★ Quiet luxury · the concentration gradient
Distance filters a fragrance. At two metres you only ever get the lightest third of it.
What reaches a nose two metres away is not a quieter version of the fragrance. It is a different and lighter selection of its molecules.
Distance is a filter
Heavy materials — sandalwood, oud, musk — barely travel. They are the part of a composition only available at close range.
The heavy third
So a fragrance built base-first genuinely improves as you approach it. That is physics, not poetry.
Built base-first
An attar has no alcohol to flatten that gradient, which makes the difference between two metres and thirty centimetres unusually steep.
A steep gradient
Adaa is the understated route: cedarwood and white musk in the base, under bergamot, green cardamom and neroli.
Adaa, from ₹379
Nawaab is the same effect with far more weight behind it — oud, Mysore sandalwood, saffron. Less understated, more reward at close range.
Nawaab, from ₹399
What reaches a nose two metres away is not a quieter version of the fragrance. It is a different and lighter selection of its molecules.
Distance is a filter
Heavy materials — sandalwood, oud, musk — barely travel. They are the part of a composition only available at close range.
The heavy third
So a fragrance built base-first genuinely improves as you approach it. That is physics, not poetry.
Built base-first
An attar has no alcohol to flatten that gradient, which makes the difference between two metres and thirty centimetres unusually steep.
A steep gradient
Adaa is the understated route: cedarwood and white musk in the base, under bergamot, green cardamom and neroli.
Adaa, from ₹379
Nawaab is the same effect with far more weight behind it — oud, Mysore sandalwood, saffron. Less understated, more reward at close range.
Nawaab, from ₹399
✓ Four woods, not one — cedar, sandalwood, oud and vetiver behave differently ✓ Alcohol-free, DPG-free, dab applicator · 3ml from ₹379 · 6–8 hours on skin ✓ We will tell you when SOSA does not make the wood you are asking for
Founder Diaries · Woody fragrance
The consequence: at two metres you receive the lightest third of a composition. At thirty centimetres you receive all of it.
Why an oil exaggerates this: no alcohol to launch the whole thing outward, so the gradient between far and near is unusually steep.
What to buy: Adaa from ₹379 for the understated version, Nawaab from ₹399 if you want more weight waiting at close range.
Four attarsFrom ₹379Both SOSA answers to this brief have the same architecture and different amounts of weight in the base. Adaa keeps it dry and pale — cedarwood and white musk, a quiet reward, the sort of thing a colleague registers as "you smell good" without being able to name anything. Nawaab puts oud, Mysore sandalwood and saffron in the same slot, which is a much larger payoff and considerably less discreet. The more you put at the bottom, the less understated the whole thing becomes.
Adaa · daytimeFrom ₹379Shop → Nawaab · eveningFrom ₹399Shop → Pack of 3 · try the rangeFrom ₹1,055Shop →
SOSA products & prices (verified September 2026): Attars (concentrated perfume oil, alcohol-free, DPG-free, IFRA-compliant, dab applicator): Adaa 3ml ₹379 · 6ml ₹669 · 12ml ₹1,149; Ameeri 3ml ₹385 · 6ml ₹679 · 12ml ₹1,165; Mastani 3ml ₹389 · 6ml ₹685 · 12ml ₹1,179; Nawaab 3ml ₹399 · 6ml ₹699 · 12ml ₹1,199; Pack of 3 (Ameeri, Nawaab, Mastani) 3ml ₹1,055 · 6ml ₹1,859 · 12ml ₹3,189. Solid body perfumes (15g balm): Sway ₹459 · Sterling ₹469 · Velour ₹479 · Lust ₹479 · Desire ₹489 · Siren ₹489 · titan ₹500 · Fire ₹509 · Storm ₹529. Carried on sandalwood oil and jojoba, hand-blended in Pune by an ISIPCA Versailles-trained perfumer; 6–8 hours on skin, longer on warm or oily skin. Fragrance sensitivity is individual — patch-test if your skin reacts to new products. Prices and availability subject to change — see the live product pages.
There is a real physical reason some fragrances get better as you approach them, and it has nothing to do with mystique. Distance is a filter. The molecules that reach a nose two metres away are the light, volatile ones — they leave skin readily and travel well. The heavy ones, which in a woody composition are sandalwood, oud and musk, barely move at all; they sit on the skin and are available only within about an arm's length. So what a stranger receives across a room is not a quieter version of your fragrance. It is a thinner, lighter, different selection of it. Build a composition base-first and the effect people describe as "better up close" is not an impression. It is arithmetic.
Quick answers — read this first
The mechanism: distance sorts by molecular weight. Light materials travel; heavy ones stay.The consequence: at two metres you receive the lightest third of a composition. At thirty centimetres you receive all of it.
Why an oil exaggerates this: no alcohol to launch the whole thing outward, so the gradient between far and near is unusually steep.
What to buy: Adaa from ₹379 for the understated version, Nawaab from ₹399 if you want more weight waiting at close range.
The short answer
Short answer: Adaa, 3ml ₹379, if understated is the priority — bergamot, green cardamom and neroli over jasmine sambac and magnolia, with cedarwood and white musk in the base. The woodiness is the part that only arrives at close range, which is exactly the effect you are describing. If you want more waiting there, Nawaab at ₹399 puts white royal oud, Mysore sandalwood and Kashmir saffron in the same position.
The mechanism: Perceived scent at a distance is dominated by high-volatility materials, because those are the ones with enough vapour pressure to leave the skin and disperse. Heavy base materials have low vapour pressure; they stay near their source. Approaching someone therefore adds information rather than just volume — you gain a whole register that was never reaching you before.
Why an oil suits this: Alcohol flattens the gradient. It flashes off and drags a plume of everything outward at once, which is what produces room presence and also what makes a spray smell roughly similar at one metre and at three. An attar has no alcohol at all, so the difference between far and near is unusually steep — close to nothing at two metres, complete at thirty centimetres, for six to eight hours.
In this guide
Straight answer
Which woody perfume oil is understated but smells better the closer you get?
1. Understand what distance is doing before you choose a bottle. A fragrance on skin is emitting many different molecules at many different rates. The light ones — citrus, aromatics, small green materials — have high vapour pressure and leave in quantity, which is why they dominate what a person smells from across a table. The heavy ones sit and evaporate slowly. By the time a scent has travelled two metres, it has been filtered to its lightest components, and the further it travels the more severe the filtering. This is why room presence and close-range richness are not the same property and are frequently in tension.
2. Which means "better up close" is a design decision, not luck. If a perfumer puts the interesting material in the top, the fragrance gives everything away immediately and at any distance. If the interesting material is in the base, it is only ever available to somebody within about an arm's length. The second construction is what produces the effect you are describing — an unremarkable impression at conversational distance that opens into something considerably better when a person leans in. Woody materials are ideal for this precisely because they are heavy, which is the same property that makes them last.
3. An oil makes the gradient steeper than a spray ever can. Alcohol is a launcher. It evaporates quickly and carries a plume of everything with it, including materials that would otherwise have stayed put. That is what fills a room, and it is also what makes a spray smell fairly similar at one metre and at three. Remove the alcohol and the gradient sharpens dramatically. A SOSA attar is carried on sandalwood oil and jojoba with no solvent at all: near-invisible at two metres, entirely present at thirty centimetres, for six to eight hours. If you were going to design a format for this brief, it would look exactly like this.
4. The understated answer in this range is Adaa. Adaa at ₹379 for 3ml opens on bergamot, green cardamom and neroli — light, composed, entirely unremarkable in the best sense — with jasmine sambac and magnolia through the middle. The part that rewards proximity is underneath: cedarwood and white musk, dry and skin-close, and effectively unavailable to anybody more than an arm's length away. It is the lightest thing SOSA makes and the most office-neutral, which is usually what people mean when they say understated.
5. If you want more waiting at the bottom, buy the heavier one. Nawaab at ₹399 runs the same structure with far more weight in it: white royal oud, Mysore sandalwood and Kashmir saffron. The close-range payoff is considerably larger, and the trade is that it is less understated — it is dense, warm and evening-weighted, and at two dabs in a small room it stops being subtle. Choose Adaa if the priority is restraint and Nawaab if the priority is the reward. Both are real answers; they are answers to slightly different questions.
2. Which means "better up close" is a design decision, not luck. If a perfumer puts the interesting material in the top, the fragrance gives everything away immediately and at any distance. If the interesting material is in the base, it is only ever available to somebody within about an arm's length. The second construction is what produces the effect you are describing — an unremarkable impression at conversational distance that opens into something considerably better when a person leans in. Woody materials are ideal for this precisely because they are heavy, which is the same property that makes them last.
3. An oil makes the gradient steeper than a spray ever can. Alcohol is a launcher. It evaporates quickly and carries a plume of everything with it, including materials that would otherwise have stayed put. That is what fills a room, and it is also what makes a spray smell fairly similar at one metre and at three. Remove the alcohol and the gradient sharpens dramatically. A SOSA attar is carried on sandalwood oil and jojoba with no solvent at all: near-invisible at two metres, entirely present at thirty centimetres, for six to eight hours. If you were going to design a format for this brief, it would look exactly like this.
4. The understated answer in this range is Adaa. Adaa at ₹379 for 3ml opens on bergamot, green cardamom and neroli — light, composed, entirely unremarkable in the best sense — with jasmine sambac and magnolia through the middle. The part that rewards proximity is underneath: cedarwood and white musk, dry and skin-close, and effectively unavailable to anybody more than an arm's length away. It is the lightest thing SOSA makes and the most office-neutral, which is usually what people mean when they say understated.
5. If you want more waiting at the bottom, buy the heavier one. Nawaab at ₹399 runs the same structure with far more weight in it: white royal oud, Mysore sandalwood and Kashmir saffron. The close-range payoff is considerably larger, and the trade is that it is less understated — it is dense, warm and evening-weighted, and at two dabs in a small room it stops being subtle. Choose Adaa if the priority is restraint and Nawaab if the priority is the reward. Both are real answers; they are answers to slightly different questions.
TL;DR: distance filters a fragrance by molecular weight — at two metres you receive only its lightest materials, and at thirty centimetres you receive all of them. Put the interesting material in the base and proximity genuinely adds information. An attar has no alcohol to flatten that gradient, so the effect is unusually steep. Buy Adaa (from ₹379) for the understated version and Nawaab (from ₹399) if you want more waiting at close range.
The version with no subtlety in it
titan solid perfume ₹500
For completeness: titan is the one product in the range that does not do this at all. Arabica coffee, burnt wood and black pepper over frankincense resin and warm cedar smoke, in a 15g solid balm at ₹500. It gives everything away in the first thirty seconds and has nothing held back for proximity. That is a legitimate thing to want and it is the opposite of this brief. Alcohol-free, 6–8 hours, heat-stable in a way liquids are not.
Why proximity adds information rather than just volume
The everyday model of fragrance is a dimmer switch: the same smell, louder near and quieter far. That model is wrong, and it is wrong in a way that matters when you are choosing what to buy. What actually varies with distance is composition. A gas cloud leaving warm skin is being continuously sorted — the lightest molecules disperse furthest, the heaviest hardly disperse at all — so the mixture arriving at two metres has a genuinely different ratio of ingredients from the mixture arriving at thirty centimetres. Two people standing at different distances from you are not hearing the same fragrance at different volumes; they are hearing two different fragrances.
This also explains a complaint people make about oils without understanding it. Somebody used to sprays tries an attar, smells it clearly on their own wrist, and concludes that nobody else can. The first half is true and the second is not: a colleague at arm's length gets it perfectly well, and a stranger at three metres gets nothing. That is not a weakness of the product but an unusually steep gradient — and for somebody deliberately looking for a fragrance that is private at a distance and rich up close, it is the entire feature. The awkward corollary is that you cannot have both ends of that at once, and anybody who tells you a fragrance is simultaneously discreet and room-filling is describing something that does not exist.
The three decisions if you want a close-range fragrance
1
DECISION ONE · HOW MUCH REWARD
Decide what you want waiting at thirty centimetres
Four attarsFrom ₹379Both SOSA answers to this brief have the same architecture and different amounts of weight in the base. Adaa keeps it dry and pale — cedarwood and white musk, a quiet reward, the sort of thing a colleague registers as "you smell good" without being able to name anything. Nawaab puts oud, Mysore sandalwood and saffron in the same slot, which is a much larger payoff and considerably less discreet. The more you put at the bottom, the less understated the whole thing becomes.
Quick test: do you want to be asked what you are wearing, or not asked at all?
2
DECISION TWO · PLACEMENT
Where you apply it decides who gets the close-range version
This is the part people skip and it does more work than the choice of bottle. A dab at the base of the throat puts the heavy fraction at roughly the height of another adult's face and reaches anybody within conversational distance. A dab on the inside of the wrist is considerably more private — it reaches people only when you move your hands, hand something over, or sit close. The same attar can be a meeting-room fragrance or an almost entirely personal one depending on which of those two you choose. Most people should start at the wrist and move upward only if nobody has noticed.
Never rub: friction and heat drive off the light fraction early and flatten the composition.
3
DECISION THREE · ACCEPT THE TRADE
You cannot have this and room presence
The steep gradient that produces the effect you want is the same property that makes an attar invisible across a room. These are not two features that can be added together; they are two ends of one variable. If part of what you want is being noticed when you walk in, buy an alcohol-based eau de parfum and stop reading here — that is the correct product for that job and no application technique closes the gap. What an oil gives you instead is six to eight hours of presence inside about an arm's length, with nothing wasted on people who were never going to come near you.
The four woods, and how far each of them travels
The close-range reward is built almost entirely from heavy materials, and the four woods sit at different weights. Read across, and read the third column, where we say what SOSA does not have.
The woody family
Which woods stay near the skin
| The wood | What it actually smells like | Where it is in the SOSA range |
|---|---|---|
| Woody musk ★ | not a wood and not quite a smell — a soft, warm, skin-like diffusion that makes everything above it read cleaner and last longer; "woody musk" means a musk with a dry woody facet rather than a powdery or soapy one | white musk with cedarwood in the Adaa base — the closest thing in the range to a clean woody-musk skin scent |
| Sandalwood (creamy wood) | creamy, milky, soft-edged, faintly lactonic — the opposite of dry; it rounds everything it is put beside and is the reason a woody fragrance can feel comforting rather than austere | Indian sandalwood in Ameeri, beside Taif rose; and Mysore sandalwood in Nawaab, beside white royal oud and Kashmir saffron. It is also the carrier oil under every SOSA attar |
| Oud / agarwood (dark wood) | dense, resinous, animalic at the edges, medicinal in some distillations — the heaviest wood in common use and the one most people either love immediately or find suffocating | white royal oud leads Nawaab; a soft oudh sits deep in Ameeri |
| Cedar (dry wood) | dry, pencil-shaving, slightly pencil-box and slightly resinous — the driest of the common woods, with no creaminess and no sweetness of its own | a base note in Adaa, sitting under bergamot, cardamom and white musk; and as cedar smoke in the titan and Siren solid perfumes |
| Vetiver (rooty, earthy) | a grass root rather than a wood at all — earthy, smoky-green, slightly bitter, cooling on skin; grouped with woods because it behaves like one in a composition | nothing wearable. SOSA makes a vetiver car perfume and nothing else with vetiver in it. There is no vetiver attar and no vetiver solid |
| Read the third column before the second. Four of the five entries above are notes SOSA uses, and one is a note SOSA does not make in any wearable form. We would rather lose the sale than sell you a rose-sandalwood attar because you searched for vetiver. Musk and sandalwood are the two that do most of the close-range work in this range — musk in the Adaa base, sandalwood under Ameeri and Nawaab. | ||
Shop this guide
If a steep gradient is what you are after
Adaa · daytimeFrom ₹379Shop → Nawaab · eveningFrom ₹399Shop → Pack of 3 · try the rangeFrom ₹1,055Shop →
The SOSA principle
Two people standing at different distances from you are smelling two different fragrances.
Not the same one at two volumes. The cloud leaving your skin is continuously sorted by weight, so the mixture arriving at two metres has a different recipe from the one arriving at thirty centimetres.
How to place a fragrance built for close range
Start with one dab on the inside of a wrist and nothing else. That is the most private placement available and it is the correct starting point for anybody whose brief contains the word understated. Give it a full day before adjusting. If nobody notices at all across a week, move to the base of the throat, which raises the heavy fraction to roughly face height and makes the fragrance reliably available at conversation distance without increasing the dose.
Judge it at hour three and borrow a nose to do it. The close-range reward lives in the base, which means it is barely present in the first twenty minutes — a first-sniff verdict on this kind of composition is worthless. And you will have adapted to your own scent within about twenty minutes, so your own opinion at 4pm is unreliable. Ask somebody who has just walked up to you whether it is pleasant at close range. That is the only test that measures what you actually bought.
Do not try to widen the gradient with more dabs. Extra applications increase the concentration inside your close-range bubble rather than expanding the bubble, and there is a real point past which "rewarding up close" becomes "too much up close" — particularly in an air-conditioned room where the air is not moving. One dab is a whisper, two is a sentence. On the heavier compositions, two is the ceiling in any shared space, and we would rather say so than sell you a bottle you use up apologising for.
You cannot buy a fragrance that is private at three metres and rich at three metres. Those are the two ends of one dial.
— Sonal Sahani, SOSA
What to buy
The ladder for a close-range brief, ordered by how much weight is waiting at the bottom. The last row is the honest one for anybody who also wanted room presence.
The close-range edit
What to buy for understated with a reward up close
| Buy | What it is | Wears | Price |
|---|---|---|---|
| Adaa ★ | Cedarwood and white musk under a fresh top — the understated answer — a light composed top with cedarwood and white musk underneath, and the woodiness available only within an arm's length | 6–8 hours per dab | 3ml ₹379 |
| Nawaab | White royal oud, Mysore sandalwood, Kashmir saffron — the same architecture with far more waiting at the bottom — oud, Mysore sandalwood and saffron. A bigger reward and less restraint | 6–8 hours per dab | 3ml ₹399 |
| Ameeri | Taif rose over Indian sandalwood — warm rather than dry at close range — Indian sandalwood under Taif rose, generous rather than discreet | 6–8 hours per dab | 3ml ₹385 |
| titan (solid) | Burnt wood, black pepper, cedar smoke — the opposite construction, honestly labelled: everything given away in the first thirty seconds, nothing held back for proximity | 6–8 hours | ₹500 |
| Buy nothing here | If you also want to be noticed across a room, buy an eau de parfum instead. A steep gradient and room presence are two ends of one variable, not two features — and no dosing advice changes that | Not our sale to make | ₹0 |
Honest notes before you buy: three things before you spend anything. First, “woody” is four different smells wearing one word. Dry woods (cedar) are pale and unsweet; creamy woods (sandalwood) are soft and milky; dark woods (oud) are dense and resinous; and vetiver is not a wood at all but a root that behaves like one. People who say they love woody perfume and then dislike everything we suggest have almost always fallen into the gap between two of those four. Work out which one you mean before you buy, and the purchase gets easy. Second, an attar persists rather than projects. There is no alcohol to launch it, so a SOSA attar sits close to the skin for six to eight hours instead of filling a room — if you want a woody scent noticed from across an office, an eau de parfum does that job better and we will say so. Third, we do not make every wood. There is no vetiver in any SOSA wearable and no cedar-led attar; cedar is a base note in Adaa and cedar smoke in the titan solid. Where the honest answer is that we have nothing for you, that is what the page will say. All SOSA attars are alcohol-free, DPG-free and IFRA-compliant, carried on sandalwood oil and jojoba, hand-blended in Pune, applied with a dab applicator rather than sprayed. Fragrance sensitivity is individual; patch-test if your skin reacts to new products. A portion of every order supports girl-child education through Nanhi Kali.
The dry, cool end of the range
SOSA Adaa From ₹379
Adaa is the SOSA attar people mean when they say they want woody but light. Bergamot, green cardamom and neroli on top; jasmine sambac and magnolia through the middle; white musk and cedarwood underneath, which is where the woodiness actually lives. It reads as composed rather than sweet, wears equally on any skin, and is the lightest thing in the range. 3ml ₹379 · 6ml ₹669 · 12ml ₹1,149, alcohol-free and DPG-free, 6–8 hours on skin.
SS
ISIPCA
Versailles
Versailles
A note from Sonal
The brief in the title is one I like, because it is unusually precise about geometry. Most people describe what they want a fragrance to smell like. This one describes where they want it to be, which is a much more useful instruction to a perfumer. It tells me to put the money in the base and keep the top quiet, and that is a shape I can build deliberately rather than hope for.
Adaa is that shape at its lightest. The bergamot and green cardamom on top are doing an introduction rather than a performance, and the cedarwood and white musk underneath are where the actual fragrance is — available to somebody sitting next to you and to nobody else. Nawaab is the same shape with oud and Mysore sandalwood in that slot instead, which is a much bigger reward and noticeably less discreet. Both are honest versions of this brief and they are not interchangeable.
What I will not claim is that either of them does both jobs. An attar that is rich at thirty centimetres is, by the same physics, absent at three metres. If somebody wants to be smelled when they walk into a room, I tell them to keep their eau de parfum, and I mean it. Three millilitres is ₹379 and a week of wearing settles which kind of wearer you are. A portion of every order funds a girl's classroom through Nanhi Kali.
Frequently asked questions
Why do some fragrances smell better close up?
Because distance filters by molecular weight. Light, volatile materials travel; heavy base materials — sandalwood, oud, musk — barely leave the skin. At two metres you receive only the lightest part of a composition; at thirty centimetres you receive all of it. A fragrance built base-first therefore genuinely gains information as you approach it, rather than just getting louder.
Which SOSA attar is understated but rewarding at close range?
Adaa, from ₹379 for 3ml. The top is deliberately quiet — bergamot, green cardamom and neroli — and the reward sits underneath in cedarwood and white musk, which is effectively unavailable beyond an arm's length. If you want more weight waiting there, Nawaab at ₹399 uses white royal oud, Mysore sandalwood and Kashmir saffron in the same position.
Does an attar have a steeper gradient than a spray?
Yes, considerably. Alcohol flashes off and carries a plume of everything outward at once, which flattens the difference between near and far. A SOSA attar has no alcohol at all — it is carried on sandalwood oil and jojoba — so the fragrance stays near its source. Close to nothing at two metres, fully present at thirty centimetres, for six to eight hours.
Where should I apply it for a close-range effect?
Start with one dab on the inside of a wrist, which is the most private placement. If nobody notices across a week, move to the base of the throat, which puts the heavy fraction at roughly face height and makes it reliably available at conversation distance without increasing the dose. Never rub — friction drives off the light fraction early.
Can a fragrance be discreet and also fill a room?
No, and it is worth being blunt about it. The steep gradient that makes something rewarding up close is the same property that makes it invisible across a room — they are two ends of one variable rather than two features you can add together. If room presence matters to you, an alcohol-based eau de parfum is the correct product and an attar is not.
If you want a steep gradient
At two metres you get the lightest third. At thirty centimetres you get all of it
SOSA attars hand-blended in Pune by an ISIPCA Versailles-trained perfumer: Adaa from ₹379 with cedarwood and white musk in the base, Nawaab from ₹399 on white royal oud, Mysore sandalwood and Kashmir saffron, Ameeri from ₹385 on Taif rose and Indian sandalwood. The titan solid perfume at ₹500 when you want everything given away immediately. Alcohol-free, DPG-free, IFRA-compliant, dab applicator, 6–8 hours on skin.
Shop SOSA attars → Pack of 3 from ₹1,055
Continue the read
More on how an attar behaves in space
- Why an attar works at conversation distance — the geometry of an oil.
- How far a woody attar travels — measured, not guessed.
- Low projection vs low quality — two separate axes.
- A woody attar for a small wardrobe — the structural fit.
- Brand: the SOSA founder story.
Editorial standards & sources
About this guide: Written by Sonal Sahani, ISIPCA Versailles-trained founder and perfumer at SOSA Home & Body, on the woody fragrance family and what the SOSA range does and does not contain within it. Note descriptions and wear-time are SOSA’s own for the stated products; how any fragrance performs varies with skin chemistry, temperature and humidity. Fragrance sensitivity is individual and this is general guidance, not medical advice.SOSA products & prices (verified September 2026): Attars (concentrated perfume oil, alcohol-free, DPG-free, IFRA-compliant, dab applicator): Adaa 3ml ₹379 · 6ml ₹669 · 12ml ₹1,149; Ameeri 3ml ₹385 · 6ml ₹679 · 12ml ₹1,165; Mastani 3ml ₹389 · 6ml ₹685 · 12ml ₹1,179; Nawaab 3ml ₹399 · 6ml ₹699 · 12ml ₹1,199; Pack of 3 (Ameeri, Nawaab, Mastani) 3ml ₹1,055 · 6ml ₹1,859 · 12ml ₹3,189. Solid body perfumes (15g balm): Sway ₹459 · Sterling ₹469 · Velour ₹479 · Lust ₹479 · Desire ₹489 · Siren ₹489 · titan ₹500 · Fire ₹509 · Storm ₹529. Carried on sandalwood oil and jojoba, hand-blended in Pune by an ISIPCA Versailles-trained perfumer; 6–8 hours on skin, longer on warm or oily skin. Fragrance sensitivity is individual — patch-test if your skin reacts to new products. Prices and availability subject to change — see the live product pages.