How SOSA works
Two rungs, honestly: a spray you aim when you choose, or a cordless diffuser that decides for you
A note list is not a smell
Every description here is an intention written in words. It cannot tell you how an oil will sit on your own skin.
Alcohol-free by formulation
A jojoba carrier with no DPG and no ethanol. IFRA-compliant.
One dab, and do not rub it in
A pulse point and a dab applicator. Oil opens with warmth, so rubbing crushes the top of it.
Composed by a trained perfumer
Sonal Sahani, ISIPCA Versailles-trained, composes the whole range.
A portion funds girl-child education
Part of every order supports girl-child education through Nanhi Kali.
We will tell you not to buy
There are four attars. Where your answer is not one of them, these guides say so and sell nothing.
A note list is not a smell
Every description here is an intention written in words. It cannot tell you how an oil will sit on your own skin.
Alcohol-free by formulation
A jojoba carrier with no DPG and no ethanol. IFRA-compliant.
One dab, and do not rub it in
A pulse point and a dab applicator. Oil opens with warmth, so rubbing crushes the top of it.
Composed by a trained perfumer
Sonal Sahani, ISIPCA Versailles-trained, composes the whole range.
A portion funds girl-child education
Part of every order supports girl-child education through Nanhi Kali.
We will tell you not to buy
There are four attars. Where your answer is not one of them, these guides say so and sell nothing.
✓ Alcohol-free and IFRA-compliant · a jojoba carrier, no DPG and no ethanol ✓ 6-8 hours on skin, longer on warm or oily skin · the only wear figure SOSA publishes ✓ A note list is not a smell · buy the 3ml before you buy a size ✓ Other brands named are the property of their respective owners · SOSA is not affiliated with, endorsed by, sponsored by or associated with any other fragrance company named on this page
Founder Diaries · Car Fragrance
Should I avoid oud if those reviews worry me? Not necessarily - move to a shallower depth instead. Oud can be the subject of a composition or a floor underneath flowers, and those are very different wearing experiences. In this range Mastani keeps the oudh under night-blooming jasmine and Damask rose, Ameeri uses a soft oudh under Taif rose and Indian sandalwood, and Nawaab makes white royal oud the subject with eight materials around it.
How do I use a critical oud review properly? Look for what the reviewer normally wears, because the information is in the gap rather than the verdict. Somebody who wears heavy traditional oils calling a composition animalic is telling you it is warm even by that standard. Somebody who wears light florals saying the same thing is telling you they stepped a long way outside their range, which may not predict your reaction at all.
Ask first
What this guide does not claim.
SOSA attars, specified:
On wear.
On what is in the bottle.
On other companies.
On availability.
No, do not avoid it on that basis alone, and yes, those characteristics are very often entirely intentional. A reviewer who reaches for either of those words has not found a defect. They have described, in the only vocabulary available to them, the precise part of an oud composition that divides people - and in doing so they have handed you something far more useful than a star rating. The question is no longer whether the fragrance is good. It is whether the thing they are describing is a thing you want on your skin for the next 6-8 hours, and that is a question you can actually answer about yourself.
Quick answers — read this first
Are animalic or antiseptic notes in an oud attar a sign of poor quality? Usually they are a sign of oud. The material has a warm, skin-like, faintly sour-sweet side and a sharp camphorous side, and both belong to it rather than indicating a fault or spoilage. A reviewer naming either has described the part of the composition that divides people, which is genuinely useful information about whether you will enjoy it and says nothing about quality.Should I avoid oud if those reviews worry me? Not necessarily - move to a shallower depth instead. Oud can be the subject of a composition or a floor underneath flowers, and those are very different wearing experiences. In this range Mastani keeps the oudh under night-blooming jasmine and Damask rose, Ameeri uses a soft oudh under Taif rose and Indian sandalwood, and Nawaab makes white royal oud the subject with eight materials around it.
How do I use a critical oud review properly? Look for what the reviewer normally wears, because the information is in the gap rather than the verdict. Somebody who wears heavy traditional oils calling a composition animalic is telling you it is warm even by that standard. Somebody who wears light florals saying the same thing is telling you they stepped a long way outside their range, which may not predict your reaction at all.
The short answer
Short answer: Very often intentional. Oud is a material with a warm, skin-like, slightly sour-sweet side and a sharp camphorous side, and both are part of what it is rather than signs of a fault. A reviewer naming either has told you something genuinely useful about whether you will enjoy it.
The pick: There are three oud depths in the range and the trio is exactly those three: Ameeri, Nawaab and Mastani at ₹1,055 for three 3mls. If one of those words made you hesitate, start at the shallow end instead - Mastani keeps the oudh underneath two flowers at 3ml ₹389.
Honest note: an attar is bought unsmelled, so a list of notes is all you have. A note list describes an intention, not a smell, and nothing written here is a substitute for wearing it.
In this guide
There are four SOSA attars and they run from a bergamot-and-cardamom opening at the lightest end to white royal oud at the deepest. Adaa is the freshest, Mastani the most floral, Ameeri the warmest, Nawaab the deepest. All four are alcohol-free on a jojoba carrier with no DPG, come with a dab applicator, and wear 6-8 hours on skin - longer on warm or oily skin. Sizes are 3ml, 6ml and 12ml, from Rs 379. None of that tells you whether you will like the smell, which is why the smallest size exists.
Once you know the scent
12ml · from ₹1,149
While you are deciding
3ml · from ₹379
Not sure which of the four
Tell us what you wear now
Straight answer
Should I avoid an oud attar that reviewers describe as animalic or antiseptic?
Not on that basis, and the reviewer has probably done you a favour.
What "animalic" is actually pointing at. Warm, skin-like, faintly sour-sweet, sometimes leathery - the part of a composition that smells of a living thing rather than of a plant or a laboratory. It is a recognised and deliberate character in perfumery with a very long history, and in oud it is not an accident or a flaw. It is a large part of why the material has been valued for centuries, and it is also the single commonest reason somebody meeting oud for the first time puts their wrist down. Both of those are true at once. A reviewer writing "slightly animalic" is describing the material accurately and then leaving you to decide.
And the other word. When a reviewer calls an oud antiseptic, or reaches for the word medicinal, they are not reporting a fault and they are not reporting spoilage. They are pointing at a sharp, camphorous, almost plaster-and-bandage edge that sits at the top of a lot of oud material and burns off over the first stretch of wear. It is not evidence that something has gone wrong in the bottle, and it is not a sign of adulteration. Nothing about that edge is unexpected to anybody who works with the material. It is, however, the hardest part of oud for a new wearer, and a reviewer who mentions it has told you exactly where their difficulty was.
Why those two words are worth more than praise. A five-star review saying "beautiful, very rich" is compatible with a hundred different compositions. A review saying "too animalic for me, I wear fresh citrus things" is compatible with almost none, and it locates both the fragrance and the reviewer on the same map. If you also wear fresh citrus things, you have just been given a serious warning. If you have been hunting for something with warmth and body that does not smell like everything else on a shelf, you have just been given a lead. The same sentence, two opposite conclusions, both sound. That is the whole argument for reading the bottom of a review section before the top.
Use the reviewer as a thermometer. The information is in the gap between their shelf and the bottle, not in their verdict. Somebody who wears heavy traditional oils and finds a composition animalic is telling you it is unusually warm even by that standard. Somebody who wears light florals and says the same thing is telling you they went a long way outside their own range, which may say nothing at all about how it would read to you. Without a shelf attached, the word is a temperature with no scale behind it. This is why what a reviewer already wears sits at the top of the list of details worth reading.
The three depths in our range, which are the honest illustration. We make four attars and three of them have oud in them at genuinely different depths, which makes this question answerable rather than theoretical.
Shallowest: Mastani. Night-blooming jasmine, Damask rose and oudh. The oudh is underneath two flowers and its job is to give the florals somewhere to stand, so the warm skin-like side is present as depth rather than as a subject. If the words in those reviews made you hesitate but you want the body that oud gives a composition, this is where to start. 3ml ₹389.
Middle: Ameeri. Taif rose, Indian sandalwood, Persian saffron and soft oudh. Read the word "soft" carefully, because it is the only quantity information on the listing and it is doing real work: the oudh is a floor under the rose and the sandalwood, with the saffron supplying warmth above it. More oud presence than Mastani, still not the subject of the composition. 3ml ₹385.
Deepest: Nawaab. White royal oud named first, then sandalwood, saffron, black pepper, cardamom, aged tobacco leaf, amber, leather and white musk. Nine materials, and the oud is the subject while the other eight decide what kind of oud it is. The leather and the aged tobacco leaf push in the same warm direction, so this is the one where a reviewer using either of those two words is describing the composition working as intended. 3ml ₹399.
And the fourth, for completeness. Adaa has no oud in it at all - bergamot, green cardamom, jasmine sambac and white musk - so if what you have read has put you off the material entirely, that is the one to look at. 3ml ₹379.
What a review genuinely cannot tell you. Where your own line is. People differ enormously in how they register the warm skin-like materials, and the same quantity that reads as richness to one person reads as too much to another, with no pattern anybody has managed to predict from a page. Nothing in this paragraph is a hedge: it is the single biggest reason the trio exists at 3ml. Three compositions at three depths, ₹1,055, and you find out where your own line sits in a fortnight instead of arguing with a review section. The longer version of this worry, written for somebody about to spend more goes through the same ground from the other direction.
One last thing, because it comes up. An oil that smells sharper on the first day than you expected has not gone off. Oils settle after opening and a composition read through the first ten minutes of the first wearing is being judged at its least representative moment. Give any oud three wearings before you decide, and judge it at hour two rather than at minute two. All four of ours are alcohol-free on a DPG-free jojoba carrier and run 6-8 hours on skin, longer on warm or oily skin, which means hour two is comfortably inside the part you actually wear.
What "animalic" is actually pointing at. Warm, skin-like, faintly sour-sweet, sometimes leathery - the part of a composition that smells of a living thing rather than of a plant or a laboratory. It is a recognised and deliberate character in perfumery with a very long history, and in oud it is not an accident or a flaw. It is a large part of why the material has been valued for centuries, and it is also the single commonest reason somebody meeting oud for the first time puts their wrist down. Both of those are true at once. A reviewer writing "slightly animalic" is describing the material accurately and then leaving you to decide.
And the other word. When a reviewer calls an oud antiseptic, or reaches for the word medicinal, they are not reporting a fault and they are not reporting spoilage. They are pointing at a sharp, camphorous, almost plaster-and-bandage edge that sits at the top of a lot of oud material and burns off over the first stretch of wear. It is not evidence that something has gone wrong in the bottle, and it is not a sign of adulteration. Nothing about that edge is unexpected to anybody who works with the material. It is, however, the hardest part of oud for a new wearer, and a reviewer who mentions it has told you exactly where their difficulty was.
Why those two words are worth more than praise. A five-star review saying "beautiful, very rich" is compatible with a hundred different compositions. A review saying "too animalic for me, I wear fresh citrus things" is compatible with almost none, and it locates both the fragrance and the reviewer on the same map. If you also wear fresh citrus things, you have just been given a serious warning. If you have been hunting for something with warmth and body that does not smell like everything else on a shelf, you have just been given a lead. The same sentence, two opposite conclusions, both sound. That is the whole argument for reading the bottom of a review section before the top.
Use the reviewer as a thermometer. The information is in the gap between their shelf and the bottle, not in their verdict. Somebody who wears heavy traditional oils and finds a composition animalic is telling you it is unusually warm even by that standard. Somebody who wears light florals and says the same thing is telling you they went a long way outside their own range, which may say nothing at all about how it would read to you. Without a shelf attached, the word is a temperature with no scale behind it. This is why what a reviewer already wears sits at the top of the list of details worth reading.
The three depths in our range, which are the honest illustration. We make four attars and three of them have oud in them at genuinely different depths, which makes this question answerable rather than theoretical.
Shallowest: Mastani. Night-blooming jasmine, Damask rose and oudh. The oudh is underneath two flowers and its job is to give the florals somewhere to stand, so the warm skin-like side is present as depth rather than as a subject. If the words in those reviews made you hesitate but you want the body that oud gives a composition, this is where to start. 3ml ₹389.
Middle: Ameeri. Taif rose, Indian sandalwood, Persian saffron and soft oudh. Read the word "soft" carefully, because it is the only quantity information on the listing and it is doing real work: the oudh is a floor under the rose and the sandalwood, with the saffron supplying warmth above it. More oud presence than Mastani, still not the subject of the composition. 3ml ₹385.
Deepest: Nawaab. White royal oud named first, then sandalwood, saffron, black pepper, cardamom, aged tobacco leaf, amber, leather and white musk. Nine materials, and the oud is the subject while the other eight decide what kind of oud it is. The leather and the aged tobacco leaf push in the same warm direction, so this is the one where a reviewer using either of those two words is describing the composition working as intended. 3ml ₹399.
And the fourth, for completeness. Adaa has no oud in it at all - bergamot, green cardamom, jasmine sambac and white musk - so if what you have read has put you off the material entirely, that is the one to look at. 3ml ₹379.
What a review genuinely cannot tell you. Where your own line is. People differ enormously in how they register the warm skin-like materials, and the same quantity that reads as richness to one person reads as too much to another, with no pattern anybody has managed to predict from a page. Nothing in this paragraph is a hedge: it is the single biggest reason the trio exists at 3ml. Three compositions at three depths, ₹1,055, and you find out where your own line sits in a fortnight instead of arguing with a review section. The longer version of this worry, written for somebody about to spend more goes through the same ground from the other direction.
One last thing, because it comes up. An oil that smells sharper on the first day than you expected has not gone off. Oils settle after opening and a composition read through the first ten minutes of the first wearing is being judged at its least representative moment. Give any oud three wearings before you decide, and judge it at hour two rather than at minute two. All four of ours are alcohol-free on a DPG-free jojoba carrier and run 6-8 hours on skin, longer on warm or oily skin, which means hour two is comfortably inside the part you actually wear.
Both words usually describe oud doing what oud does: a warm skin-like side and a sharp camphorous side, neither of which is a fault. Use the reviewer as a thermometer - if they also say what they normally wear, you learn the gap between their shelf and the bottle rather than anything about quality.
If you will not guess, do not guess. The trio - Ameeri, Nawaab and Mastani - is ₹1,055 at 3ml, which is three of the four compositions for ₹118 less than buying those three 3mls separately. It is the right purchase for somebody who has read the note lists and still cannot choose, and the wrong one for somebody who already knows which family they want.
The trio from ₹1,055
What the two words point at, and why they help
Three things to work out before a word in a review changes your shortlist. None of them is about whether the fragrance is any good.
1
Intention
Both characters belong to the material
The warm skin-like side and the sharp camphorous side are not defects and not signs that a bottle has turned. They are part of what oud is, they have been valued for centuries, and a composition built to show them is doing what it set out to do. What a review of that character tells you is how far the composition leans into it, which is a question about fit rather than about quality.
Tip: Ask how deep the oud sits in the composition before you ask whether it is good.
2
The reviewer's range
A word with no shelf attached has no scale
The same adjective means different things from different palates. A reviewer who names two fragrances they actually wear has given you a scale to read their adjective against; a reviewer who names none has given you a temperature with no thermometer. Hunt for the shelf first and read the verdict second, and when there is no shelf, treat the review as weak evidence however strongly it is worded.
Tip: No shelf, no scale. Downweight accordingly.
3
Depth
Oud as a floor and oud as a subject are different purchases
Underneath two flowers, oud reads as body and depth. As the first material on a list of nine, it reads as the composition itself. A reader put off by a review of the second kind may be perfectly happy with the first, and the way to find out is to start shallow rather than to abandon the material. Three depths exist in this range precisely because one answer was never going to cover it.
Tip: If a review worried you, go one rung down the ladder rather than away.
The SOSA principle
A reviewer who says "too animalic for me, I wear fresh citrus" has located both the fragrance and themselves on one map. That is more than any rating can do, and it is why the critical reviews are the valuable ones.
The information is in the gap between their shelf and the bottle.
Three oud depths, and the one with none
The range gives you a ladder rather than a single answer. Mastani keeps the oudh under night-blooming jasmine and Damask rose at 3ml ₹389. Ameeri sets soft oudh as a floor under Taif rose, Indian sandalwood and Persian saffron at 3ml ₹385. Nawaab makes white royal oud the subject and frames it with eight other materials at 3ml ₹399. Adaa has no oud at all at 3ml ₹379.
The SOSA attar range
Where each composition sits on the oud ladder
| Option | When it is the right call |
|---|---|
| Adaa, 3ml ₹379 |
No oud at all · bergamot, green cardamom, jasmine sambac, white musk If those reviews put you off oud entirely: this is the one in the range to look at, and the lightest of the four |
| Mastani, 3ml ₹389 |
Oudh underneath · night-blooming jasmine and Damask rose lead Where the warm side shows up as: depth under two flowers, which is the gentlest introduction to the material in the range |
| Ameeri, 3ml ₹385 |
Soft oudh as a floor · Taif rose, Indian sandalwood, Persian saffron Where the warm side shows up as: a warm base under a rose, with the word "soft" telling you how much to expect |
| Nawaab, 3ml ₹399 |
White royal oud as the subject · leather and aged tobacco leaf in the frame Where the warm side shows up as: the composition itself - a reviewer using either word here is describing it working as intended |
The trio is Ameeri, Nawaab and Mastani together at ₹1,055 for three 3mls, which is the three oud depths in one go and the reason it is the right purchase for this particular question. You are not choosing between three opinions about oud; you are finding out which depth your own skin and your own nose agree with. All three are alcohol-free on a jojoba carrier with a dab applicator, and all three are 6-8 hours on skin, longer on warm or oily skin.
Not sure which of the four is yours?
Tell us the three fragrances you wear most and the notes you cannot stand. If none of our four fits what you describe, we will say so rather than sell you a bottle you will not wear.
The warm skin-like side of oud is a large part of why the material has been valued for centuries and the commonest reason a first-time wearer puts their wrist down. Both are true at once.
— Sonal Sahani, SOSA
The SOSA attar range
Every SOSA attar is alcohol-free and IFRA-compliant on a jojoba carrier with no DPG, hand-blended in small batches in Pune. A portion of every order supports girl-child education through Nanhi Kali. There are four, and the honest way to read them is by depth - how much the base note is doing.
The SOSA attar range
Four attars, lightest to deepest - 3ml from ₹379
| Attar | Built on | What it is, honestly | 3ml |
|---|---|---|---|
| Adaa | Bergamot, green cardamom, jasmine sambac, white musk | The lightest of the four and the easiest first attar. Jasmine sambac is mogra, so this is also the mogra answer | ₹379 |
| Ameeri | Taif rose, Indian sandalwood, Persian saffron, soft oudh | The warm one. Rose and sandalwood doing most of the work, with the oudh kept soft | ₹385 |
| Mastani | Night-blooming jasmine, Damask rose, oudh | The most floral. A different jasmine and a different rose from Adaa and Ameeri | ₹389 |
| Nawaab | White royal oud, sandalwood, saffron, tobacco leaf, amber, leather | The deepest in the range. Not a first attar unless you already know you like oud | ₹399 |
| The trio | Ameeri, Nawaab and Mastani together | Three of the four at once. The honest answer when you cannot choose and will not guess | ₹1,055 |
Four honest notes. A note list is not a smell. Every composition above is described in the words we would use ourselves, and those words still cannot tell you how it will sit on your skin - which is the whole reason the 3ml exists. On the sizes: 3ml, 6ml and 12ml are the same liquid, and the only reason to buy the larger ones is that you already know. If you have not worn it, buy the smallest and let it earn the upgrade. On wear: all four are 6-8 hours on skin, longer on warm or oily skin, and that is the only figure we publish. We do not publish a drop count, a per-application cost, or a comparison with how long anybody else's fragrance lasts - including sprays. On what we do not make: there is no standalone musk, sandalwood, amber, tuberose, vetiver, khus, aquatic or tobacco attar in this range. Four compositions is the whole range, and where your answer is not one of them, this page will say so rather than talk you into the nearest thing.
SS
ISIPCA
Versailles
Versailles
A note from Sonal
Attars are the part of this business where the marketing is worst, and I would like ours to be the boring, accurate version. Most of the category sells a bottle on adjectives - royal, exotic, hypnotic, long-lasting - and on numbers nobody has measured. You cannot smell any of it before you pay, so the words are doing all the work, and almost nobody writes them honestly.
So here is what I will and will not tell you. I will tell you what is in each of the four, in the order you meet it, and that they wear 6-8 hours on my skin. I will not tell you that one of them smells expensive, or that it will turn heads, or that it lasts twelve hours, because I cannot know the first two about you and have not measured the third. The honest sequence is: read the notes, buy the 3ml, wear it for a week, and only then buy a size. If none of our four matches what you have described to yourself, I would rather say so than sell you the nearest one.
The other thing worth knowing is how little you need. An attar is concentrated oil, and the commonest mistake is wearing it like a spray - a long press at the neck and another at the wrists. One dab at a pulse point is the dose. Two if you want it read across a dinner table. Do not rub it in; oil opens with warmth, and rubbing crushes the top of it. That is the entire dial, and most people never need the top of it. A portion of every order supports girl-child education.
Frequently asked questions
Does an animalic oud mean the oil has gone bad?
No. That character belongs to the material and is present from the first wearing, whereas an oil that has genuinely turned smells flat or sour in a way that has nothing to do with warmth. If a composition seems sharper on the first day than you expected, give it three wearings and judge it at hour two rather than at minute two - oils settle after opening and the first ten minutes is the least representative moment there is.
Is a sharp antiseptic top note normal in oud?
It is extremely common and it is not a sign of a problem. A camphorous, almost plaster-and-bandage edge sits at the top of a great deal of oud material and eases over the early part of the wear. It is the hardest part of the material for a new wearer, which is why a reviewer who mentions it has told you something useful about where their difficulty was rather than about the bottle.
Which of your attars is the easiest introduction to oud?
Mastani, where the oudh sits underneath night-blooming jasmine and Damask rose and reads as depth rather than as the subject. Ameeri is the next step, with a soft oudh as a floor under Taif rose, Indian sandalwood and Persian saffron. Nawaab is the deepest, with white royal oud named first and eight materials around it, and it is not where I would start somebody who was hesitating.
Can you tell me whether I will like an animalic note?
No, and I would not guess. People differ widely in how they register warm skin-like materials and nobody has found a way to predict it from a product page or a review section. That is the honest reason the trio exists at the smallest size: Ameeri, Nawaab and Mastani for Rs 1,055 gives you three depths and a fortnight, which settles it in a way no amount of reading will.
Are there oud attars without that character at all?
Compositions differ in how much of it they show, and a brand that keeps the oud underneath flowers or softens it under a rose is showing you much less of it. What I would be wary of is any claim that a composition has oud in it and none of the character that comes with oud, because that is a promise about a material rather than about a blend. If you want none of it, the honest answer is a composition with no oud in it, and in this range that is Adaa.
A fragrance you chose on purpose, not by accident
SOSA — alcohol-free attars, and an honest account of what a note list cannot tell you
Three oud depths in one purchase: Ameeri, Nawaab and Mastani, ₹1,055 for three 3mls. Find your own line instead of reading about somebody else's.
The attar trio → Begin at 3ml
Continue the read
More from SOSA
- Adaa - bergamot, cardamom, jasmine sambac, white musk (3ml ₹379)
- Ameeri - Taif rose, sandalwood, saffron, soft oudh (3ml ₹385)
- Mastani - night-blooming jasmine, Damask rose, oudh (3ml ₹389)
- Nawaab - white royal oud, sandalwood, saffron, tobacco (3ml ₹399)
- The trio - three of the four together (from ₹1,055)
- Tell us what you wear now - we will say if none of the four fits
- Brand: Founder story — why SOSA exists
More from this guide
Editorial standards & sources
About this guide:
- Written by Sonal Sahani, ISIPCA Versailles-trained founder and perfumer at SOSA Home & Body. Product recommendations reflect the SOSA range; the fragrance-family guidance applies to any brand. SOSA does not sort fragrance by the gender of the wearer.
What this guide does not claim.
- An attar is a fragrance and nothing else.
- - it names what a composition is built from and the order you meet it in, which is a description of an intention rather than a measurement, and it is
- . Nothing here should be read as advice about health, allergies or anyone's wellbeing, and no fragrance on this page is claimed to affect anybody's mood, comfort, confidence or state of mind. Where a reader describes a preference none of our four compositions matches, these guides say so and sell nothing.
SOSA attars, specified:
- four compositions -
- (bergamot, green cardamom, jasmine sambac, white musk),
- (Taif rose, Indian sandalwood, Persian saffron, soft oudh),
- (night-blooming jasmine, Damask rose, oudh) and
- (white royal oud, sandalwood, saffron, black pepper, cardamom, aged tobacco leaf, amber, leather, white musk). All four are
- , supplied with a built-in dab applicator, and hand-blended in small batches in Pune. Sizes are
- : Adaa ₹379 / ₹669 / ₹1,149, Ameeri ₹385 / ₹679 / ₹1,165, Mastani ₹389 / ₹685 / ₹1,179, Nawaab ₹399 / ₹699 / ₹1,199. The three-attar trio (Ameeri, Nawaab, Mastani) is ₹1,055 / ₹1,859 / ₹3,189. The same liquid fills all three sizes.
On wear.
- SOSA publishes one figure:
- . SOSA does not publish a drop count, a cost per application, a projection rating, or any comparison with how long another format or another company's fragrance lasts. Where a customer review reports a different number, that is one person's experience of their own skin and not a measurement SOSA stands behind.
On what is in the bottle.
- The composition lists above name the materials a fragrance is built from. They are not a statement of grade, percentage or geographic origin, and this guide makes no claim about either. Where origin or grade matters to you, ask before you buy - that is a fair question and the answer belongs to the product page rather than to an article.
On other companies.
- Where another fragrance brand is named in these guides it is because a reader named it, and the page answers what they asked. Nothing here states what any other company's product contains, how long it lasts, what it costs or how it performs.
- , and no other company has reviewed or approved this content. If a product you already own suits you, keep it - several pages in this guide say exactly that.
On availability.
- SOSA is an online fragrance house and ships across India; it holds no retail counters, and no delivery window is quoted here. A portion of every order supports girl-child education through Nanhi Kali. Prices and availability change - see the live product pages.