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- 1 Nawaab is the only one of the four attars with no floral note in its pyramid. White royal oud, Mysore sandalwood, Kashmir saffron and aged tobacco leaf over amber, leather and white musk - no jasmine, no rose, no magnolia, no ylang.
- 2 Jasmine appears in two of the four. Adaa carries jasmine sambac in its heart and Mastani carries night-blooming jasmine in its own, which rules both out for a reader whose stated complaint is the flower.
- 3 Adaa and Mastani share bergamot and jasmine, and that is the honest caveat on an otherwise contrasting pair: the flower reads green in Adaa under a cardamom opening and heavy in Mastani over vanilla and tonka, but it is in both.
- 4 Ameeri is the floral-but-not-jasmine option: Taif rose and Indian sandalwood in the heart, over soft oudh, amber and white musk. If your objection is to jasmine specifically rather than to florals generally, it stays on the list.
- 5 All four wear 6-8 hours on skin, the only performance figure SOSA publishes. A jasmine applied in the morning is usually still present in the evening, which is why the second bottle goes somewhere the first has not been.
SOSA Nawaab Attar · 3ml ₹399White royal oud, Mysore sandalwood, Kashmir saffron and aged tobacco leaf on amber, leather and white musk - the only one of the four with no flower anywhere in the pyramid, and the deepest thing in the rangeView Nawaab →
SOSA Ameeri Attar · 3ml ₹385Persian saffron, pink pepper and bergamot over Taif rose and Indian sandalwood, on soft oudh, amber and white musk - floral, but a rose rather than a jasmine, and worth keeping if your objection is specificView Ameeri →
SOSA Mastani Attar · 3ml ₹389Litchi, bergamot and pink pepper over night-blooming jasmine and Damask rose, on Mysore sandalwood, oudh, Madagascar vanilla and tonka - shown here so you can rule it out, because the flower is the heart of itView Mastani →
Which SOSA attars contain jasmine? Two of the four. Adaa carries jasmine sambac in its heart, under an opening of Calabrian bergamot, green cardamom and neroli, so it reads green rather than lush. Mastani carries night-blooming jasmine beside Damask rose over Mysore sandalwood, oudh, vanilla and tonka, so it reads heavy and sweet. Same flower, two very different renderings, and both of them are jasmine.
Is Ameeri an option if I want less floral? It depends how literal your objection is. Ameeri at ₹385 has no jasmine in it, so if jasmine is the specific thing you have had enough of, it stays on the list - the heart is Taif rose and Indian sandalwood. If florals in general are what you want away from, it comes off the list, because a rose is a flower and the rose in Ameeri is not a small part of the composition.
- The straight answer, and the one-bottle fact behind it
- Where jasmine sits in this range, and in which two bottles
- What a jasmine on the shelf rules out, and what it leaves
- The pairs that matter once a jasmine is already in the house
- What 'less floral' means once you read all four pyramids
- What I would buy, and the condition that brings Adaa back
- A note from Sonal
- Frequently asked questions
Where jasmine sits in this range, and in which two bottles
Jasmine is one of the materials where the name on the label does the least work, which is why a reader who says "I own a jasmine" has told me less than the phrase suggests. Jasmine sambac and night-blooming jasmine are both jasmine to a nose grouping materials honestly, and they behave quite differently in a composition. Sambac can be handled green and sharp, almost like a crushed leaf; a night-blooming jasmine placed over a sweet base reads as something closer to a warm white flower in a dark room.
In my range the two renderings happen to sit at opposite ends. Adaa puts sambac under Calabrian bergamot, green cardamom and neroli and over white musk, vetiver and cedarwood - no sugar anywhere, so the flower stays leafy and recedes across a wearing. Mastani puts night-blooming jasmine beside a Damask rose and over Mysore sandalwood, oudh, Madagascar vanilla and tonka, so the flower is held up by sweetness and stays present.
For your question that matters in one direction. If you have had enough of jasmine as an idea, both are out and the answer is the bottle with no flower in it. If what you have had enough of is one particular jasmine - the lush, sweet, slightly indolic kind that most commercial jasmine fragrances are - then the green reading is a different experience rather than a repeat, and it belongs back on your list. I cannot tell which of those two readers you are from the word jasmine alone, which is why the free route at the bottom of this page is to send me the base line.
What a jasmine on the shelf rules out, and what it leaves
| What is already on your shelf | What not to buy next, and why | What actually adds something |
|---|---|---|
| A jasmine fragrance you already own and want away from | Not Mastani, at ₹389. Night-blooming jasmine is the heart of it, held up by Madagascar vanilla and tonka, and it is the most floral bottle in the range. For your stated complaint it is the wrong purchase outright | Nawaab, at 3ml ₹399. No jasmine, no rose, no flower of any kind - white royal oud, Mysore sandalwood, Kashmir saffron and aged tobacco leaf over amber, leather and white musk |
| A jasmine you own, if your objection is to that flower specifically | Still not Mastani, for the same reason. But the objection being specific changes what else is available to you rather than what is ruled out | Ameeri, at 3ml ₹385, becomes legitimate: Taif rose and Indian sandalwood over soft oudh, amber and white musk, with no jasmine anywhere in it. A floral, but not that floral |
| A sweet, lush jasmine you own - the commonest kind | Not Mastani, which is the sweet reading of the same flower and the nearest thing in my range to what you already have | Adaa at ₹379 returns to the list as the green reading: sambac under bergamot, green cardamom and neroli, closing dry on musk, vetiver and cedarwood. A different encounter with the flower, not a second helping |
| A jasmine you own, and a warm evening bottle already beside it | Not Ameeri and Nawaab together, ever. That pair carries saffron, sandalwood, oudh, amber and white musk in common and is the heaviest overlap in the range | Whichever of the two warm bottles you do not already own the shape of - and if you own both shapes, the honest answer is nothing, and a dose habit instead |
The pairs that matter once a jasmine is already in the house
| The pair | Overlap | Verdict | Shared published materials | What that means for you |
|---|---|---|---|---|
| Mastani + Nawaab | 0.14 | Genuine contrast | oudh and sandalwood | Your purchase, in the range's own terms: the most floral bottle against the one with no flower in it. Genuine contrast in direction - sweet and floral against dry, leathery and tobacco-led - with oudh and sandalwood in common. |
| Adaa + Mastani | 0.12 | Genuine contrast | bergamot and jasmine | The caveat pair, and the reason this page names the flower twice. Both carry jasmine, green sambac in the first and night-blooming in the second, and that is the honest footnote on an otherwise contrasting count. |
| Ameeri + Nawaab | 0.50 | Heavy overlap | saffron, sandalwood, oudh, amber and white musk | The pair to avoid outright if you end up with Ameeri. Both warm, both saffron-opening, and the heaviest overlap in the range. |
The second row is worth a sentence of its own, because it is the only place in my range where the arithmetic and the experience pull in opposite directions. On the count, Adaa and Mastani are a contrasting pair and they genuinely are: bergamot and jasmine between them and nothing else. On a wrist, a reader who is specifically tired of jasmine will hear the flower in both halves of that pairing, and no figure captures that. The number is a floor, not a verdict, and this is the pair where I would most want you to know the one material behind it.
What 'less floral' means once you read all four pyramids
There is a version of your question that assumes "less floral" is a spectrum: some bottles with a lot of flower, some with a little, and a choice somewhere along it. In a four-bottle range it is not a spectrum. Three of the bottles have a named flower in the heart and one has none at all, so the honest translation of your request is not "the least floral of the four" but "the one that is not floral", and that is a bigger step than you may have had in mind.
I think that is usually good news. A reader asking for something less floral for the evening generally wants the second bottle to be clearly a different thing, and a half-step would not satisfy them. Going from a jasmine to oud, aged tobacco leaf, amber and leather is a long way in one move, and it is a move you can make for ₹399 at the 3ml - which is the right size for a composition this decisive, because it is enough to wear on four or five evenings and form a real view.
If the step is too long - and for some readers it is - the middle of the range is Ameeri at ₹385, which keeps a flower but changes the flower and the weight. What I would avoid is choosing it as a compromise between your jasmine and the oud, because a composition chosen as a midpoint between two things usually ends up resembling the one you already own. Choose Ameeri because you want a rose over sandalwood, or choose Nawaab because you want no flower. Both are real reasons. "Somewhere in between" is not one.
What I would buy, and the condition that brings Adaa back
| What to buy | The Nawaab 3ml at ₹399 - white royal oud, Mysore sandalwood, Kashmir saffron and aged tobacco leaf over amber, leather and white musk |
| Why that one | No jasmine, no rose, no magnolia, no ylang. It is the only non-floral composition in the range and also the deepest, which suits an evening |
| What to rule out | Mastani at ₹389, whose heart is night-blooming jasmine, and Adaa at ₹379, whose heart is jasmine sambac |
| The floral-but-not-jasmine option | The Ameeri at ₹385, if your objection is to that flower specifically rather than to flowers |
| What I would refuse | Ameeri and Nawaab as a pair. Five published materials in common, and the heaviest overlap here |
| When Adaa comes back | If the jasmine you own is a sweet lush one, the green sambac reading is a different flower in practice - and then Adaa is a daytime purchase rather than an evening one |
Versailles
Jasmine is the material I am asked about most and the one I am most careful with, because the word covers two things that have almost nothing in common on skin. A sambac handled green, under cardamom and over a dry musk, is a leaf. A night-blooming jasmine over vanilla and sandalwood is a warm room. I have built both, deliberately, at opposite ends of my own range, and I would never describe either of them to a reader as simply jasmine.
Which is why a page like this has to name the flower twice rather than once. If I only told you that Adaa and Mastani both carry jasmine, you would rule out a bottle that might be exactly the contrast you wanted. If I only told you that they read differently, you would buy one and find the flower you were trying to escape. The truthful answer needs both halves, and it needs a reader willing to tell me which jasmine is already in the house.
Nawaab is on this page because it is the only composition I make with no flower in it, and that was not a reaction to a question like yours. It was a decision about what an oud attar should be: resin, wood, saffron and tobacco, with nothing soft in the middle of it. It is the most divisive thing I sell and I have stopped apologising for that. Three millilitres is the honest way to find out where you stand.
Frequently asked questions
- Two attars for office wear and evening dinners: the family's core answer
- Keeping a day bottle and an evening bottle off the same woody base
- You wear a fresh vetiver through the workday - what is the evening bottle?
- Floral musk or woody amber for the evening, against a sandalwood day
- Two attars for a corporate week and dressed-up weekends
- Two bottles, two halves of a day: the family hub
- The overlap table: all six pairs, counted
- A rose-based collection, and the floral this page declines to add
SOSA Nawaab Attar (₹399)- Ask us: Ask Sonal to match a quiet fragrance
- Brand: Founder story — why SOSA exists
On the overlap figures in this guide. Where this guide says two SOSA attars overlap, the figure is derived from their own published note pyramids by counting shared materials against total materials, grouping them the way a nose groups them: Taif rose and Damask rose are both rose, Persian and Kashmir saffron are both saffron, jasmine sambac and night-blooming jasmine are both jasmine though they read differently. It is a measure of shared ingredients, not a measure of how similar two finished compositions smell to you - two scents can share five materials and still be told apart on a wrist. The figures are here because they are checkable against the product pages, and because the alternative is a seller's opinion about its own range. Across the four attars: Ameeri and Nawaab share the most (saffron, sandalwood, oudh, amber, white musk); Ameeri and Mastani are close behind (bergamot, pink pepper, rose, sandalwood, oudh); Adaa and Nawaab share the least, white musk alone.
On the Attar Trio. SOSA's three-attar pack is Ameeri, Nawaab and Mastani, and SOSA's own product page describes it as the evening attar trio - the trio for the evenings that matter. This guide recommends it on that basis and no other. It is not described here as a balanced wardrobe, because it is drawn from the two most overlapping pairs in the range and it does not include Adaa, which is the attar that contrasts most with the others.
What this guide does and does not claim. SOSA publishes one performance figure for its attars: they wear 6-8 hours on skin, longer on warm or oily skin, always as a skin scent rather than a room scent. SOSA publishes no projection, sillage or scent-radius data, and none appears here. Nothing about layering is published by SOSA and no combination has been formally evaluated, so anything this guide says about wearing two scents together is Sonal's own craft assessment, marked as such wherever it appears, and never a promise about what a combination will smell like on you. SOSA makes no claim about compliments, attraction, confidence, mood, sleep, stress or wellbeing, no claim about what another person will notice or think, and no medical, dermatological or allergy claim; anyone with sensitive skin or a fragrance allergy should patch-test and use their own judgement or consult a doctor.
Facts verified 19 October 2026 against the live SOSA product pages: every SOSA attar is an alcohol-free, DPG-free oil perfume carried on sandalwood and jojoba oil with a built-in dab applicator, hand-blended in Pune, sold in 3ml, 6ml and 12ml. SOSA Adaa (3ml ₹379 · 6ml ₹669 · 12ml ₹1,149): Calabrian bergamot, green cardamom and neroli over jasmine sambac, magnolia and ylang ylang, on white musk, vetiver and cedarwood - the only one of the four with no oudh. SOSA Ameeri (₹385 · ₹679 · ₹1,165): Persian saffron, pink pepper and bergamot over Taif rose and Indian sandalwood, on soft oudh, amber and white musk. SOSA Mastani (₹389 · ₹685 · ₹1,179): litchi, bergamot and pink pepper over night-blooming jasmine and Damask rose, on Mysore sandalwood, oudh, Madagascar vanilla and tonka. SOSA Nawaab (₹399 · ₹699 · ₹1,199): white royal oud, Mysore sandalwood, Kashmir saffron and aged tobacco leaf on amber, leather and white musk - oud-led, and the deepest in the range. The three evening attars come together as the SOSA Attar Trio (₹1,055 · ₹1,859 · ₹3,189). Separately, SOSA makes six perfume oils in 10ml, 50ml and 100ml - Zaffran, Tabac Noir and Samundar at ₹599, ₹1,799 and ₹3,499, and Khayaal, Chashni and Bahaar at ₹599, ₹1,899 and ₹3,599 - each an independent SOSA composition inspired by a widely known fragrance and not affiliated with, or endorsed by, the house named. SOSA does not run a sampler or tester programme; the 3ml attar is the trial size. A portion of every SOSA order supports girl-child education through Nanhi Kali. Prices and availability are subject to change - see the live product pages.