Should I Choose a White Musk, Sandalwood or Fresh Floral Attar If My Goal Is to Smell Good at Conversational Distance Without Overpowering Anyone?

Should I Choose a White Musk, Sandalwood or Fresh Floral Attar If My Goal Is to Smell Good at Conversational Distance Without Overpowering Anyone?

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★ ★ Two of your three options are notes rather than products, which makes this an easier decision than it looksSOSA Adaa 3ml ₹379 · 6ml ₹669 · 12ml ₹1,149 - jasmine sambac heart, white musk, vetiver and cedarwood base, no oudhPublished performance: 6-8 hours on skin. No projection figure exists for any SOSA attar
The short version — five things worth checking
For the reader standing in front of three categories that sound completely different, trying to work out which one is the quiet one
  • 1 There is no white musk attar in the SOSA range. White musk is a base note, and it sits in the base of Adaa, Ameeri and Nawaab rather than existing as a scent of its own.
  • 2 Sandalwood is the carrier of all four attars, blended with jojoba oil, so you are not choosing whether to have sandalwood. Indian sandalwood also appears as a heart note in Ameeri and Mysore sandalwood in Mastani's base.
  • 3 The fresh floral of your three options is Adaa's heart: jasmine sambac, magnolia and ylang ylang, under a top of Calabrian bergamot, green cardamom and neroli.
  • 4 Adaa's base is white musk, vetiver and cedarwood and the composition carries no oudh. Ameeri's is soft oudh, amber and white musk. That is the one real decision on this page.
  • 5 SOSA publishes 6-8 hours on skin and publishes no projection, sillage or radius figure for any product. Adaa 3ml ₹379 · 6ml ₹669 · 12ml ₹1,149.
★ See SOSA Adaa - the fresh floral, musk and dry woods ₹379 Ask Sonal which of the two registers fits ₹0
★ The two registers that this decision actually comes down to
SOSA Adaa AttarSOSA Adaa Attar · 3ml ₹379The cool, dry answer: Calabrian bergamot, green cardamom and neroli over jasmine sambac, magnolia and ylang ylang, on white musk, vetiver and cedarwood. No oudh in the composition at allView Adaa →SOSA Ameeri AttarSOSA Ameeri Attar · 3ml ₹385The warm, rounded answer: Persian saffron, pink pepper and bergamot over Taif rose and Indian sandalwood, on soft oudh, amber and white musk. More body, and it wants a smaller dabView Ameeri →SOSA Mastani AttarSOSA Mastani Attar · 3ml ₹389Where the sandalwood is most audible: litchi, bergamot and pink pepper over night-blooming jasmine and Damask rose, on Mysore sandalwood, oudh, Madagascar vanilla and tonka. An evening compositionView Mastani →
✓ Every note here is quoted off the live SOSA product pages, with nothing added to any pyramid ✓ No distance, radius or rating figure appears on this page, because SOSA publishes none ✓ Nothing here predicts what another person will notice, say or think

Founder Diaries · Close Range · Presence Without Projection
By Sonal Sahani · ISIPCA Versailles 18 min read Updated October 2026
Two of the three things you are choosing between are not things you can buy, which makes your decision considerably simpler than it currently feels. White musk is a base note. It exists inside compositions, in the last and longest-lasting line of a pyramid, and nobody in this range sells it on its own. Sandalwood is the carrier: every SOSA attar is built on sandalwood blended with jojoba, so sandalwood is in all four bottles no matter which one you pick, and choosing it is not an option because you already have it. What remains is the fresh floral, which is a real description of one specific composition, and one genuine fork in the road: cool and dry, or warm and rounded.
Quick answers — read this first
Should I buy a white musk, sandalwood or fresh floral attar for close conversation? Start by collapsing the list. There is no musk soliflore in the SOSA range - white musk is a base note, present in Adaa, Ameeri and Nawaab - and sandalwood is the carrier oil underneath all four, so it is not a choice either. The fresh floral is Adaa: jasmine sambac, magnolia and ylang ylang in the heart, bergamot, green cardamom and neroli on top, white musk, vetiver and cedarwood in the base. At 3ml for ₹379 it is where a conversational-distance brief usually lands.

If sandalwood is in everything, why do some attars smell more of it than others? Because the carrier and a named note are two different roles. The sandalwood and jojoba base is the medium the composition sits in, present in all four. Sandalwood also appears as a declared note in two of them: Indian sandalwood in the heart of Ameeri, and Mysore sandalwood in the base of Mastani. If you want sandalwood as something you can clearly identify rather than as a texture underneath, those are the two to look at, and Mastani is the more audible of them.

What is the actual difference between the two options left? Hour three, which is the hour your question is really about. Adaa finishes on white musk, vetiver and cedarwood: dry, faintly woody, nothing sweet underneath holding it up, no oudh in the composition. Ameeri finishes on soft oudh, amber and white musk: warmer, rounder, with noticeably more body to it. Neither is louder as a fact of chemistry; Ameeri simply has more presence per dab, so it wants a smaller one.
The short answer
Short answer: Buy Adaa, the 3ml at ₹379, and apply one dab at the inner wrist. Your three-way is really a one-way, because two of the options are not compositions. White musk is a base note rather than a product - it sits in the base of Adaa, Ameeri and Nawaab, and there is no single-note musk attar here to buy. Sandalwood with jojoba is the carrier of all four attars, so it is underneath whatever you choose. That leaves the fresh floral, which is a fair description of Adaa, and the one real decision: a cool dry finish of white musk, vetiver and cedarwood, or a warm rounded one of soft oudh, amber and white musk.
The pick: the Adaa 3ml at ₹379 for a cool, dry, close register with no oudh in it. The Ameeri 3ml at ₹385 if you have read both descriptions and the warm one is clearly what you want, with the understanding that it has more body and should be dosed more lightly. Skip the 12ml of either until you have worn the 3ml for a fortnight.
Next step: read the clean musk against soft woody comparison, which is this same fork taken from the other end, and the base-notes guide for the mechanics of reading a pyramid backwards. If your worry is really a specific room, the enclosed-space page handles quantity first. Or tell me which of the two registers you are drawn to and I will tell you which bottle and which size.
In this guide
Straight answer
Should I choose a white musk, a sandalwood or a fresh floral attar if I want to be pleasant at conversational distance without overpowering anybody?
Adaa, the 3ml at ₹379, one dab at the inner wrist - but the reason is worth more to you than the recommendation, because it changes how you read every fragrance listing from here on. First, the correction, and it is not pedantry. Those three phrases are not three comparable things. One of them names a base note, one names a carrier material, and only the third names a composition. White musk is a note that lives in the last line of a pyramid, and in this range it sits in the base of Adaa, of Ameeri and of Nawaab. There is no musk soliflore here and I am not going to invent one for you: white musk is a note rather than a scent of its own. When you see a listing anywhere called simply white musk, what you are being sold is somebody's composition with a musk accord at its centre, and you still have to read the rest of the pyramid to know what you are buying. Second, sandalwood, which is the one that genuinely surprises readers. Every SOSA attar is carried on sandalwood blended with jojoba oil. That is not a marketing line, it is the medium: the thing the aromatic materials are dissolved into, the reason the oil feels the way it does on skin, and the reason all four share a certain warmth underneath whatever is built on top of them. So sandalwood is not something you choose between bottles - you have it in every bottle. What differs is whether sandalwood is also a declared note in the composition. In Ameeri, Indian sandalwood sits in the heart beside Taif rose. In Mastani, Mysore sandalwood heads the base alongside oudh, Madagascar vanilla and tonka, which is why Mastani is the bottle where the sandalwood is most clearly audible as itself. If what you wanted was sandalwood you could point at, those two are your candidates and Mastani is the stronger reading of it. Third, the fresh floral, which is the one real description in your list. That is Adaa, and specifically its heart: jasmine sambac, magnolia and ylang ylang, sitting under a top of Calabrian bergamot, green cardamom and neroli. It is a green, slightly cool opening rather than a sweet one, which matters, because a floral that is held up by sugar behaves very differently in a small room from a floral that is held up by nothing. Fourth, and this is where the decision actually happens. Your question is about conversational distance, which means it is a question about hour two and hour three rather than about hour zero. By then the citrus and the cardamom have largely gone and you are wearing the base. So read the two bases against each other and ignore everything else. Adaa ends on white musk, vetiver and cedarwood: dry, lightly woody, no sweetness underneath. Ameeri ends on soft oudh, amber and white musk: warmer, rounder, with more body in it. That is the whole fork, and neither answer is wrong. The dry one is the easier bottle to wear in a shared cabin because it asks less of your discipline about quantity. The warm one is lovely and wants a smaller dab. And fifth, what I am not going to do. You asked to smell good to the people in front of you. I can tell you what is in each bottle, I can give you my craft assessment of how an oil behaves on skin, and I can tell you exactly how much to put on. Whether anyone in the room finds it pleasant is not something I can promise and not something anybody can. The next block says that properly, because it is the sentence that makes the rest of this page trustworthy.
What I cannot tell you
I cannot tell you whether anybody will find your fragrance pleasant, and no page that claims to is telling you the truth. Scent arrives in another person already attached to their own history. The same ylang ylang that reads as a garden to one person reads as a hair oil to another; the same cedarwood is a wardrobe, or a pencil, or a particular house they lived in once. There is no concentration, no price and no composition clever enough to get round that, and the promise is so common in fragrance precisely because nobody can be held to it. What survives when you delete it is still substantial: the published materials, the behaviour of the format, and the quantity you apply. Those are what this page spends its length on.

Why white musk and sandalwood are not bottles you can buy

A pyramid is a timeline rather than a recipe. Top, heart and base are three stages of one evaporation, sorted by how quickly each material leaves warm skin, which is why a note's position tells you when you will encounter it rather than how important it is. White musk belongs to the last stage. Musk materials are large, heavy and slow, they hold other materials in place as they go, and they are still reporting for duty when the bergamot has been gone for hours. That is the job white musk does in Adaa, in Ameeri and in Nawaab.

Which is also why no serious range sells it alone. A base note on its own is the end of a story with no story in front of it: structurally thin, and strangely flat on skin. When a listing says white musk and nothing else, either there is a composition behind it that has not been declared, or you are being sold an accord with a name rather than a perfume. Either way, the instruction is the same: find the full pyramid before you buy, and read the base line first.

Sandalwood is a different confusion and a more interesting one. In this range it has two jobs at once. As the carrier, sandalwood oil blended with jojoba is what the aromatic materials are dissolved into - it is why these attars go onto skin as a dab rather than a spray, and why they have a soft, slightly creamy foundation under everything built above. As a declared note, sandalwood appears in two of the four compositions and in two different positions: Indian sandalwood in Ameeri's heart, Mysore sandalwood at the front of Mastani's base. A reader who wants sandalwood as a texture has it everywhere; a reader who wants sandalwood as a recognisable note wants one of those two bottles.

The three-way, resolved
Each of your three options, what it actually is, and the bottle it points at
The option Its base - your actual subject Right for you if Wrong for you if
White musk, as a category Not a composition in this range at all: white musk is a base note, and it sits in the base of Adaa, Ameeri and Nawaab You like dry, slightly powdery, skin-adjacent finishes - in which case Adaa is the bottle with the lightest reading of one You expected a single-note scent. There is no musk soliflore here and I would rather say so than sell you an approximation
A sandalwood attar, as a category Also not a choice, because sandalwood with jojoba is the carrier of all four. As a declared note it is in Ameeri's heart and Mastani's base You want sandalwood you can identify as itself, in which case Mastani is the clearest reading and Ameeri the softer one You wanted sandalwood as the dominant material in a quiet composition. Mastani is an evening scent with oudh, vanilla and tonka beside it
A fresh floral attar A fair description of Adaa: jasmine sambac, magnolia and ylang ylang over bergamot, green cardamom and neroli, with no sugar holding it up You want a green rather than sweet opening and a dry finish, and you are wearing it where people sit close to you You dislike jasmine specifically. The heart is unmistakeably jasmine sambac and no amount of dose management changes that
The warm alternative you did not list Ameeri: Persian saffron, pink pepper and bergamot over Taif rose and Indian sandalwood, on soft oudh, amber and white musk The dry register sounds austere to you and you want roundness and warmth at hour three You are buying because you were told you wear too much. It has more body than Adaa and asks more of your discipline
Nawaab is deliberately absent from this table. It is oud-led on a base of amber, leather and white musk, it is the deepest composition in the range, and it is not an answer to a question about conversational distance at any dose.

The fresh floral, which is a real composition and a real description

I want to spend a paragraph on why Adaa's floral heart behaves the way it does, because fresh floral is a phrase that gets used loosely and readers have been burned by it. What makes a floral read as fresh rather than as rich is mostly what is underneath it. Adaa's jasmine sambac, magnolia and ylang ylang sit over a top of bergamot, green cardamom and neroli and land on white musk, vetiver and cedarwood - which is to say they are bracketed by green citrus above and dry woods below, with no vanilla, no tonka and no amber in the structure to sweeten them.

Compare that with the other floral in the range. Mastani's night-blooming jasmine and Damask rose are built over litchi and pink pepper and land on Mysore sandalwood, oudh, Madagascar vanilla and tonka. Those are the same flower family doing a completely different job, because what is under a flower changes what the flower reads as. Sugar and resin under a jasmine make it a heavier, fuller, more nocturnal thing. Dry woods under a jasmine keep it green. The composition is the context, and that is the most useful single idea in this whole area.

The SOSA principle
Two of the three things most buyers think they are choosing between - a note and a carrier - are not choices at all. The choice is always between finished compositions, and the line that decides a close-range brief is the base.
Which is why I would rather teach you to read the bottom line of a pyramid than sell you a category.

The one decision that is actually yours: cool and dry, or warm and rounded

Here is the decision stated as plainly as I can manage. At hour three, do you want to be dry or warm? Dry means white musk, vetiver and cedarwood: a faintly woody, close, unsweetened finish that does not announce itself and takes a dab of quantity well. Warm means soft oudh, amber and white musk: rounder, fuller, with the kind of body that reads as a considered choice rather than as grooming. Both are legitimate at conversational distance. Neither is a different amount of the same thing.

If you cannot decide from the descriptions, the price of finding out is ₹379 for the Adaa 3ml or ₹385 for the Ameeri 3ml, and three millilitres is genuinely enough to wear a register for a fortnight and know. I would buy Adaa first in most cases, for one reason: it is the more forgiving of the two if your instinct about quantity is still being calibrated. A heavy hand with Adaa is an ordinary mistake. A heavy hand with Ameeri is a more conspicuous one, because there is more in the bottle to be heavy with.

My own assessment, not a published figure
One point about how close each of these sits, stated as my own craft judgement rather than as a specification. A base of white musk, vetiver and cedarwood has less material asserting itself at hour three than a base of soft oudh and amber does, so for the same dab I would expect Adaa to read as the closer of the two. That is my assessment as a perfumer, formed at the bench and on my own wrist. It is not a published figure: SOSA publishes 6-8 hours on skin and publishes nothing at all about projection, sillage or how far a fragrance carries, and a seller who quotes you such a number for an attar is quoting something nobody measured. The quantity you apply still outranks the composition here, which is why the table below exists.

What each register asks of your dose

The quantity that goes with each answer
Where to apply, how much, and the register it suits
Where, and how much What that does When it is the right choice
One dab, inner wrist, Adaa A complete fragrance for a day spent largely indoors, with the warmest and most socially exposed sites left alone The default for this brief, and the thing I would do for a fortnight before changing anything
One dab, inner wrist, Ameeri The same quantity of a composition with more body in it, which is why it is the whole dose rather than the starting point Right when you have read both bases and chosen warmth deliberately, rather than because warm sounded nicer
Two dabs, both inner wrists Twice the material on two cool, low, hand-adjacent sites - a real increase that stays largely out of a greeting A long day, dry winter skin, or an outdoor afternoon where open air does the dispersing for you
Anything at the throat or behind the ears Warmer skin releasing faster, directly under the nose of everybody you greet at a door Honestly, for this brief, never. It is the single commonest reason a careful person is remembered as the one who wore too much
Apply thirty minutes before you leave rather than at the door, whichever row you are on. The first twenty minutes of any composition are its loudest, and there is no reason for that phase to happen in a lift.

What I would buy, in what size, and the case for buying nothing

Sonal’s recommendation
Adaa, the 3ml at ₹379 - the fresh floral of your three, and the only one of the three that is actually a bottle
You came with three categories and I am handing you back one composition and one decision. That is not me narrowing your options; it is the range being honest about what a note is.
— Sonal Sahani, founder and perfumer, ISIPCA Versailles-trained
What to buy The SOSA Adaa 3ml at ₹379 - jasmine sambac heart, white musk, vetiver and cedarwood base, no oudh
The warm alternative The Ameeri 3ml at ₹385, if you read both bases and chose warmth on purpose
If you want sandalwood as a note The Mastani 3ml at ₹389 - Mysore sandalwood heads its base, with oudh, vanilla and tonka beside it. An evening composition
What not to buy yet Any 12ml. Wear three millilitres for a fortnight before you commit ₹1,149 to a register
Where to apply it One dab at the inner wrist, thirty minutes before you leave
What I cannot tell you I cannot say whether anyone will find it pleasant, mention it, or notice at all
If you already own a fresh floral you like and your only complaint is how far it travels, buy nothing from this page. Use one dab of what you have, at the wrists only, for a week, and see whether the problem was ever the bottle. Where Adaa earns its ₹379 is as a register change rather than a quantity fix: a dry, unsweetened, musk-and-light-woods finish is a genuinely different proposition from a floral held up by vanilla, and no amount of careful dosing turns one into the other.
Everything above, on one page.
See SOSA Adaa · 3ml ₹379
If what you want at hour three is warmth rather than coolness - roundness, resin, a composition with body to it rather than a dry finish - then Adaa is the wrong recommendation and Ameeri at ₹385 is the right one. Read Ameeri's base line, soft oudh, amber and white musk, and if that reads as comfortable rather than heavy to you, buy that instead and use a smaller dab.
— the condition that changes this answer
Three categories, one real decision. Two ways to make it.
One costs ₹379. One costs nothing and may save you the ₹379.
See SOSA Adaa · 3ml ₹379
If the cool, dry, unsweetened finish is what you want at hour three, and you want the jasmine-sambac heart rather than a heavier floral. Three millilitres is the right size to find out.
Tell Sonal which register you are drawn to
If the two bases still read the same to you on paper. Describe the last fragrance you genuinely liked and the one you abandoned, and I will tell you which of the two this is - including when the answer is to keep what you own.
SS
ISIPCA
Versailles
A note from Sonal

The question on this page is the one I am asked most often in person, and it is always asked with a slight apology, as though not knowing that white musk is a base note were an embarrassment. It is not. The vocabulary of this trade is deliberately slippery: categories get used as though they were products because a category is easier to advertise than a pyramid.

When I was training at Versailles we were made to work the other way round, from materials upward, and the first useful thing it taught me was how few of the words on a shop shelf correspond to anything in a bottle. Fresh. Clean. Woody. Musk. Each of those is doing real work in a perfumer's hands and almost none in a listing. So when a reader arrives with three categories, the kind thing is not to pick one for them; it is to tell them which of the three is a thing.

What I will not do is go further than that. I can tell you that Adaa's heart is jasmine sambac and that its base is dry, and I can tell you where to put the dab. What the person across the table makes of it belongs to them, and I have no stock of that.

Frequently asked questions

Does SOSA sell a white musk attar on its own?
No. White musk is a base note in this range, not a composition - it sits in the base of Adaa, of Ameeri and of Nawaab, alongside other materials. There is no single-note musk attar to buy. If you want the lightest reading of a musk base, that is Adaa at 3ml for 379 rupees, where white musk sits with vetiver and cedarwood.
Is sandalwood in every SOSA attar?
Yes, as the carrier. All four attars are blended on sandalwood and jojoba oil, which is the medium the composition sits in. Sandalwood is also a declared note in two of them: Indian sandalwood in Ameeri's heart, and Mysore sandalwood at the front of Mastani's base. Those two are where you will identify it as a note rather than as a texture.
Which SOSA attar is the fresh floral?
Adaa. Its heart is jasmine sambac, magnolia and ylang ylang, its top is Calabrian bergamot, green cardamom and neroli, and its base is white musk, vetiver and cedarwood. It carries no oudh. Three millilitres is 379 rupees, six is 669 rupees and twelve is 1,149 rupees.
Why does Mastani's jasmine smell heavier than Adaa's if both contain jasmine?
Because what sits underneath a flower changes what the flower reads as. Adaa's jasmine sambac is bracketed by green citrus above and dry woods below, with no sweetness in the structure. Mastani's night-blooming jasmine sits over litchi and pink pepper and lands on Mysore sandalwood, oudh, Madagascar vanilla and tonka, which is a fuller and more nocturnal context for the same flower family.
Which of the two registers should I pick if I cannot tell from the descriptions?
Buy the cool, dry one first. Adaa at 379 rupees is the more forgiving of the two if your sense of how much to apply is still being calibrated, because there is less body in the bottle to be heavy-handed with. If you then find it austere, Ameeri at 385 rupees is the warm version of the same brief.
Is a dry base quieter than a warm one?
It has less body, which is not the same claim. How far a fragrance reads depends mostly on how much is on your skin and where you put it, and SOSA publishes no projection figure for any product - only 6-8 hours on skin. What is fair to say is that a dry musk-and-woods finish has less material asserting itself at hour three than a base built on oudh and amber, which is Sonal's assessment as a perfumer rather than a measurement.
Three categories, one bottle
The fresh floral is Adaa. The other two were a note and a carrier - and you already have the carrier.
See SOSA Adaa · 3ml ₹379 Describe a feeling to SOSA
Still not sure whether you want dry or warm?
SOSA — Name one fragrance you loved and one you gave up on. That pair tells me more than any category does, and I will tell you which of the two registers you are describing - and which size to start with.
Alcohol-free, DPG-free oil attars on a sandalwood and jojoba carrier, hand-blended in Pune · 6-8 hours on skin · no projection figure published or claimed
Ask Sonal which one stays close → SOSA Adaa Attar · ₹379
Continue the read
More from SOSA
Editorial standards & sources
About this guide: Written by Sonal Sahani, ISIPCA Versailles-trained founder and perfumer at SOSA Home & Body. It is written for a reader who wants to be pleasant at conversational distance without filling a room, and the method - read the base of a pyramid, judge the format, then control the dose - applies to any brand. The product recommendations reflect the SOSA attar and perfume oil range only.

What this guide does and does not claim. Three things about a fragrance can be stated honestly, and this guide limits itself to them: what a composition contains, which SOSA publishes on each product page; how an oil behaves on skin compared with an alcohol spray, which is Sonal's own professional assessment and is marked as such wherever it appears; and how much you apply and where, which is entirely yours. The fourth thing - whether another person finds a scent pleasant, memorable or attractive - is theirs, and nothing here predicts it. SOSA makes no claim about compliments, attraction, confidence, mood, sleep, stress or wellbeing, and no medical, dermatological or allergy claim. Anyone with sensitive skin or a fragrance allergy should patch-test and use their own judgement or consult a doctor. Where a workplace is involved, that employer's own fragrance policy decides, not SOSA.

On performance figures. SOSA publishes one and only one performance figure for its attars: they are described as wearing 6-8 hours on skin, longer on warm or oily skin, and always as a skin scent rather than a room scent. SOSA does not publish projection, sillage or scent-radius data for any product, and no such figure appears anywhere in this guide. Any seller quoting a projection number for an attar is quoting something that was never measured. Wear time and perceived strength vary with skin, climate, dose and application site.

Facts verified 19 October 2026 against the live SOSA product pages: every SOSA attar is an alcohol-free, DPG-free oil perfume carried on sandalwood and jojoba oil with a built-in dab applicator, hand-blended in Pune, and sold in 3ml, 6ml and 12ml. SOSA Adaa (3ml ₹379 · 6ml ₹669 · 12ml ₹1,149) is the lightest in the range: Calabrian bergamot, green cardamom and neroli over jasmine sambac, magnolia and ylang ylang, on white musk, vetiver and cedarwood. SOSA Ameeri (₹385 · ₹679 · ₹1,165) is Persian saffron, pink pepper and bergamot over Taif rose and Indian sandalwood, on soft oudh, amber and white musk. SOSA Mastani (₹389 · ₹685 · ₹1,179) is litchi, bergamot and pink pepper over night-blooming jasmine and Damask rose, on Mysore sandalwood, oudh, Madagascar vanilla and tonka. SOSA Nawaab (₹399 · ₹699 · ₹1,199) is the deepest in the range: white royal oud, Mysore sandalwood, Kashmir saffron and aged tobacco leaf on amber, leather and white musk. The three evening attars come together as the SOSA Attar Trio (₹1,055 · ₹1,859 · ₹3,189). Those four are the whole attar range: oud is led in Nawaab and sits in the base of Ameeri and Mastani, Adaa carries none, white musk exists as a base note rather than as a scent of its own, and there is no single-note musk, no clean-linen or laundry accord and no aldehydic-soapy scent in the range. Separately, SOSA makes six perfume oils in 10ml, 50ml and 100ml - Zaffran, Tabac Noir and Samundar at ₹599, ₹1,799 and ₹3,499, and Khayaal, Chashni and Bahaar at ₹599, ₹1,899 and ₹3,599 - each an independent SOSA composition inspired by a widely known fragrance and not affiliated with, or endorsed by, the house named. SOSA does not run a sampler or tester programme; the 3ml attar is the trial size. A portion of every SOSA order supports girl-child education through Nanhi Kali. Prices and availability are subject to change - see the live product pages.
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