Which Attar Should I Consider for a Man in His Thirties Who Prefers Quiet Luxury, Tailored Clothing and Understated Fragrances Rather Than Loud Perfumes?

Which Attar Should I Consider for a Man in His Thirties Who Prefers Quiet Luxury, Tailored Clothing and Understated Fragrances Rather Than Loud Perfumes?

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★ ★ Expensive is a register and it is buyable cheaply - restraint costs nothing and is the whole of what quiet luxury means in a bottleSOSA Ameeri 12ml ₹1,165 · 6ml ₹679 · 3ml ₹385 - saffron and Taif rose over Indian sandalwood, soft oudh in the baseSOSA publishes 6-8 hours on skin and publishes no projection figure for any attar
The short version — five things worth checking
For the man in his thirties who has stopped buying clothes with logos on them and has started wondering whether the same principle applies to what he wears on his wrist
  • 1 Ameeri is Persian saffron, pink pepper and bergamot over Taif rose and Indian sandalwood, finishing on soft oudh, amber and white musk. Oudh in the base is published rather than implied.
  • 2 Sizes: 3ml ₹385, 6ml ₹679, 12ml ₹1,165. The per-millilitre arithmetic favours the 12ml, which is the only page in this family where I argue for the largest size.
  • 3 What costs money in a bottle is material quality and concentration. What reads as restrained is structure - no sugar, dry woods, nothing announcing itself. Those are separate purchases and either can exist without the other.
  • 4 Adaa, 3ml ₹379, is the lighter alternative: white musk, vetiver and cedarwood in the base, with no oudh anywhere in the composition.
  • 5 All four attars are alcohol-free, DPG-free oils hand-blended in Pune on a sandalwood and jojoba carrier, with a published wear time of 6-8 hours on skin and no projection figure of any kind.
★ See SOSA Ameeri - the 12ml, bought properly ₹1,165 Ask Sonal what you are actually paying for ₹0
★ Three registers, read for restraint rather than for price
SOSA Ameeri AttarSOSA Ameeri Attar · 12ml ₹1,165Persian saffron, pink pepper and bergamot over Taif rose and Indian sandalwood, on soft oudh, amber and white musk - warm, worked, nothing in it sticking out, and the composition I would buy in the largest sizeView Ameeri →SOSA Adaa AttarSOSA Adaa Attar · 3ml ₹379White musk, vetiver and cedarwood in the base, no oudh and nothing sweet - the leaner reading of the same brief, and the right answer for a reader who wants restraint taken furtherView Adaa →SOSA Nawaab AttarSOSA Nawaab Attar · 3ml ₹399Oud-led, with aged tobacco leaf in the opening and amber and leather in the base - the opposite of understatement, and listed so the distinction between rich and restrained stays visibleView Nawaab →
✓ Every note named here is quoted from the live SOSA product pages and nothing has been added to a pyramid ✓ No projection, sillage or radius figure appears on this page, because SOSA publishes none ✓ Nothing here predicts whether anybody will read what you are wearing as expensive

Founder Diaries · Close Range · Presence Without Projection
By Sonal Sahani · ISIPCA Versailles 19 min read Updated October 2026
Quiet luxury, in fragrance, is a construction decision rather than a price bracket - and that is good news, because it means it is available to you at the bottom of a price list as easily as at the top. What produces the impression is restraint: no sugar holding the composition up, dry materials rather than loud ones, nothing that arrives in a room before you do, and a structure in which no single material is sticking out of the blend. None of those requires money. What money does buy, genuinely, is the quality of the materials inside that structure and the amount of them in the liquid. Those are two separate purchases and this page is about not confusing them, because the market makes its living from the confusion.
Quick answers — read this first
Which attar suits a man in his thirties who prefers understated fragrances? SOSA Ameeri, and on this particular brief I would buy the 12ml at ₹1,165 rather than the 3ml. Persian saffron, pink pepper and bergamot over Taif rose and Indian sandalwood, finishing on soft oudh, amber and white musk: warm, worked, with nothing in it that sticks out of the blend. If you want restraint taken further than that, Adaa at ₹379 is leaner - white musk, vetiver and cedarwood, no oudh anywhere.

Does an expensive fragrance smell more expensive? Not reliably, and the two things come apart more often than the market admits. Price mostly reflects material quality, concentration and brand, all of which are real. The impression of expensiveness is produced by structural restraint - dryness, the absence of sugar, materials with several facets rather than one, and a composition that does not announce itself. A heavily sweetened fragrance at four times the price will still read as a statement, and a lean one at a quarter of it will not.

Is a bigger bottle of one attar better value than several small ones? On a quiet-luxury brief, usually yes, and the arithmetic says so plainly. Ameeri is ₹385 for 3ml, ₹679 for 6ml and ₹1,165 for 12ml, so the per-millilitre cost falls steeply with size. The caveat is that it only works if you already know the composition suits you - buying the 12ml of something unproven is how a shelf fills up with bottles worn twice. Test with the 3ml, then buy the big one of the winner.
The short answer
Short answer: Buy SOSA Ameeri, and on this brief buy the 12ml at ₹1,165 if you already know the register suits you. The thing worth internalising is that expensive is a register rather than a price. It is produced by restraint - no sugar underneath the composition, dry rather than loud materials, nothing arriving before you do - and restraint is free. What money buys is material quality and concentration, which are real but separate. So the quiet-luxury decision in practice is to buy one composition properly rather than four hesitantly, which is also the cheaper decision over a year.
The pick: the Ameeri 12ml at ₹1,165 if the register is proven on your skin, the 3ml at ₹385 if it is not yet. Adaa at ₹379 is the leaner reading of the same brief for a reader who wants restraint carried further, and it carries no oudh at all.
Next step: read the page separating refined from deep, which is the distinction underneath this one, and the comparison method before you commit to a large size. The family hub holds the routing rule. Or tell me what you wear and what you have stopped wearing and I will tell you what you are actually paying for.
In this guide
Straight answer
Which attar should a man in his thirties consider if he prefers quiet luxury, tailored clothing and understatement rather than loud fragrances?
Ameeri, and the 12ml at ₹1,165 if the register already suits you - but the part of this worth your time is the distinction underneath the recommendation, because it will save you money for the rest of your buying life. First, the two things that get run together. There is a register that reads as restrained and well made, and there is a price. They correlate loosely and they are not the same thing, and almost all fragrance marketing depends on you believing they are. The register is produced by structure: a composition with no sugar propping it up, built from dry or faceted materials rather than loud single-idea ones, balanced so that nothing sticks out, and dosed so that it does not reach a room before its wearer does. Every one of those is a decision rather than an expense. The price, meanwhile, reflects material quality - a genuine Taif rose costs many times what a rose base costs - plus concentration, plus packaging, plus the brand. Those are real costs and they buy real things. They do not buy the register. Second, why this matters particularly for your brief. The clothing analogy is exact enough to be useful. Quiet luxury in tailoring is not about spending more; it is about the absence of signalling - no logos, no contrast stitching, nothing doing the work of announcing what it cost. The equivalent in a bottle is the absence of the things that announce a fragrance: sweetness, which is the loudest property a composition can have; enormous projection, which is a dose decision anyway; and any single dramatic material used as the whole idea. A reader who buys on those principles will often spend less, not more, which is the opposite of what the category wants him to conclude. Third, what Ameeri is and why it fits. Persian saffron, pink pepper and bergamot at the top - spiced and bright, with saffron's warm, faintly hide-like quality giving it depth without any leather in the bottle. Taif rose and Indian sandalwood in the heart: the rose is dry and fine rather than jammy, and the sandalwood underneath it is a foundation rather than a competitor. Soft oudh, amber and white musk in the base: warm, rounded, with body, and no vanilla or tonka anywhere, so the warmth is resinous rather than sugary. It is the most conventionally well-built thing in this range to my own ear - nothing in it is sticking out, and that is the property your brief is actually asking for. Fourth, the one disclosure. Ameeri's base carries soft oudh. That is published on its product page and it is the single thing to decide about before buying. Oudh in a base arrives slowly and blended, which is a different proposition from oud leading a composition, but it is not nothing. If you would rather not have the material at all, Adaa is the only one of the four that carries none, and its base - white musk, vetiver and cedarwood - is a leaner and drier reading of the same brief. Both are legitimate answers to your question and the difference is warmth. Fifth, why the 12ml, which is unusual advice in this guide. Everywhere else here I argue for the 3ml, because most readers are testing a register. You are describing a settled preference and a settled way of dressing, which is a different purchase. Ameeri is ₹385 for 3ml, ₹679 for 6ml and ₹1,165 for 12ml, so the per-millilitre cost falls steeply with size, and buying one composition in a size you will actually finish is itself the quiet-luxury decision - it is the fragrance equivalent of one good coat rather than four jackets. The condition attached is that you should know the register first. If you do not yet, buy the 3ml, wear it for a month, and then buy the 12ml of whatever won. And sixth, the limit. Nothing here tells you that anybody will conclude from your fragrance that you have taste or that you spent money, and I am not going to imply it. That is the one thing this page cannot sell.

The part of your question I am not going to answer

What I cannot tell you
I cannot tell you that anybody will read what you are wearing as expensive, as refined, or as a sign of anything at all - and I would be inventing it if I tried. The great majority of people have no vocabulary for fragrance and no interest in acquiring one, which is not a criticism; it is simply true, in the same way that most people cannot hear that a piano is slightly out of tune. Among those who do notice, the reading is built out of their own history - what their father wore, what a particular shop smelled like, what they associate with money as against with effort - and no composition overrides that at any price. So the useful question is not whether restraint will be recognised. The useful question is whether the thing in the bottle is actually restrained and actually well built, and that is checkable from a pyramid and from a fortnight on your own skin.

I am conscious that this is an awkward thing to say on a page recommending a twelve-millilitre bottle. It is also the only honest version of the advice. The promise that a fragrance will make you read as a certain kind of man is the single most profitable sentence in this industry and it is unfalsifiable until long after the money has moved. What remains when you take it away is a genuinely useful question - is this well made, is it the register I chose, will I still want it in month nine - and the rest of this page is spent there.

Restraint: what produces the impression, and why it is free

Four properties do nearly all the work, and all four are readable off a listing before you spend anything. The first is the absence of sweetness. Sugar is the loudest thing a composition can contain: it is persistent, it is immediately recognisable, and it reads as effort in a way dry materials do not. Vanilla, tonka, benzoin and caramelised amber are the usual culprits and they are always named, because they sell. A base without any of them starts from a different place.

The second is faceted materials rather than single-idea ones. A fine natural material - a real rose, a good sandalwood, a proper saffron - has several things going on at once, and a composition built from such materials reveals different aspects over hours rather than stating one thing repeatedly. A synthetic built to do one job does that job and nothing else, which is efficient and reads flatter. This is the one property on the list that money genuinely helps with, and it is why the register and the price correlate at all.

The third is balance, which means that no material in the blend is louder than its neighbours. You can hear it when it is missing: there is a moment in a poorly built composition where one thing surges and the rest of it recedes, usually in the transition from heart to base. In a well-built one you cannot say when the heart became the base. That is a craft property rather than an ingredient property, and it is why two compositions from the same note list can be very different objects.

The fourth is dose, and it is the one most readers never consider as part of the register at all. A restrained composition applied four times is not restrained. The quantity is yours, it is free, and it changes the impression more than any switch of bottle does. For a brief like yours I would use one dab at the inner wrist and nothing above the collarbone - the throat sits directly under the nose of everyone you greet, and fibre at a collar holds material far longer than skin and cannot be reconsidered at lunchtime.

The SOSA principle
Three of the four things that produce an impression of expensiveness are free. The fourth is the one the price list is about, and it is the smallest of the four.
Which is why this page argues for one bottle in a large size rather than for a more expensive bottle.

What your money genuinely buys

It is worth being honest about this from the inside, because the subject is usually handled either as mystique or as cynicism and it is neither. Three things in a bottle genuinely cost money. Material quality is the first and the largest: natural extracts vary enormously in price by origin, grade and harvest, and a composition built on good ones costs multiples of the same formula built on adequate ones. Concentration is the second: more fragrance material in the liquid means a higher ingredient cost per millilitre, and it shows up as density and duration rather than as volume. The third is the work - the number of trials behind a formula, which is a real cost and an invisible one.

And three things cost money without being in the bottle at all: packaging, retail margin, and the brand. None of those is illegitimate and I am not going to pretend SOSA has no margin. The point is only that a price tells you about the sum of six things, of which three are the liquid, so price is a weak signal about the liquid specifically. That is why a careful buyer at ₹385 can do better than a careless one at ten times it.

Where does an attar sit in that arithmetic? Favourably, mostly for structural reasons rather than clever ones. There is no alcohol, so you are not buying ethanol by volume; the bottles are small, so packaging is a smaller share; and the format is dabbed, so a given volume lasts a great deal longer than the same volume of a spray would. Twelve millilitres of a dabbed oil at one dab a day is a long time. That is an arithmetic observation rather than a boast, and it is the main reason the size argument below works.

Your shortlist, built from what you told me

The shortlist
Quiet luxury, understatement, age: what each phrase rules in and what it removes
What you told me What that rules in What that rules out
"Quiet luxury" A restrained register: no sugar in the base, faceted materials, balance, and a small dose. Ameeri and Adaa both qualify on structure Nothing on the basis of price. The register is buyable at ₹379 and missable at any figure, which is the whole argument of this page
"Tailored clothing, understatement" One composition worn consistently rather than a rotation, and a size you will actually finish - which is the 12ml at ₹1,165 rather than three small bottles The collector's approach. A shelf of six part-used bottles is the opposite of this brief, and it usually costs more over a year
"Rather than loud perfumes" Dry or resinous warmth with nothing sugary propping it up. Ameeri's amber is warmth rather than sweetness, and there is no vanilla or tonka in it Mastani, whose base is Mysore sandalwood with oudh, Madagascar vanilla and tonka. And Nawaab, which is oud-led with tobacco and leather and is the opposite of understated
"A man in his thirties" Nothing in material terms, and I would rather say so than pretend otherwise. Age is not a note and no composition is age-appropriate The implication that a register belongs to a decade. What the phrase usually encodes is a settled preference and a dislike of signalling, which is a brief and a good one
"Understated at close range" A base-note question and a dose question. One dab at the inner wrist, nothing above the collarbone, applied before you leave rather than at the door Any reading of this brief as a question about strength. The composition decides the register; the quantity decides nearly everything else
The fourth row is the one I would defend hardest. Age tells you nothing about what should be in a bottle, and a page that pretends otherwise is flattering you rather than answering you.

The size argument, which is the real quiet-luxury decision

Here is the arithmetic, since it is the concrete part of this page. Ameeri is ₹385 for 3ml, ₹679 for 6ml and ₹1,165 for 12ml. The per-millilitre cost falls substantially as the size rises, which is unremarkable in itself - almost everything is priced that way. What is less obvious is how long twelve millilitres of a dabbed oil actually lasts. A dab deposits very little and almost none of it is lost to the air, which is the opposite of a spray, where a significant fraction of what you apply never lands on you at all. At one dab a day, the 12ml is a long run.

Which turns the size question into a question about commitment rather than about value. The 12ml is better value and it is only better value if you wear it. The failure mode is the shelf of six part-used bottles, each bought in a small size as an experiment that was never concluded, which costs more per millilitre and more in total than one considered purchase and is also the collector's habit rather than the understated one. If your stated brief is a settled way of dressing and one thing worn consistently, the large bottle of one composition is the decision that matches it.

The condition, and I will keep repeating it because it is the part readers skip: know the register first. If Ameeri is unproven on your skin, buy the 3ml at ₹385, wear it for a month at one dab, and then buy the 12ml. A month is long enough to find out whether the soft oudh in the base is comfortable at hour six and whether you are reaching for it or avoiding it, and the page in this family on running a proper four-day comparison sets out how to do that against a second candidate.

My own assessment, not a published figure
My own assessment, labelled as mine. Ameeri is an alcohol-free oil on a sandalwood and jojoba carrier, dabbed rather than sprayed, and a composition of this warmth behaves more politely in that format than it would atomised: a spray breaks into droplets fine enough to drift and the evaporating alcohol carries material outward with it, while a fixed oil releases slowly from the single site where it was placed. For a brief about understatement I think that is the material fact worth knowing about the format. No figure attaches to it. SOSA publishes 6-8 hours on skin and publishes nothing whatever about projection, sillage or scent radius, because there is no standard test for any of them, and a number invented to sound precise would be worth less to you than this paragraph.

What I would buy, and in what size

Sonal’s recommendation
Ameeri, the 12ml - if the register is proven, and the 3ml first if it is not
Three of the four things that produce an impression of expensiveness are free. Spend your money on the liquid and on the size, and spend nothing at all on the signalling.
— Sonal Sahani, founder and perfumer, ISIPCA Versailles-trained
What to buy The SOSA Ameeri 12ml at ₹1,165 - saffron and Taif rose over Indian sandalwood, finishing on soft oudh, amber and white musk
What to buy instead, if it is unproven The 3ml at ₹385, worn at one dab for a month before you commit to a large bottle
The one disclosure Soft oudh is in Ameeri's base. It is published, it arrives slowly, and it is the single thing to decide about
The leaner alternative The Adaa 3ml at ₹379 - white musk, vetiver and cedarwood, no oudh anywhere, and a drier reading of the same brief
What costs nothing Restraint. One dab at the inner wrist, nothing above the collarbone, applied before you leave rather than at the door
What I cannot tell you I cannot say whether anybody will read what you are wearing as expensive, or notice it at all
This is the only page in this family where I argue for the largest size, and the reason is the brief rather than the margin. A reader describing a settled way of dressing and one thing worn consistently is not running an experiment, and for him the 12ml is both better value per millilitre and the purchase that actually matches the principle - one composition, bought properly, worn until it is finished. A reader who is still deciding should buy the 3ml and come back in a month, and I would rather have the second letter than the first sale.
Everything above, on one page.
See SOSA Ameeri · 12ml ₹1,165
If what you actually want is for other people to read your fragrance as expensive, this page cannot help you and nor can any product. That is a claim about somebody else's judgement, formed out of their own history and their own interest in the subject, and it is not something a composition delivers at any price. I am not going to tell you it can be bought. What can be bought is a well-built composition in a restrained register, which is a different and more durable thing, and the test of whether you got it is whether you are still reaching for the bottle in month nine.
— the condition that changes this answer
A settled preference, a restrained register, and a question about size. Two routes out of this page.
One of them is a committed purchase. The other costs nothing and is the right first move if anything here is still a guess.
See SOSA Ameeri · 12ml ₹1,165
If the register is proven on your skin and you want one composition bought properly rather than four bought hesitantly. Saffron and Taif rose over Indian sandalwood, with soft oudh in the base.
Ask Sonal what you are actually paying for
If you want the arithmetic on a bottle you already own or are considering elsewhere. Tell me the note list and the price and I will tell you which part of that figure is the liquid - including when the answer is that you are paying for the box.
SS
ISIPCA
Versailles
A note from Sonal

The phrase quiet luxury arrived in my letters about three years ago and I was suspicious of it, because every new phrase in this industry turns out to be a way of charging more for the same liquid. I have come round, with a condition. As a description of a register it is accurate and useful. As a price bracket it is the oldest trick there is.

What convinced me was how often the men using the phrase were right about the structure and wrong about the arithmetic. They could describe exactly what they wanted - nothing sweet, nothing announcing itself, something that revealed itself slowly - and then assume that the way to get it was to spend four times as much. Restraint is not a premium feature. It is a decision somebody made at the bench, and it costs the maker nothing.

So the version of this advice I believe in is unglamorous. Buy one composition that is actually built the way you want, in a size you will finish, and apply a third of what you think. That is the whole of it, and it is cheaper than the alternative.

Frequently asked questions

Does a more expensive attar smell more refined?
Not dependably. Price reflects material quality, concentration, packaging, margin and brand, of which only the first two are in the liquid, so it is a weak signal about the composition specifically. Refinement is a property of construction - balance, faceted materials, no sugar propping the thing up - and a careful buyer at 385 rupees can do better than a careless one at many times that.
What actually makes a fragrance smell expensive?
Four properties, and three of them are free. The absence of sweetness, because sugar is the loudest thing a composition can contain. Materials with several facets rather than one idea, which is where money genuinely helps. Balance, so that nothing in the blend is louder than its neighbours. And a small dose, which costs nothing and changes the impression more than any switch of bottle.
Should I buy the 12ml of an attar straight away?
Only if the composition is already proven on your skin. The per-millilitre arithmetic favours it - Ameeri is 385 rupees for 3ml, 679 for 6ml and 1,165 for 12ml - and twelve millilitres of a dabbed oil at one dab a day is a long run. But a large bottle of something unproven is how a shelf ends up holding six part-used bottles, which costs more in total than one considered purchase.
Is there an age-appropriate fragrance for a man in his thirties?
No, and I would rather say so plainly. Age is not a note and no composition is age-specific; what the phrase usually encodes is a settled preference and a dislike of signalling, which is a genuine brief and a good one. Shop the register and the structure, and ignore any page that sorts bottles by decade.
Why does an oil attar last longer per millilitre than a spray?
Because of how it is applied rather than anything mystical. A spray atomises, and a substantial fraction of what you press never lands on you at all; a dab deposits a very small quantity directly onto skin with nothing lost to the air. SOSA publishes 6-8 hours on skin as the wear time, which is about duration on the body rather than about how much of a bottle a wear uses.
Is Ameeri too warm for daily office wear?
It is warmer than Adaa and it has more body, which for most readers means a smaller dab rather than a different bottle - a fraction of what you would use of something lean, at the inner wrist and nothing above the collarbone. If your office is small, air-conditioned and shared, the leaner composition is the easier daily choice and Ameeri is better suited to the evenings.
The principle, in one line
Expensive is a register and restraint is free. Spend on the liquid and on the size, and nothing at all on the signalling.
See SOSA Ameeri · 12ml ₹1,165 Describe a feeling to SOSA
Want to know which part of a price is the liquid?
SOSA — Send me the note list and the figure. I will tell you what is in the bottle and what is in the box, and when the honest answer is that you are paying for the box.
Alcohol-free, DPG-free oil attars hand-blended in Pune · 6-8 hours on skin · no projection figure claimed anywhere, because none is published
Ask Sonal which one stays close → SOSA Ameeri Attar · ₹385
Continue the read
More from SOSA
Editorial standards & sources
About this guide: Written by Sonal Sahani, ISIPCA Versailles-trained founder and perfumer at SOSA Home & Body. It is written for a reader who wants to be pleasant at conversational distance without filling a room, and the method - read the base of a pyramid, judge the format, then control the dose - applies to any brand. The product recommendations reflect the SOSA attar and perfume oil range only.

What this guide does and does not claim. Three things about a fragrance can be stated honestly, and this guide limits itself to them: what a composition contains, which SOSA publishes on each product page; how an oil behaves on skin compared with an alcohol spray, which is Sonal's own professional assessment and is marked as such wherever it appears; and how much you apply and where, which is entirely yours. The fourth thing - whether another person finds a scent pleasant, memorable or attractive - is theirs, and nothing here predicts it. SOSA makes no claim about compliments, attraction, confidence, mood, sleep, stress or wellbeing, and no medical, dermatological or allergy claim. Anyone with sensitive skin or a fragrance allergy should patch-test and use their own judgement or consult a doctor. Where a workplace is involved, that employer's own fragrance policy decides, not SOSA.

On performance figures. SOSA publishes one and only one performance figure for its attars: they are described as wearing 6-8 hours on skin, longer on warm or oily skin, and always as a skin scent rather than a room scent. SOSA does not publish projection, sillage or scent-radius data for any product, and no such figure appears anywhere in this guide. Any seller quoting a projection number for an attar is quoting something that was never measured. Wear time and perceived strength vary with skin, climate, dose and application site.

Facts verified 19 October 2026 against the live SOSA product pages: every SOSA attar is an alcohol-free, DPG-free oil perfume carried on sandalwood and jojoba oil with a built-in dab applicator, hand-blended in Pune, and sold in 3ml, 6ml and 12ml. SOSA Adaa (3ml ₹379 · 6ml ₹669 · 12ml ₹1,149) is the lightest in the range: Calabrian bergamot, green cardamom and neroli over jasmine sambac, magnolia and ylang ylang, on white musk, vetiver and cedarwood. SOSA Ameeri (₹385 · ₹679 · ₹1,165) is Persian saffron, pink pepper and bergamot over Taif rose and Indian sandalwood, on soft oudh, amber and white musk. SOSA Mastani (₹389 · ₹685 · ₹1,179) is litchi, bergamot and pink pepper over night-blooming jasmine and Damask rose, on Mysore sandalwood, oudh, Madagascar vanilla and tonka. SOSA Nawaab (₹399 · ₹699 · ₹1,199) is the deepest in the range: white royal oud, Mysore sandalwood, Kashmir saffron and aged tobacco leaf on amber, leather and white musk. The three evening attars come together as the SOSA Attar Trio (₹1,055 · ₹1,859 · ₹3,189). Those four are the whole attar range: oud is led in Nawaab and sits in the base of Ameeri and Mastani, Adaa carries none, white musk exists as a base note rather than as a scent of its own, and there is no single-note musk, no clean-linen or laundry accord and no aldehydic-soapy scent in the range. Separately, SOSA makes six perfume oils in 10ml, 50ml and 100ml - Zaffran, Tabac Noir and Samundar at ₹599, ₹1,799 and ₹3,499, and Khayaal, Chashni and Bahaar at ₹599, ₹1,899 and ₹3,599 - each an independent SOSA composition inspired by a widely known fragrance and not affiliated with, or endorsed by, the house named. SOSA does not run a sampler or tester programme; the 3ml attar is the trial size. A portion of every SOSA order supports girl-child education through Nanhi Kali. Prices and availability are subject to change - see the live product pages.
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