cubic metres.

Lobby and lounge, compared attribute by attribute

The same club, the same fragrance, and the properties of the two spaces that drive every setting decision. The final row is the one thing that should never differ between them.

Two rooms, one identity
What differs, what must not, and why
Attribute Main lobby Members’ lounge What it means for the setting
Dwell time ★ Seconds to a minute Two to four hours The single reason the levels differ at all
Air change High — doors opening constantly Low — often recirculating air conditioning The lobby loses fragrance; the lounge accumulates it
Absorbent mass Usually hard floors and stone Carpet, curtains, upholstery, timber The lounge holds odour and re-releases it for hours
Ceiling height Often double-height or galleried Usually normal, sometimes connected above Reason in cubic metres; floor area hides the volume
Who is in it longest Reception and door staff Members, guests and lounge staff all day Both have adapted; neither can judge the level
Competing smells Street air, traffic, rain, cooking carry-over Personal fragrance, coffee, printed paper The lounge ambient must sit under what members wear
The composition The club signature The same club signature Never varies. Only the intensity does
Specify the route
One fragrance, two settings, or one source feeding both
The SOSA principle
Members do not perceive two fragrances. They perceive a route that is continuous, or a seam where something has gone wrong.
Which is why the whole difference between a lobby and a lounge should be spent on level — the one variable a person crossing a building can actually read.

When a second fragrance is genuinely defensible

I would be overstating the rule if I claimed one identity everywhere on every property, and the exceptions are worth naming because they make the principle legible. A separate composition is defensible where a space has an identity that predates the scenting decision and is separated from the member route by real boundaries. A spa reception carrying the treatment register rather than the club register. A cigar terrace, which is outdoors and should carry nothing at all. A banqueting suite hired out to non-members and experienced as a different building. A residential floor in a club that has bedrooms. None of these is the members’ lounge, which sits directly on the member’s primary route and is experienced as the same visit as the hall.

There is also a set of rooms where the right answer is no fragrance, and naming them is what makes the rest of a specification credible to a committee. Dining rooms, private dining and bar counters stay neutral — ambient fragrance competes with the food and flattens wine, and the chef and the sommelier will both object before any member does. Spa treatment rooms carry their own therapy oils. Gym floors need air change rather than perfume; scent the wellness reception instead, lightly. Boardrooms and private meeting rooms are small closed volumes containing people who did not choose to be there, so the corridor outside should carry the identity and the room itself should be left alone. In a heritage club, the library and the card room usually smell of paper, timber and age, and that smell is the club’s character rather than a problem to be solved.

And if the lounge currently smells different from the lobby without anyone having decided that it should, the cause is probably not fragrance at all. A heavily furnished room with long closed hours and an air system that stops overnight will smell closed in the morning, and closed smells more different from a well-ventilated hall than any two compositions ever would. The order of work is source, then moisture, then ventilation and air change, then cleaning, and only then fragrance — and it is worth saying that a club which fixes those four will find the fragrance decision much smaller than it expected.

The lobby and the lounge should be the same sentence said twice. Once at the volume of a greeting, and once at the volume of a room you are about to spend the afternoon in.
— Sonal Sahani, SOSA

The gradient edit — and the honest gaps

What to settle, in order, when a committee is deciding how the lounge should relate to the hall. The first four decisions cost nothing and remove most of the arguments that follow.

The lobby-to-lounge edit
One identity, a falling level, and what cannot be specified
Decision What it is Why it matters Cost
1. One composition for the member route ★ Threshold, hall, corridor and lounge all on the same fragrance A signature is built by repetition; two compositions halve it and double the admin No extra
2. Establish how many volumes you have Walk the plan looking for doors that are normally shut Two settings are only possible where there are two bodies of air No purchase
3. Make the gradient fall inward Clearest at the threshold, softer in the hall, quietest in the lounge A falling level is read as the building settling; a rising one is read as pressure No purchase
4. Place sources in the airflow, never near seating Above head height, in the supply path, away from the chairs and the joinery No hot spot, no object to locate, no gradient a member can walk up No purchase
5. Two real volumes, two machines, one fragrance Two Vaayu units at recorded intensities, both key-locked, each on a DC 12V / 1A 5W point Two levels of one identity, held by a lock rather than by memory ₹11,999 each
6. Or one source for the whole floor Aangan on a mechanical HVAC or AHU connection, up to 3,000 m³ ≈ 8,000–10,000 sq ft Removes any chance of two zones drifting apart over a decade ₹25,999
Do not buy: a second fragrance for the lounge Two compositions meeting in a corridor produce a band of both at partial strength Members report it as a stale corridor rather than as a seam, so it is rarely diagnosed Saves money
The honest gaps: what is not published No throw, gradient or falloff figure, so no ratio between hall and lounge can be specified. No adaptation time in minutes and no machine count as a formula. SOSA publishes no leather fragrance in any format and no tobacco or smoky fragrance for any diffuser. No purchasable refill oil is listed for the waterless commercial machines — the fragrance is specified and quoted per property A published ratio would be obeyed in buildings it does not suit, which is worse than having none Quoted
Honest notes for a house committee: SOSA fragrances are alcohol-free, phthalate-free, paraben-free, IFRA-compliant and 0 ppm formaldehyde, with six fibre reeds in a refillable glass bottle on the reed line, composed in Pune by an ISIPCA Versailles-trained perfumer. The Hotel Collection oils are water-based and ultrasonic-only; they are not for reed diffusers and not for the waterless commercial machines. SOSA sells no air purifier and no dehumidifier and makes no health, air-quality, VOC or mould claim. Dining rooms, private dining and bar counters stay neutral; spa treatment rooms, gym floors, boardrooms and heritage libraries are best left unscented. Commercial enquiries, including a zoning plan for a specific property, are answered through the contact page. Free shipping above ₹499, and a portion of every order supports girl-child education through Nanhi Kali. SOSA is an independent Indian fragrance house and is not affiliated with any hotel brand.
SOSA Aangan HVAC nebulising diffuser
The version with no seam at all
Aangan · HVAC nebulising diffuser ₹25,999
Where the hall and the lounge sit on one air system, the neatest answer to this whole question is a single source feeding both through the building’s own grilles. There is then no boundary band anywhere, because there is only one fragrance and one output, and the difference between the two rooms comes from their own air change, volume and furnishing rather than from a second setting. Up to 3,000 m³ ≈ 8,000–10,000 sq ft on a mechanical HVAC or AHU connection, an 800ml reservoir giving weeks between refills on business-hours schedules, under 42 dB, DC 12V at 14W, a metal body of 3.9 kg measuring 284 × 125 × 246 mm in black or white, one-year warranty, imported. Control is an intelligent PCB with programmable work and pause cycles, daily schedules and an intensity setting — no app and no Bluetooth on this unit; the app belongs to Vaayu. It also stands alone, wall-mounted or laid flat.
SS
ISIPCA
Versailles
A note from Sonal

The most useful thing I ever did on this question was to stop asking committees what they thought and start walking the route with a member. Not a member of the house committee — an ordinary member, invited to walk in from the car park and say whatever came into their head. They almost never comment on a composition. They comment on the moment the air changes: at the door, at the top of the stairs, coming out of the corridor. That is the vocabulary of the person you are designing for, and it is a vocabulary of transitions rather than of smells.

Once you have heard that a few times, the two-fragrance idea loses its appeal on its own. It is a decision made by people looking at a plan, for a person who is walking through a building, and those are not the same experience. A plan has rooms with names on them. A walk has a sequence of changes, and every change is either explicable or slightly unsettling.

So my advice is dull and I stand by it: pick one composition you would be happy to smell in ten years’ time, put it everywhere along the member route, and spend all of your remaining attention on where each machine sits and how low the lounge can go. That is where the quality is. The club will feel considered, nobody will be able to say why, and the fragrance budget will be smaller than the one you came in with. Everything we make is composed in Pune, and a part of every order funds a girl’s classroom through Nanhi Kali.

Frequently asked questions

Should a members’ lounge smell different from the main lobby?
It should feel different and it should not be a different fragrance. Use one composition across the whole member route and let the intensity fall as dwell time rises, so the lobby carries the signal clearly and the lounge sits below the level anyone would name. Members cannot compare two compositions across a forty-second walk, but they register a change of level immediately, which is why the level is the variable worth spending on.
What actually goes wrong if we run two different fragrances?
They meet in a band rather than at a line, usually in the corridor between the two rooms, and inside that band both are present at partial strength and neither reads as composed. Members rarely identify it as two fragrances; they report a corridor that smells stale or a club that has become a bit much, which sends the club off cleaning or turning things up. Two compositions also halve the repetitions a signature depends on and double the specifications, refills and settings to manage.
Our lounge opens straight off the lobby with no door. Can we still set two levels?
No. A closed door is a boundary and an open plan is one volume, so two spaces sharing air hold one concentration. Adding a machine in the lounge creates a second peak inside the same volume rather than a second zone, and two sources in one body of air produce two peaks with a valley between them. What you can do is place the single source in the airflow path well away from the seating and let distance create the gradient, which is the correct placement in any case.
How much lower should the lounge be than the lobby?
There is no published ratio and I will not invent one. No throw, gradient or falloff figure is published for any SOSA machine, so a number like “sixty per cent” would be fiction that a specification would then follow. What can be written down is a position, an intensity setting, a run window and a review date for each zone, arrived at by walking the member’s route from outside at the busiest hour and judging the lounge in the first two seconds of entering it.
Which rooms should be left out of the club’s signature altogether?
Dining rooms, private dining and bar counters, because ambient fragrance competes with food and flattens wine. Spa treatment rooms, which carry their own therapy oils. Gym floors, which need air change rather than perfume. Boardrooms and private meeting rooms, which are small closed volumes holding people who did not choose to be there. And in a heritage club, the library and card room, where the smell of paper and timber is the character worth protecting. Naming those rooms is what makes the rest of a scenting plan credible.
Club scenting · lobby and lounge
One identity, a falling level — the club gets quieter as the member goes further in
Vaayu ₹11,999 covers up to 1000 m³ ≈ 2,000–3,000 sq ft with adjustable intensity, run windows of 1h / 4h / 8h / 24h, day selection, auto-stop and a key-lock, from a sealed 400ml tank lasting up to about 90+ days, at under 38 dB on a DC 12V / 1A 5W supply, freestanding, wall-mounted or into an HVAC return. Aangan ₹25,999 connects mechanically to HVAC or an AHU, covering up to 3,000 m³ ≈ 8,000–10,000 sq ft with an 800ml reservoir at under 42 dB on DC 12V, 14W, controlled by a programmable PCB rather than an app. Meenar ₹38,500 is the larger-property option, specified on enquiry. Free shipping above ₹499, and a portion of every order supports girl-child education through Nanhi Kali.
See Vaayu ₹11,999 → Ask us to grade a route
Editorial standards & sources
About this guide: Written by Sonal Sahani, ISIPCA Versailles-trained founder and perfumer at SOSA Home & Body, on whether a private club’s members’ lounge should carry a different fragrance from its main lobby, and on the distinction members are actually able to perceive. The olfactory and building reasoning here is explanation rather than a laboratory claim about any specific test. No throw, gradient or falloff figure, adaptation time in minutes, concentration threshold or machine count as a formula is published for any SOSA machine; where this guide would need such a figure it says so rather than estimating one. SOSA makes no health, air-quality, VOC or mould claim of any kind. Review quotations are from verified SOSA buyers of the reed diffuser range.

SOSA commercial scenting — facts verified August 2026: Vaayu ₹11,999, waterless cold-air nebulising, up to 1000 m³ ≈ 2,000–3,000 sq ft, 400ml refillable sealed tank lasting up to about 90+ days depending on intensity and hours, Bluetooth app plus onboard buttons, run windows of 1h / 4h / 8h / 24h, day selection, adjustable intensity, auto-stop and key-lock, under 38 dB, freestanding, wall-mounted or HVAC-return, DC 12V / 1A at 5W, CE, RoHS and SGS, black and white. Aangan ₹25,999, HVAC or AHU connection or standalone wall-mount or lay-flat, up to 3,000 m³ ≈ 8,000–10,000 sq ft, 800ml reservoir giving weeks between refills on business-hours schedules, under 42 dB, DC 12V at 14W, intelligent PCB with programmable work and pause cycles and daily schedules, metal body 3.9 kg at 284 × 125 × 246 mm, black or white, one-year warranty, imported; it is not app-controlled, has no Bluetooth, and no certifications are published for it. Meenar ₹38,500 is the larger-property option, specified on enquiry; no coverage figure is published for it here, and it should not be assumed to reach further than Aangan. Ultrasonic machines: Sukoon ₹1,899 at 270–320 sq ft with a 500ml tank and 16–18 hours on low, Boond ₹899 with a 300ml tank at up to about 150 sq ft, Megh ₹3,499 with a six-litre tank and around 100 hours of runtime but only about 215 sq ft of coverage. Hotel Collection fragrance oils are water-based and ultrasonic-only at 15ml ₹299, 100ml ₹999 and 300ml ₹1,799; they are not for reed diffusers and not for the waterless commercial machines. No purchasable refill oil is listed for the waterless commercial machines; that fragrance is specified and quoted per property. SOSA publishes no leather fragrance in any format and no tobacco or smoky fragrance for any diffuser. SOSA sells no air purifier and no dehumidifier, and every SOSA spray is a car perfume rather than an interior product. No SOSA machine offers Wi-Fi, Alexa, Google Assistant, KNX, Crestron, Control4, Modbus, BACnet or any building-management integration; the Aangan HVAC connection is mechanical. Reed diffusers 50ml ₹749–₹849 lasting 6–8 weeks and 130ml ₹1,249–₹1,349 lasting 14–18 weeks, six fibre reeds, alcohol-free, phthalate-free, paraben-free, IFRA-compliant, 0 ppm formaldehyde, heat-stable CCT carrier, refillable glass bottle, tested at 45°C and 85% RH, composed in Pune. No dealer programme, reseller margin, trade price, territory or service contract is published. Free shipping above ₹499. A portion of every order supports girl-child education through Nanhi Kali. SOSA is an independent Indian fragrance house; the Hotel Collection scents are SOSA’s own interpretations inspired by the world’s finest hotels, and SOSA is not affiliated with or endorsed by any hotel brand. Prices subject to change — see the live product pages.
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