Which Fragrance Notes Should I Look For When Buying an Attar That Feels Inviting, Polished and Noticeable Only Within My Personal Space?

Which Fragrance Notes Should I Look For When Buying an Attar That Feels Inviting, Polished and Noticeable Only Within My Personal Space?

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★ ★ A vocabulary rather than a shortlist - these rows work on any brand's listing, not only on oursSOSA Adaa 3ml ₹379 · 6ml ₹669 · 12ml ₹1,149 - white musk, vetiver and cedarwood in the base, no oudhPublished performance: 6-8 hours on skin. No projection figure exists for any SOSA product
The short version — five things worth checking
For the reader who wants to be able to read a listing properly instead of trusting the adjective at the top of it
  • 1 The materials that do close-range work are white musk, vetiver, cedarwood, amberwood and tea notes - dry, low-sweetness materials that sit in the base and bottom of the heart.
  • 2 The materials that add body are Madagascar vanilla, tonka, leather, oudh and heavy amber. None of them is a fault; they simply put more in the room per dab than this brief wants.
  • 3 Adaa, 3ml ₹379, is the SOSA attar built from the first list: bergamot, green cardamom and neroli over jasmine sambac, magnolia and ylang ylang, on white musk, vetiver and cedarwood, with no oudh.
  • 4 Khayaal is a SOSA perfume oil - never an eau de parfum - at 10ml ₹599, 50ml ₹1,899 and 100ml ₹3,599: sparkling bergamot and neroli over black tea and amberwood.
  • 5 SOSA publishes 6-8 hours on skin and publishes no projection, sillage or radius figure for any product. Any note-level claim about closeness on this page is Sonal's own assessment.
★ See SOSA Adaa - built from the first list ₹379 Ask Sonal to read a listing with you ₹0
★ The three attars this vocabulary sorts, from driest to fullest
SOSA Adaa AttarSOSA Adaa Attar · 3ml ₹379Every material on the look-for list and none on the avoid list: bergamot, green cardamom and neroli over jasmine sambac, magnolia and ylang ylang, on white musk, vetiver and cedarwood. No oudh at allView Adaa →SOSA Ameeri AttarSOSA Ameeri Attar · 3ml ₹385One material from each list: Taif rose and Indian sandalwood over soft oudh, amber and white musk. Warmer, with real body, and the reason to dose it more carefully rather than a reason to avoid itView Ameeri →SOSA Mastani AttarSOSA Mastani Attar · 3ml ₹389The clearest illustration of the avoid list: night-blooming jasmine and Damask rose on Mysore sandalwood, oudh, Madagascar vanilla and tonka. A fine evening composition and not a close-range oneView Mastani →
✓ Every note named here is quoted off the live SOSA product pages, with nothing added to any pyramid ✓ No distance, radius or rating figure appears on this page, because SOSA publishes none ✓ Nothing here predicts what another person will notice, say or think

Founder Diaries · Close Range · Presence Without Projection
By Sonal Sahani · ISIPCA Versailles 18 min read Updated October 2026
What you want is not a shortlist, it is a vocabulary, because a shortlist stops being useful the moment you look at a bottle that is not on it. Fragrance listings are written to be appealing rather than informative, and the adjectives at the top of them - fresh, elegant, inviting, polished - are marketing decisions rather than descriptions of materials. Underneath those adjectives, though, almost every listing publishes a pyramid, and the pyramid is checkable. This page gives you the materials that do close-range work, the materials that add body you did not ask for, and the position in a pyramid where each of them matters. Learn fifteen note names and you can read any listing in the world.
Quick answers — read this first
Which fragrance notes should I look for if I want something noticeable only within my personal space? Look in the base line for white musk, vetiver, cedarwood, amberwood and tea. Those are dry, low-sweetness materials with no sugar underneath them to add body. In the heart, green and citrus-adjacent florals - neroli, magnolia, a green jasmine - behave better for this brief than jammy or syrupy ones. In our range that is Adaa at 3ml ₹379, and among the perfume oils it is Khayaal at 10ml ₹599.

Which notes should make me put a bottle down? For this specific brief: Madagascar vanilla, tonka, leather, oudh and amber high in the base, plus anything described as a gourmand. None of those is a flaw - they are what you reach for when you want a composition with weight - but each of them puts more in the room per dab. In our own range they are concentrated in Mastani and Nawaab, which is why neither is the answer here.

Does the position of a note in the pyramid change what it means for me? Completely, and this is the part most buying guides skip. A pyramid is a timeline: the top is what leaves first, the base is what is still there in the third hour. A vanilla in the top of a composition is a flicker; a vanilla in the base is the composition. So read the base line first, the heart second, and treat the top as what you smell while you are still alone in your own bathroom. The mechanics of that are taught properly on the base-notes page.
The short answer
Short answer: Look for these in the base: white musk, vetiver, cedarwood, amberwood, tea. They are dry, they have little or no sweetness holding them up, and they are what you will be wearing during the hours when people are actually close to you. Be cautious of these in the base: Madagascar vanilla, tonka, leather, oudh, heavy amber. They are not faults - they are body, and body is what this brief is asking you to spend less of. In the heart, prefer green and citrus-leaning florals over jammy ones. In our range the composition built entirely from the first list is Adaa, and the perfume oil that reads closest to it is Khayaal, which pairs sparkling bergamot and neroli with black tea and amberwood.
The pick: the Adaa 3ml at ₹379 if you want an attar - alcohol-free oil, dab applicator, 6-8 hours on skin. The Khayaal 10ml at ₹599 if you would rather have a larger bottle of a perfume oil and you like the tea-and-amberwood direction. Both are small enough to be an experiment rather than a commitment.
Next step: read the base-notes guide if the pyramid itself is still opaque, because that page is the prerequisite for this one. Then the clean musk against soft woody page, which applies this vocabulary to a single decision. If dose is the real issue, the too-strong page is the one that saves you money. Or send me a listing you are looking at and I will read the pyramid with you.
In this guide
Straight answer
Which fragrance notes should I look for when I want an attar that is polished and noticeable only inside my own personal space?
In the base line: white musk, vetiver, cedarwood, amberwood, tea. In the heart: green and citrus-leaning florals such as neroli, magnolia or a green jasmine. Treated with caution in the base: Madagascar vanilla, tonka, leather, oudh and amber. That is the vocabulary, and the bottle it points at in this range is Adaa, the 3ml at ₹379. First, why the base line is the only part of the listing that answers your question. A published pyramid is a timeline pretending to be a list of ingredients. Materials are sorted into top, heart and base by how fast they leave warm skin, not by how important they are. The top is gone in thirty to forty minutes; the heart carries the next couple of hours; the base is what you are wearing from then until the end of the wear, which SOSA publishes as six to eight hours on skin. Your brief is about being pleasant inside your own personal space during ordinary social hours, and virtually all of those hours fall inside the base. So the bottom line of a pyramid is your subject and the top line is almost decoration. Second, why those particular materials. What the look-for list has in common is dryness and the absence of sweetness underneath. White musk is heavy, slow and skin-adjacent - it holds other materials in place and reads as a quiet extension of skin rather than as an announcement. Vetiver is a root material: earthy, dry, faintly bitter, with no sugar in it. Cedarwood is dry, pencil-sharp, clean. Amberwood is the woody reading of amber rather than the resinous-sweet one. Tea, where you find it, is dry and tannic and sits low. None of these is shy - vetiver in particular is an assertive material - but all of them are low-bodied, which is the property you are actually shopping for. Third, the avoid list, and why it is not a criticism of those materials. Madagascar vanilla, tonka, leather, oudh and amber are the materials a perfumer reaches for when a composition needs weight, warmth and persistence. They are expensive, they are beautiful, and they are exactly what you want in a composition for a cold evening. They also put more in the room per dab, because they are substantial materials and their presence does not drop off politely. In this range they are concentrated in Mastani, whose base is Mysore sandalwood, oudh, Madagascar vanilla and tonka, and in Nawaab, which is oud-led over amber, leather and white musk. Those are not failures; they are different briefs. Fourth, the one piece of vocabulary that is pure marketing and worth ignoring. Words like inviting, polished, elegant and sophisticated tell you nothing about a liquid. Nor, for your purposes, does a claim about how far a composition carries - and I want to be exact here. SOSA publishes one performance figure, six to eight hours on skin, and publishes nothing whatever about projection, sillage or radius. Any seller quoting you a figure for how far an attar reads is quoting something that was never measured, in an industry that has no standard test for it. Read the pyramid; ignore the adjective. And fifth, the limit of all of this. You asked for a fragrance that reads as polished. I can teach you to read a listing, I can tell you exactly what is in each of mine, and I can tell you how much to apply. What anybody else makes of the result is not something I can promise, and the block below says so in the plainest words I have.
What I cannot tell you
I cannot tell you whether anybody will find your fragrance polished, pleasant or anything else, and the notes on this page do not change that. A vocabulary tells you what will be on your skin in the third hour. It does not tell you what will happen inside somebody else's head when they encounter it, because that is assembled out of their own history: the same vetiver reads as a tailor's workroom, or as damp soil, or as an uncle, depending entirely on who is smelling it. There is no note list, concentration or price that gets round this, and the promise is common in fragrance precisely because it cannot be checked at the till. What this page can honestly give you is the ability to predict the composition rather than the reception. That is a smaller claim and a true one.

The materials that do close-range work

It is worth saying what these five materials have in common, because once you see the pattern you stop needing the list. Each of them is low in sweetness, dry in texture, and heavy enough to sit in or near the base of a composition. Sweetness is the thing that gives a fragrance body - it fills out the middle, it rounds the edges, and it is why a gourmand feels like a presence in a room while a dry woody composition feels like a quality of the person wearing it. Remove the sugar and you remove most of the body, without removing the character.

White musk is the one worth knowing best, because it appears in three of the four SOSA attars and in a very large share of everything else on the market. Musks are big, slow molecules. They evaporate reluctantly, which is why they anchor a composition, and they tend to read as warm skin rather than as perfume, which is why they are the backbone of almost every fragrance ever described as clean. One correction while we are here: there is no white musk attar in this range to buy, because white musk is a base note rather than a composition - it sits in the base of Adaa, Ameeri and Nawaab alongside other materials.

Vetiver and cedarwood do the dry work. Vetiver is the root of a grass, and in a composition it reads earthy, slightly bitter and completely unsweetened; it is the material that keeps Adaa from being a pretty floral and nothing else. Cedarwood is drier again and reads almost papery. Amberwood, which you will meet in the Khayaal perfume oil, is worth distinguishing from amber proper: amber as a resinous accord is warm, sweet and substantial, while amberwood is its woody cousin and behaves much more like cedarwood than like vanilla. If a listing says amberwood and you were avoiding amber, you can relax.

Your own words, turned into a shortlist

Your own words, turned into a shortlist
What readers with this brief tell me, what each statement rules in, and what it rules out
What you told me What that rules in What that rules out
I want to be noticeable only when somebody is already close A base of white musk and dry woods - vetiver, cedarwood, amberwood - and a quantity of one dab at a cool site Any base led by Madagascar vanilla, tonka or leather, and the habit of applying at the throat
I want it to feel polished rather than pretty Dry structure with a definite register: a green floral heart over woods, or a tea-and-amberwood direction Gourmand and syrupy fruit accords, which read as generous rather than considered at any dose
I do not want to smell of oud Adaa specifically, which carries no oudh anywhere in the composition, and the Khayaal perfume oil Nawaab, which is oud-led, and both Ameeri and Mastani, which carry oudh in the base
I want something I can wear every day without thinking about it A low-bodied base and a small bottle to start - three millilitres of an attar, or ten of a perfume oil A 12ml commitment at ₹1,149 to a register you have not lived with, and any composition built for evenings
I want to be able to judge the next listing myself Reading the base line first, the heart second, and treating the top line as decoration Buying on the adjective at the top of a page, or on any claim about how far a fragrance carries
The last row is the one that outlasts this page. Every other row is me doing the work for you; that one teaches you to do it on a bottle I do not make.

The materials that add body, and why that is not a criticism

I want to be careful here, because lists of notes to avoid have a way of hardening into prejudice. Nothing on the second list is a defect. Madagascar vanilla and tonka are what make a base feel like velvet. Leather is one of the most interesting registers in perfumery. Oudh is extraordinary material. Amber is the warmth under half the great evening compositions of the last century. If you ever want a fragrance that occupies a room on purpose, those are the materials you should be hunting, and I make two compositions built on them.

What they share, for your brief, is body: they are substantial, they persist, and they do not taper off discreetly. Put them at the top of a base line and the composition will have presence whether or not you wanted it that evening. Put one of them low in a base beside drier materials and you get warmth without weight - which is exactly what Ameeri does with its soft oudh and amber under white musk, and the reason Ameeri is a legitimate answer for this brief in a way that Mastani and Nawaab are not. Position within the base matters as much as presence in it.

The avoid list, with the real reason attached
Five materials, what each one adds, and where you will find it in this range
The material What it adds to a composition Where it sits in the SOSA range
Madagascar vanilla Sweetness and a creamy, rounded body that fills the middle of a composition and persists Mastani's base, beside Mysore sandalwood, oudh and tonka. It is the fullest base of the four
Tonka A soft almond-and-hay sweetness that extends vanilla and makes a base feel upholstered Mastani's base, alongside the vanilla. Nowhere else in the attar range
Leather A dry but very substantial register: smoke-adjacent, animalic, and unmistakeable at any quantity Nawaab's base, with amber and white musk, under an oud-led opening
Oudh Density and persistence, plus a resinous-woody character nothing else replicates Oud-led in Nawaab. In the base of Ameeri as soft oudh, and in Mastani's base. Adaa has none at all
Amber, as a resinous accord Warmth and sweetness together, which is a different thing from amberwood's dry woody reading Ameeri's and Nawaab's bases. Amberwood, its drier cousin, is in the Khayaal perfume oil instead
Read that table as a set of trade-offs rather than a blacklist. If you want warmth without much weight, you want one of these low in a base and nothing else from the list beside it.

Where the perfume oils fit, and what they are not

Two of the six SOSA perfume oils are worth knowing about if this vocabulary appeals to you, and one of them matters here. Khayaal pairs sparkling bergamot and neroli with black tea and amberwood - a dry, bright, tea-and-woods direction with no vanilla or tonka in it, and it comes in 10ml at ₹599, 50ml at ₹1,899 and 100ml at ₹3,599. It is a perfume oil rather than an eau de parfum, which is a real distinction: these are oils, not sprays, and they have no alcohol in them.

My own assessment, not a published figure
Here is my craft judgement on what the format does, labelled as a judgement rather than offered as a specification. An alcohol spray atomises into droplets fine enough to drift, and the alcohol itself carries material outward as it flashes off the skin. An oil carried on sandalwood and jojoba has neither mechanism: it stays where it is placed and releases from that site as the skin warms it. So for an equivalent quantity of material I would expect an oil to sit closer, and that is a large part of why SOSA's attars are built as oils. None of this becomes a number. SOSA publishes 6-8 hours on skin and publishes nothing at all about projection, sillage or radius, there is no standard test for those properties, and a figure invented to sound precise would be worth less than this paragraph. And however the format behaves, the quantity you apply outranks it.

The practical difference between the attar route and the perfume-oil route, for a reader with your brief, is mostly one of commitment and volume. Three millilitres of an attar at ₹379 is a fortnight of honest wearing and the cheapest way to find out whether a register suits you. Ten millilitres of a perfume oil at ₹599 is a larger bottle of a different kind of composition. If the tea-and-amberwood direction is what appeals, start there; if you want the dry floral-and-woods structure, start with the attar.

What I would buy, in what size, and the honest ₹0 case

Sonal’s recommendation
Adaa, the 3ml at ₹379 - the one composition in the range built entirely from the look-for list
Learn fifteen note names and the position they sit in, and you will never again have to trust an adjective at the top of a product page.
— Sonal Sahani, founder and perfumer, ISIPCA Versailles-trained
What to buy The SOSA Adaa 3ml at ₹379 - white musk, vetiver and cedarwood in the base, no oudh anywhere
The perfume-oil route The Khayaal 10ml at ₹599 - sparkling bergamot and neroli over black tea and amberwood, a dry woody direction with no vanilla
What to read first on any listing The base line. Then the heart. The top line is what you smell while you are still alone
What to treat with caution Madagascar vanilla, tonka, leather, oudh and resinous amber high in a base
What to ignore entirely The adjective at the top of the page, and any figure quoted for how far a fragrance carries
What I cannot tell you I cannot say whether anybody will find the result polished, or mention it, or notice it at all
If you already own a composition whose base line is white musk and dry woods, this page has not given you a reason to buy anything - it has given you a reason to read your own bottle's listing and then use less of it. That is the honest ₹0 outcome and it applies to a good number of readers who arrive here. Where Adaa earns its ₹379 is if your current bottle turns out to have vanilla or tonka in the base, because no amount of careful application turns an upholstered base into a dry one. Buy three millilitres, wear it for a fortnight, and only then think about ₹669 or ₹1,149.
Everything above, on one page.
See SOSA Adaa · 3ml ₹379
If a published pyramid still reads as an undifferentiated list of pretty words to you, this page is premature and you should read our guide to reading the base of a pyramid first. Everything here depends on being able to tell a top note from a base note on a listing you have never seen before, and that skill is worth more than any vocabulary of individual materials.
— the condition that changes this answer
A vocabulary, and two ways to use it.
One route costs ₹379, one costs ₹599, and reading your own bottle's listing costs nothing at all.
See SOSA Adaa · 3ml ₹379
If the dry floral-and-woods structure is what the vocabulary pointed you at: jasmine sambac heart, white musk, vetiver and cedarwood base, no oudh. Three millilitres is a fortnight of wearing.
Send Sonal a listing to read with you
If you have a bottle or a product page in front of you and want to know what its base line actually implies. Paste the pyramid and I will tell you what you would be wearing at hour three - including when the answer is to keep what you have.
SS
ISIPCA
Versailles
A note from Sonal

The first six months of training at Versailles are largely spent learning materials one at a time, blind, from a strip of paper, and being wrong about them. It is humbling in a way that no amount of reading prepares you for. But the thing it leaves behind is not a memory of two hundred smells - it is the habit of asking what a composition is made of before asking what it is called.

That habit is the only thing I can genuinely transfer to a reader through a web page. I cannot hand you my nose. I can hand you the knowledge that vetiver is a dry root with no sweetness in it, that musk is slow and skin-adjacent, that vanilla in a base is a structural decision rather than a flavour, and that the position of a note in a pyramid tells you when you will meet it. Fifteen names and one idea about time, and most listings stop being able to mislead you.

What I cannot give you, and what I will not pretend to, is any guidance on how your choice will land with the people you spend your days beside. That is theirs. My side of the bargain is to tell you exactly what is in the bottle and to not make the other claim.

Frequently asked questions

Which base notes are best for a fragrance that stays within my personal space?
White musk, vetiver, cedarwood, amberwood and tea notes. What they share is dryness and the absence of sweetness underneath, which is what keeps a composition low in body. In the SOSA range that combination is Adaa, at 3ml for 379 rupees, whose base is white musk, vetiver and cedarwood and which carries no oudh at all.
Why do vanilla and tonka make a fragrance feel bigger?
Because sweetness is what gives a composition body. Those materials fill out the middle of a structure, round its edges and persist, which is why a base built on them reads as a presence in a room rather than as a quality of the person. In this range they sit in Mastani's base alongside Mysore sandalwood and oudh.
Is amberwood the same thing as amber?
No, and the distinction is useful when you are reading listings. Amber as a resinous accord is warm and sweet and adds substantial body. Amberwood is its dry, woody cousin and behaves much more like cedarwood. Khayaal, a SOSA perfume oil at 10ml for 599 rupees, pairs amberwood with black tea, bergamot and neroli.
Does it matter whether a note is in the top, the heart or the base?
It matters more than which note it is. A pyramid is a timeline sorted by how fast each material leaves warm skin, so a vanilla in the top is a flicker and a vanilla in the base is the composition. For a close-range brief, read the base line first because that is what you are wearing during the hours when people are near you.
Are the SOSA perfume oils eau de parfum?
No. The six perfume oils are oils, not sprays and not eau de parfum, and they come in 10ml, 50ml and 100ml. Khayaal, Chashni and Bahaar are 599, 1,899 and 3,599 rupees; Zaffran, Tabac Noir and Samundar are 599, 1,799 and 3,499 rupees. The four attars are a separate, alcohol-free oil range in 3ml, 6ml and 12ml.
Can a note list tell me how far a fragrance will carry?
It can tell you how much body a composition has, which is a related but different thing, and it cannot give you a figure. SOSA publishes 6-8 hours on skin and publishes nothing about projection or sillage, and there is no standard industry test for either. Anything this guide says about closeness is Sonal's assessment as a perfumer, and your own quantity outranks all of it.
Fifteen names and one idea about time
Read the base line first. Treat the adjective at the top of the page as decoration.
See SOSA Adaa · 3ml ₹379 Describe a feeling to SOSA
Got a listing in front of you?
SOSA — Paste the pyramid and I will read it with you. I will tell you what you would actually be wearing in the third hour, and whether the bottle you are looking at matches the brief you described.
Alcohol-free, DPG-free oil attars on a sandalwood and jojoba carrier · 6-8 hours on skin · no projection figure published, so none quoted
Ask Sonal which one stays close → SOSA Adaa Attar · ₹379
Continue the read
More from SOSA
Editorial standards & sources
About this guide: Written by Sonal Sahani, ISIPCA Versailles-trained founder and perfumer at SOSA Home & Body. It is written for a reader who wants to be pleasant at conversational distance without filling a room, and the method - read the base of a pyramid, judge the format, then control the dose - applies to any brand. The product recommendations reflect the SOSA attar and perfume oil range only.

What this guide does and does not claim. Three things about a fragrance can be stated honestly, and this guide limits itself to them: what a composition contains, which SOSA publishes on each product page; how an oil behaves on skin compared with an alcohol spray, which is Sonal's own professional assessment and is marked as such wherever it appears; and how much you apply and where, which is entirely yours. The fourth thing - whether another person finds a scent pleasant, memorable or attractive - is theirs, and nothing here predicts it. SOSA makes no claim about compliments, attraction, confidence, mood, sleep, stress or wellbeing, and no medical, dermatological or allergy claim. Anyone with sensitive skin or a fragrance allergy should patch-test and use their own judgement or consult a doctor. Where a workplace is involved, that employer's own fragrance policy decides, not SOSA.

On performance figures. SOSA publishes one and only one performance figure for its attars: they are described as wearing 6-8 hours on skin, longer on warm or oily skin, and always as a skin scent rather than a room scent. SOSA does not publish projection, sillage or scent-radius data for any product, and no such figure appears anywhere in this guide. Any seller quoting a projection number for an attar is quoting something that was never measured. Wear time and perceived strength vary with skin, climate, dose and application site.

Facts verified 19 October 2026 against the live SOSA product pages: every SOSA attar is an alcohol-free, DPG-free oil perfume carried on sandalwood and jojoba oil with a built-in dab applicator, hand-blended in Pune, and sold in 3ml, 6ml and 12ml. SOSA Adaa (3ml ₹379 · 6ml ₹669 · 12ml ₹1,149) is the lightest in the range: Calabrian bergamot, green cardamom and neroli over jasmine sambac, magnolia and ylang ylang, on white musk, vetiver and cedarwood. SOSA Ameeri (₹385 · ₹679 · ₹1,165) is Persian saffron, pink pepper and bergamot over Taif rose and Indian sandalwood, on soft oudh, amber and white musk. SOSA Mastani (₹389 · ₹685 · ₹1,179) is litchi, bergamot and pink pepper over night-blooming jasmine and Damask rose, on Mysore sandalwood, oudh, Madagascar vanilla and tonka. SOSA Nawaab (₹399 · ₹699 · ₹1,199) is the deepest in the range: white royal oud, Mysore sandalwood, Kashmir saffron and aged tobacco leaf on amber, leather and white musk. The three evening attars come together as the SOSA Attar Trio (₹1,055 · ₹1,859 · ₹3,189). Those four are the whole attar range: oud is led in Nawaab and sits in the base of Ameeri and Mastani, Adaa carries none, white musk exists as a base note rather than as a scent of its own, and there is no single-note musk, no clean-linen or laundry accord and no aldehydic-soapy scent in the range. Separately, SOSA makes six perfume oils in 10ml, 50ml and 100ml - Zaffran, Tabac Noir and Samundar at ₹599, ₹1,799 and ₹3,499, and Khayaal, Chashni and Bahaar at ₹599, ₹1,899 and ₹3,599 - each an independent SOSA composition inspired by a widely known fragrance and not affiliated with, or endorsed by, the house named. SOSA does not run a sampler or tester programme; the 3ml attar is the trial size. A portion of every SOSA order supports girl-child education through Nanhi Kali. Prices and availability are subject to change - see the live product pages.
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