Which Two Attar Fragrance Families Can I Experiment With Layering If I Want a Personalised Scent Without Creating Excessive Sweetness or Intensity?

Which Two Attar Fragrance Families Can I Experiment With Layering If I Want a Personalised Scent Without Creating Excessive Sweetness or Intensity?

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★ ★ Layering rewards contrast and wastes itself on overlap - which makes the overlap table a layering shortlist as well as a buying oneSOSA Adaa 3ml ₹379 · SOSA Nawaab 3ml ₹399 - one published material between them, and the only experiment in the range I would start withNothing about layering is published by SOSA; every judgement about a pair on this page is mine and is marked as mine
The short version — five things worth checking before a second bottle
For the reader who wants a scent nobody else is wearing, and would rather run an experiment than be sold a result
  • 1 SOSA publishes nothing about layering and no combination in this range has been formally evaluated. Everything on this page about wearing two attars together is my own craft judgement, labelled where it appears, and never a store specification.
  • 2 The two families worth the experiment are the dry green end and the oud-leather end - Adaa against Nawaab, which have one published material between them, white musk. Those are the two furthest apart in the range.
  • 3 The sweetness you want to avoid is a material, not a mood-setting. Vanilla and tonka appear in Mastani and in the Chashni oil and nowhere else in the attars, so a pair that excludes both of those cannot stack sweetness.
  • 4 Intensity is a quantity decision before it is a composition decision. Half of your usual dab of each, on separate skin, is the setting I would start an experiment at - and the published figure stays six to eight hours on skin either way.
  • 5 The test comes before the second bottle. One scent on each wrist, never both on one spot, and judge the pair at hour three rather than at the opening - and if the two cannot be separated on two wrists, nothing is gained by putting them on one.
★ See SOSA Adaa - the light half of the experiment ₹379 Ask Sonal what to try first ₹0
★ The two bottles I would experiment with, and the one I would keep out of a first experiment
SOSA Adaa AttarSOSA Adaa Attar · 3ml ₹379Calabrian bergamot, green cardamom and neroli over jasmine sambac, magnolia and ylang ylang, on white musk, vetiver and cedarwood - no oudh, no amber, no vanilla, which is what makes it the clean half of any experimentView Adaa →SOSA Nawaab AttarSOSA Nawaab Attar · 3ml ₹399White royal oud, Mysore sandalwood, Kashmir saffron and aged tobacco leaf on amber, leather and white musk - the far end of the range from Adaa, and the half that supplies the depthView Nawaab →SOSA Mastani AttarSOSA Mastani Attar · 3ml ₹389Litchi, bergamot and pink pepper over night-blooming jasmine and Damask rose, on Mysore sandalwood, oudh, Madagascar vanilla and tonka - the sweet bottle, and the one I would leave out of a first experiment about sweetnessView Mastani →
✓ Every note and price here is quoted off the live SOSA product pages ✓ Where this page judges a combination, the judgement is labelled as mine rather than published ✓ The only performance figure quoted anywhere here is the published six to eight hours on skin

Founder Diaries · Fragrance Wardrobes · What to Buy Next
By Sonal Sahani · ISIPCA Versailles 19 min read Updated October 2026
Layering is the one part of fragrance where a brand's opinion is worth less than your own wrist, and I would rather give you the rule and the test than a recipe. The rule is simple enough to state in one line: two scents built on the same materials stop being two scents, and two scents built on different materials stay two scents. So the families worth experimenting with are not the ones that sound complementary in a product description - they are the ones that have the least in common on paper. In this range that is a short list, because four attars sit on the same sandalwood and jojoba carrier and three of the four carry oudh.
Quick answers — read this first
Which two attar families should I try layering first? The dry green citrus end against the oud and leather end: Adaa (3ml ₹379) with Nawaab (3ml ₹399). Those two have one published material between them, white musk, which makes them the furthest apart in the SOSA range and the only pair where a second scent is doing something the first one cannot. Start with half your usual dab of each, one on each wrist, and judge the pair at hour three.

How do I layer without making the result too sweet? Keep both sweet materials out of the pair. In the SOSA attars, vanilla and tonka appear only in Mastani, and the gourmand sweetness of the oils is in Chashni. Everything else in the range is dry, green, floral or resinous rather than sweet. A pair drawn from Adaa, Ameeri and Nawaab has no vanilla in it at all, so sweetness is not the risk there - weight is, and weight is answered by using less.

Does layering two attars give me a personalised scent? It gives you an experiment, which is a fair thing to want. What I will not do is tell you what the result will be, because SOSA publishes nothing about layering and no combination in this range has been formally evaluated - so anything I say about a pair is craft judgement rather than a specification. What I can give you is the method: contrast rather than overlap, half a dab of each, separate wrists first, and a verdict taken at hour three.
The short answer
Short answer: Experiment across the two ends of the range rather than within one end. Adaa at ₹379 is bergamot, cardamom and neroli on a dry musk, vetiver and cedarwood base with no oudh; Nawaab at ₹399 is oud, sandalwood, saffron and tobacco on amber and leather. One published material sits between them, so each one is still doing its own work when both are on you. Keep the sweet bottle out of a first experiment, use half of your usual dab of each, and take your verdict at hour three rather than in the first ten minutes.
The pick: Adaa 3ml ₹379 and Nawaab 3ml ₹399. If you want the fresh half to be further still from the attars, Samundar at ₹599 for 10ml is an aquatic marine oil and shares nothing with any of the four.
Next step: read what layering can and cannot do for the full argument about why overlap merges, then the test itself and whether to use one pulse point or two. Or tell me what you already own and I will tell you whether a second bottle is the experiment or just the expense.
In this guide
Straight answer
Which two attar fragrance families are actually worth experimenting with if I want something personalised rather than excessively sweet or heavy?
The dry green end and the oud-leather end: Adaa at ₹379 against Nawaab at ₹399, as two 3mls, tried on separate wrists before they are ever tried on one. And the reasoning matters more than the pair, because it tells you which experiments are worth running on any shelf rather than only on mine. Start with the honest disclosure, because it changes how you should read the rest of this page. SOSA publishes nothing at all about layering. No combination in this range has been formally evaluated, there is no official pairing, and there is no chart I can hand you. So everything below is my own craft judgement as the person who built these four compositions, and I have marked it as such wherever it appears. I am not going to tell you what two of my attars will smell like once they are both on your skin, because that is not something I can know from here - skin, quantity, season and the order of application all move it. Now the rule, which is the useful part. Layering is not blending. Blending happens in a beaker, where materials are measured against each other and the result is tasted and adjusted over weeks. Layering happens on a wrist, where two finished compositions - each already balanced to stand alone - are asked to share the same warm surface. What survives that is mostly the heaviest material in either one. Which means the question is not whether two scents are pleasant on their own, but whether they are made of different things. If both finish on sandalwood and oudh, there is nothing for a nose to separate at hour three, and the family pillar works that argument through properly. If one finishes on dry musk, vetiver and cedarwood and the other on amber and leather, the two halves stay legible as halves. So which two families does that leave? Count the range honestly. All four attars are carried on sandalwood and jojoba, which puts a common floor under everything before you start. Three of the four carry oudh, three name sandalwood in the pyramid itself, three open on bergamot. Adaa is the exception on all three counts: no oudh, no sandalwood in the pyramid, and the only unsweetened dry drydown in the range. So Adaa is one half of any experiment worth running here, and the other half is whichever warm bottle you want depth from - most usefully Nawaab, because Adaa and Nawaab have exactly one published material between them. That is the widest gap the range contains, and it is also the cheapest pair in it, which is a coincidence I keep having to report. Then your two constraints, which are not the same problem. You asked for something that does not become excessively sweet or excessively intense. Sweetness is a material. In these four attars it lives in Mastani, as Madagascar vanilla and tonka, and nowhere else; among the oils it is Chashni's whole character. A pair that leaves both out cannot stack sweetness, because there is no sweetness in it to stack. Intensity is not a material at all - it is a quantity, and the dial is in your hand. Half of whatever single dab you normally use, of each of the two, is where I would begin an experiment, and the published six to eight hours on skin does not change with the arithmetic. And the order of operations, which is the bit most readers skip. Before you buy a second bottle to layer with the first, wear the first one alone for a fortnight at two different quantities. Then put one scent on each wrist - never both on one spot - and go about a full day with them. Judge the pair at hour three rather than at the opening, because the opening is bergamot and pink pepper and is gone before lunch, and the base is what you will be wearing for most of the wear. If the two cannot be told apart on two separate wrists, putting them on one wrist gains you nothing except the loss of a bottle you liked. That test is free, it comes before any purchase, and it is the only part of this page I would call a method rather than an opinion.

Why contrast is the whole of the technique

Here is the thing that took me longest to accept about layering, and I say it as someone who spends working days putting materials next to other materials. Two finished perfumes are not two sets of ingredients. Each one has already been balanced - the proportions chosen so that the top leads into the heart, the heart hands over to the base, and no single material shouts over the others. When you put two balanced things on the same warm surface, you are not adding their lists together. You are asking one of them to be the quieter one.

Which one goes quiet is not a matter of taste or of what you hoped for. It is decided by the heavier materials. Oud, amber, leather, tobacco, vanilla and resinous bases are loud and long; bergamot, neroli, cardamom and a green jasmine are bright and short. So a pair built from a light attar and a heavy attar will read as the heavy one with a brighter first hour, and a pair built from two heavy attars will read as the louder of the two heavies. Neither outcome is a third scent, and anybody selling you the idea that two bottles produce a third is selling you an extra bottle.

That is why contrast is the whole technique. The point of a second scent is not to add more material. It is to put something on your skin that the first bottle does not contain - a green top where there was none, a dry woody base under a sweet floral, an aquatic note against a resin. When the second bottle brings materials the first one has, nothing arrives. When it brings materials the first one lacks, something does, and whether you like it is then genuinely your own question to answer on your own wrist.

The SOSA principle
The useful question before any layering experiment is not "do these two sound good together" but "does the second bottle contain anything the first one does not".
Which makes a published note pyramid more useful than any amount of copy about harmony, and makes the cheapest pair in my range the most interesting one to experiment with.

The six pairs, read as a layering shortlist

Four attars, six pairs, ranked as experiments
The same table that stops you buying a near-repeat also tells you which pairs are worth a wrist
The pair Overlap Verdict Shared published materials What that means for you
Adaa + Nawaab 0.07 The widest contrast in the range white musk only The experiment I would run first. Each half brings materials the other does not have, so both stay legible for the whole wear.
Adaa + Mastani 0.12 Genuine contrast bergamot and jasmine Worth a wrist, with the caveat that jasmine sits in both - green in one, heavy and night-blooming in the other.
Adaa + Ameeri 0.13 Genuine contrast bergamot and white musk Worth a wrist. Dry green against rose and saffron, with bergamot the only material arriving twice.
Mastani + Nawaab 0.14 Genuine contrast oudh and sandalwood A real experiment in direction rather than in material: sweet floral against dry leather and tobacco.
Ameeri + Mastani 0.42 Heavy overlap bergamot, pink pepper, rose, sandalwood and oudh Both are rose over sandalwood and oudh, and both carry bergamot and pink pepper; the sweeter of the two will decide the wear.
Ameeri + Nawaab 0.50 Heavy overlap saffron, sandalwood, oudh, amber and white musk The pair with the least to gain from a second bottle. Five published materials arrive twice, and saffron opens both.
Read the bottom two rows as a warning rather than a recipe. The scores count shared published materials against total materials; they measure shared ingredients rather than how similar two finished compositions smell to you, and a high number simply means the second bottle is bringing very little that the first one has not already brought.

What layering is, and four things it is not

Four confusions worth clearing before you spend anything
The term, as it is used in fragrance copy, against what is actually happening on a wrist
The term What it actually is What it is not How to tell, on your own skin
Layering Two finished compositions sharing one warm surface, where the heavier materials of either one dominate the wear A blend, a third fragrance, or a recipe with an outcome anybody can publish for you Wear each alone for a fortnight first; then one on each wrist for a full day, and form your own verdict at hour three
A personalised scent A pair nobody else happens to be wearing, which is a legitimate and rather enjoyable thing to want A fragrance made for your skin; nothing on a shelf is bespoke and no pairing on this page is a product SOSA sells as a pair Note the two bottles and the two quantities you used. If you cannot repeat it next week, it was an accident rather than a signature
Too intense Almost always a quantity problem - the same two dabs that are modest in December are a larger event on warm skin Evidence that a composition is wrong for you, and never a reason to go looking for a third bottle Halve the quantity of each and wear the pair again. If the problem goes, it was arithmetic rather than chemistry
Too sweet A material: Madagascar vanilla and tonka in Mastani, and the fruity-gourmand character of the Chashni oil A property of layering in general, and not something a pair without those materials can produce Read both base lines before you buy. If neither says vanilla, tonka or a fruit, sweetness is not the risk you are running
The first row is the one that matters most. Layering is a thing you do rather than a thing you buy, which is why this page hands over a test rather than a recipe.

Sweetness and intensity, which are two different problems

Your question put sweetness and intensity side by side, and I want to separate them, because one is about what you buy and the other is about what you do with it. Readers who conflate the two end up buying a lighter bottle to solve a problem that was being caused by their hand.

Sweetness first. In the four attars there is exactly one sweet base: Mastani's Mysore sandalwood, oudh, Madagascar vanilla and tonka. Ameeri's base is soft oudh, amber and white musk, which reads warm and resinous rather than sweet. Nawaab's is amber, leather and white musk, which reads dry. Adaa's is white musk, vetiver and cedarwood, which is the driest thing I make. So if you build a pair from any two of Adaa, Ameeri and Nawaab, there is no vanilla or tonka anywhere in it, and the sweetness you were worried about is not available in the combination at all. Among the six perfume oils, Chashni is the gourmand and Tabac Noir has the vanilla; Samundar and Khayaal are the dry fresh end.

Intensity second, and this is where the dial does the work. A pair of oil attars at a full dab each is twice the material you normally wear, on skin releasing it at whatever rate the weather dictates - an arithmetic problem rather than a chemistry one. Half of your usual quantity of each, applied on arrival rather than before a long commute, is where I would start, and halving it again is the next move rather than a different bottle. None of that changes the published six to eight hours on skin, which is a property of the composition rather than of the quantity.

My own craft judgement as the perfumer - not a SOSA specification, and not a promise about a combination
My own assessment of the Adaa and Nawaab pairing, and I want it read as judgement rather than as a specification: the two are furthest apart on paper, so this is where I would spend an experiment - the green citrus and cardamom opening of one sits over the oud, saffron and tobacco of the other without either one having to compete for the same materials. What I am not going to tell you is what that will smell like on you, or how long the pair will stay legible, or how far it will read in a room. SOSA publishes no projection data of any kind, nothing about layering is published at all, and no combination in this range has been evaluated, so a figure or a promise from me here would be invention. The honest shape of this is: this is the pair I find most interesting, here is the test, and the verdict is yours.

The test, which costs nothing and comes first

The protocol is set out in full on the page that owns it, and I will not take that argument over here. The short version, which is all you need before deciding whether to buy a second bottle at all: one scent on each wrist, never both on one spot, and judge the pair at hour three.

Two wrists first, because that is the only way to hear both halves. Two oils on one patch of skin give you one surface releasing a mixture whose heavier half dominates, and no way of telling which bottle is responsible for what. And hour three rather than the opening, because the opening of three of these four attars is bergamot and is gone well before lunch. The base is where a wear lives.

If the two cannot be separated on two wrists, that is your answer and it is a useful one: nothing is gained by putting them on one. A second bottle bought to layer with the first should be a bottle you would also be glad to own alone - which is, conveniently, the same test this whole cluster applies to every second purchase.

A second bottle bought for layering should be one you would be glad to own on its own. If the pair turns out to be uninteresting, you still have two attars you like, and that is the only version of this experiment with no downside.
— Sonal Sahani, SOSA

What I would buy to experiment with, and in what order

Sonal’s recommendation
Adaa 3ml and Nawaab 3ml, worn separately for a fortnight before they are ever worn together
I would rather sell you the two furthest-apart bottles in my range and hand you a test than sell you a pairing with a promise attached to it.
— Sonal Sahani, founder and perfumer, ISIPCA Versailles-trained
What to buy The Adaa 3ml at ₹379 and the Nawaab 3ml at ₹399
Why those two families The dry green end against the oud-leather end: one published material between them, so each half brings something the other does not
What to leave out of a first experiment The Mastani 3ml at ₹389, which holds the vanilla and tonka. A fine bottle, and the wrong variable to add while you are learning the method
The further contrast, if you want it The Samundar perfume oil at ₹599 for 10ml - aquatic marine, and nothing in it appears in any of the four attars
The quantity I would start at Half of your usual single dab of each, on separate skin, applied on arrival rather than before a commute
What I cannot tell you I cannot say what any pair will smell like on your skin, how long a mixture stays legible or how far it reads - none of that is published and none of it is mine to promise
The order is the recommendation. Buy both 3mls, wear Adaa on working days and Nawaab on two or three evenings, and do not put them anywhere near each other for the first fortnight. You are not being patient for its own sake: you are learning what each one does alone, because that is the only baseline against which a pair means anything. Then run the two-wrist test on a full day, take your verdict at hour three, and keep a note of the two quantities you used so that you can repeat it if you liked it. If you did not, you own the widest-contrasting pair in the range and you have lost nothing at all.
Everything above, on one page.
See SOSA Adaa · 3ml ₹379
If the worry underneath your question is intensity rather than sameness - that two bottles worn at once will simply be too much - then layering is not the variable to be adjusting and the experiment can wait. Quantity is the variable. One dab inside one wrist is a different wearing from two dabs plus the base of the throat, it costs nothing, and it needs no second bottle. Settle the quantity on the bottle already in the house, and come back to the pair afterwards if you still want it.
— the condition that changes this answer
You wanted two families worth experimenting with. One route is the pair; the other is a conversation before you spend anything.
Two 3mls, or nothing at all until we have looked at your shelf.
See SOSA Adaa · 3ml ₹379
The light half of the only experiment I would run in this range. Pair it with Nawaab at ₹399 and you have the two furthest-apart bottles here, both of which are worth owning alone if the pair turns out to be dull.
Ask Sonal what to try first
If you already own one or two fragrances, send me their base lines. I will tell you whether a second bottle is the experiment or just the expense, and that answer is free either way.
SS
ISIPCA
Versailles
A note from Sonal

I was slow to write anything at all about layering, and the reason was not modesty. It was that every version I drafted turned into a promise, and a promise is the one thing I have no grounds for making here. I have not run a formal evaluation of any pair of my own attars. Nobody at SOSA has. Publishing a pairing chart would have meant inventing the evidence for it.

What I do have is the perfumer's side of it, which is worth something as judgement and nothing as a specification. I know which materials are loud and long and which are bright and short, I know what happens when two bases built from the same woods meet on the same warm patch of skin, and I know that the pair most people ask me about - two warm bottles, because warmth sounds luxurious - is the pair with the least to gain.

So this page gives you the rule, the shortlist and the test, and stops there. It also recommends the two cheapest bottles in the range, because they happen to be the two furthest apart. I would prefer, commercially, for the interesting experiment to involve an expensive pair. It does not, and I am not going to pretend otherwise to move a 12ml.

Frequently asked questions

Which two SOSA attars are worth layering as a first experiment?
Adaa and Nawaab. On their published pyramids they have one material between them, white musk, which makes them the furthest apart in the range - so each half is bringing something the other does not contain. Adaa is bergamot, green cardamom and neroli over jasmine sambac on white musk, vetiver and cedarwood with no oudh. Nawaab is white royal oud, Mysore sandalwood, Kashmir saffron and aged tobacco leaf on amber, leather and musk. At 3ml they are 379 and 399 rupees.
Does SOSA recommend any particular attar pairing?
No. SOSA publishes nothing about layering, no combination in the range has been formally evaluated, and there is no pairing sold or endorsed as a pair. What is on this page is my own craft judgement as the perfumer who built the four compositions, marked as such, plus a test you can run yourself. That is the honest extent of what I have.
Why would two warm attars be the wrong experiment?
Because the second bottle would be bringing materials the first one already has. Ameeri and Nawaab have saffron, sandalwood, oudh, amber and white musk arriving twice, and both open on saffron. Put them on the same skin and the heavier materials of the louder one decide the wear, so the money has bought very little that was not already there. Contrast is where a second bottle earns its place.
How much of each attar should I use when experimenting?
Half of whatever single dab you normally wear, of each of the two, and apply on arrival rather than before a long commute. A pair at full quantity each is twice your usual material on skin that is releasing it at whatever rate the weather dictates, and that is an arithmetic problem rather than a composition problem. The published six to eight hours on skin is a property of the composition and does not move with the quantity.
Will layering two attars make the result too sweet?
Not if the pair has no sweet material in it. Among the four attars, Madagascar vanilla and tonka appear only in Mastani; Adaa's base is dry musk, vetiver and cedarwood, Ameeri's is soft oudh, amber and white musk, and Nawaab's is amber, leather and white musk. A pair drawn from those three has no vanilla or tonka anywhere in it. Among the oils, Chashni is the gourmand and Tabac Noir carries the vanilla.
Should I buy a second bottle specifically to layer with the one I own?
Only if it is a bottle you would be glad to own on its own. Run the two-wrist test first with whatever you already have, take your verdict at hour three, and notice whether the second scent is adding materials the first one lacks. If the experiment turns out to be dull, a bottle you like alone costs you nothing; a bottle bought only for a pairing costs you the whole purchase.
The rule in one line
Layer across the range rather than within one end of it, and run the wrist test before you buy the second bottle.
See SOSA Adaa · 3ml ₹379 Describe a feeling to SOSA
Thinking about a second bottle to experiment with?
SOSA — Send me the base lines off what you already own. I will tell you which family actually brings something new to it, and whether the experiment is worth a purchase at all. Several pages in this family end without one.
Alcohol-free, DPG-free oil attars hand-blended in Pune · six to eight hours on skin · nothing about layering is published by SOSA, and every judgement here is marked as mine
Ask Sonal which one stays close → SOSA Adaa Attar · ₹379
Continue the read
More from SOSA
Editorial standards & sources
About this guide: Written by Sonal Sahani, ISIPCA Versailles-trained founder and perfumer at SOSA Home & Body. It is written for a reader who already owns a fragrance and wants the next one to be genuinely different, and the method - read the published base lines, count the shared materials, then decide - applies to any brand. The product recommendations reflect the SOSA attar and perfume oil range only.

On the overlap figures in this guide. Where this guide says two SOSA attars overlap, the figure is derived from their own published note pyramids by counting shared materials against total materials, grouping them the way a nose groups them: Taif rose and Damask rose are both rose, Persian and Kashmir saffron are both saffron, jasmine sambac and night-blooming jasmine are both jasmine though they read differently. It is a measure of shared ingredients, not a measure of how similar two finished compositions smell to you - two scents can share five materials and still be told apart on a wrist. The figures are here because they are checkable against the product pages, and because the alternative is a seller's opinion about its own range. Across the four attars: Ameeri and Nawaab share the most (saffron, sandalwood, oudh, amber, white musk); Ameeri and Mastani are close behind (bergamot, pink pepper, rose, sandalwood, oudh); Adaa and Nawaab share the least, white musk alone.

On the Attar Trio. SOSA's three-attar pack is Ameeri, Nawaab and Mastani, and SOSA's own product page describes it as the evening attar trio - the trio for the evenings that matter. This guide recommends it on that basis and no other. It is not described here as a balanced wardrobe, because it is drawn from the two most overlapping pairs in the range and it does not include Adaa, which is the attar that contrasts most with the others.

What this guide does and does not claim. SOSA publishes one performance figure for its attars: they wear 6-8 hours on skin, longer on warm or oily skin, always as a skin scent rather than a room scent. SOSA publishes no projection, sillage or scent-radius data, and none appears here. Nothing about layering is published by SOSA and no combination has been formally evaluated, so anything this guide says about wearing two scents together is Sonal's own craft assessment, marked as such wherever it appears, and never a promise about what a combination will smell like on you. SOSA makes no claim about compliments, attraction, confidence, mood, sleep, stress or wellbeing, no claim about what another person will notice or think, and no medical, dermatological or allergy claim; anyone with sensitive skin or a fragrance allergy should patch-test and use their own judgement or consult a doctor.

Facts verified 19 October 2026 against the live SOSA product pages: every SOSA attar is an alcohol-free, DPG-free oil perfume carried on sandalwood and jojoba oil with a built-in dab applicator, hand-blended in Pune, sold in 3ml, 6ml and 12ml. SOSA Adaa (3ml ₹379 · 6ml ₹669 · 12ml ₹1,149): Calabrian bergamot, green cardamom and neroli over jasmine sambac, magnolia and ylang ylang, on white musk, vetiver and cedarwood - the only one of the four with no oudh. SOSA Ameeri (₹385 · ₹679 · ₹1,165): Persian saffron, pink pepper and bergamot over Taif rose and Indian sandalwood, on soft oudh, amber and white musk. SOSA Mastani (₹389 · ₹685 · ₹1,179): litchi, bergamot and pink pepper over night-blooming jasmine and Damask rose, on Mysore sandalwood, oudh, Madagascar vanilla and tonka. SOSA Nawaab (₹399 · ₹699 · ₹1,199): white royal oud, Mysore sandalwood, Kashmir saffron and aged tobacco leaf on amber, leather and white musk - oud-led, and the deepest in the range. The three evening attars come together as the SOSA Attar Trio (₹1,055 · ₹1,859 · ₹3,189). Separately, SOSA makes six perfume oils in 10ml, 50ml and 100ml - Zaffran, Tabac Noir and Samundar at ₹599, ₹1,799 and ₹3,499, and Khayaal, Chashni and Bahaar at ₹599, ₹1,899 and ₹3,599 - each an independent SOSA composition inspired by a widely known fragrance and not affiliated with, or endorsed by, the house named. SOSA does not run a sampler or tester programme; the 3ml attar is the trial size. A portion of every SOSA order supports girl-child education through Nanhi Kali. Prices and availability are subject to change - see the live product pages.
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