★ Quiet luxury · what "niche" is actually describing
"Niche" is not a price band. It is a set of decisions about what you refuse to remove.
Niche is a compositional posture, not a cost. It describes a fragrance built around one idea instead of around the widest possible agreement.
A posture, not a price
The commonest single marker: no sweet landing. Mass-market woods almost always come to rest on vanilla, tonka or a sugared amber. Niche woods often refuse to.
Nowhere soft to land
Second marker: an edge left in. A slightly bitter, dusty, mineral or animalic facet that a broad-appeal brief would have sanded off.
The unsanded edge
Third marker: narrowness. One legible statement instead of a blend engineered to please a room of forty people.
One idea, stated
Fourth marker: an opening that does not try to sell itself in ninety seconds — which is why niche often smells odd on a paper strip and right on skin at hour three.
A slow first minute
SOSA sits between the two postures, honestly: Nawaab is narrow and dense, Adaa is deliberately wearable. Neither is pretending to be the other.
Between the two
Niche is a compositional posture, not a cost. It describes a fragrance built around one idea instead of around the widest possible agreement.
A posture, not a price
The commonest single marker: no sweet landing. Mass-market woods almost always come to rest on vanilla, tonka or a sugared amber. Niche woods often refuse to.
Nowhere soft to land
Second marker: an edge left in. A slightly bitter, dusty, mineral or animalic facet that a broad-appeal brief would have sanded off.
The unsanded edge
Third marker: narrowness. One legible statement instead of a blend engineered to please a room of forty people.
One idea, stated
Fourth marker: an opening that does not try to sell itself in ninety seconds — which is why niche often smells odd on a paper strip and right on skin at hour three.
A slow first minute
SOSA sits between the two postures, honestly: Nawaab is narrow and dense, Adaa is deliberately wearable. Neither is pretending to be the other.
Between the two
✓ Four woods, not one — cedar, sandalwood, oud and vetiver behave differently ✓ Alcohol-free, DPG-free, dab applicator · 3ml from ₹379 · 6–8 hours on skin ✓ We will tell you when SOSA does not make the wood you are asking for
Founder Diaries · Woody fragrance
Marker two: an edge left in — dusty, bitter, mineral or faintly animalic — that a broad brief would have removed.
Marker three: narrowness. One statement rather than a blend engineered for the widest agreement.
Marker four: an opening that does not try to sell itself in ninety seconds, which is why it can smell odd on paper and right at hour three.
Four attarsFrom ₹379A narrow fragrance buys its character by giving up agreement. Some people find that exhilarating and some find it exhausting, and neither reaction is more sophisticated than the other. Be honest about which you are. If you wear fragrance to work five days a week, in shared rooms, with clients, the broad and well-mannered option is not a compromise — it is the correct tool. Buying something uncompromising and then wearing it twice a year is the commonest expensive mistake in this category.
Adaa · daytimeFrom ₹379Shop → Nawaab · eveningFrom ₹399Shop → Pack of 3 · try the rangeFrom ₹1,055Shop →
SOSA products & prices (verified September 2026): Attars (concentrated perfume oil, alcohol-free, DPG-free, IFRA-compliant, dab applicator): Adaa 3ml ₹379 · 6ml ₹669 · 12ml ₹1,149; Ameeri 3ml ₹385 · 6ml ₹679 · 12ml ₹1,165; Mastani 3ml ₹389 · 6ml ₹685 · 12ml ₹1,179; Nawaab 3ml ₹399 · 6ml ₹699 · 12ml ₹1,199; Pack of 3 (Ameeri, Nawaab, Mastani) 3ml ₹1,055 · 6ml ₹1,859 · 12ml ₹3,189. Solid body perfumes (15g balm): Sway ₹459 · Sterling ₹469 · Velour ₹479 · Lust ₹479 · Desire ₹489 · Siren ₹489 · titan ₹500 · Fire ₹509 · Storm ₹529. Carried on sandalwood oil and jojoba, hand-blended in Pune by an ISIPCA Versailles-trained perfumer; 6–8 hours on skin, longer on warm or oily skin. Fragrance sensitivity is individual — patch-test if your skin reacts to new products. Prices and availability subject to change — see the live product pages.
The word has been ruined by pricing, so let us take it back. "Niche" does not mean expensive, and it does not mean obscure — it describes a set of decisions a perfumer made about what to leave in. A broad-appeal woody fragrance is built to be liked by the largest possible number of people, which means every awkward facet gets sanded down and the whole thing is landed softly on something sweet. A niche woody is built around one idea and accepts that a proportion of people will dislike it. You can hear the difference within about forty seconds, and once you know what you are listening for you will hear it everywhere — including on things that cost very little.
Quick answers — read this first
Marker one: no sweet landing. Mass woods come to rest on vanilla, tonka or sugared amber. Niche woods often stay dry all the way down.Marker two: an edge left in — dusty, bitter, mineral or faintly animalic — that a broad brief would have removed.
Marker three: narrowness. One statement rather than a blend engineered for the widest agreement.
Marker four: an opening that does not try to sell itself in ninety seconds, which is why it can smell odd on paper and right at hour three.
The short answer
Short answer: Four things, none of which is price. No sweet landing, an edge deliberately left in, a narrow single idea rather than a broad blend, and an opening that is not engineered to win a ninety-second test at a counter. A woody fragrance with those four properties will read as niche whatever it costs; one without them will read as mainstream however much it costs.
Why it often reads as "strange" at first: Because your nose classifies by reference. A mass-market woody lands inside a category you already have a slot for, so recognition is instant and comfortable. A narrow composition may not match any slot you own, and unclassified is frequently experienced as unpleasant for the first few wears before it resolves into a preference.
Where SOSA sits: Honestly, on both sides. Nawaab (3ml ₹399) is the narrow one — white royal oud, Mysore sandalwood and Kashmir saffron, dense and unapologetic. Adaa (3ml ₹379) is deliberately wearable — cedarwood and white musk under bergamot, green cardamom and neroli, built to be worn five days a week in an office. Neither is pretending to be the other, and choosing between them is a question about your appetite, not your budget.
In this guide
Straight answer
What actually makes a woody perfume smell niche rather than mainstream?
1. It refuses the sweet landing. Follow almost any broad-appeal woody fragrance down to hour three and you will find it resting on the same soft floor: vanilla, tonka, a sugared amber, a creamy musk. That floor exists because it is universally liked and because it guarantees longevity cheaply. The single most reliable marker of a niche woody is that it stays dry all the way to the bottom — the dry-down is still wood, or resin, or smoke, with nothing sugary underneath it to catch you. It is a harder thing to build, because a dry base has to be constructed rather than bought, and it is the property that people are usually responding to when they say something smells "serious".
2. It leaves an edge in. Every natural material has facets that a broad-appeal brief would remove: a dusty quality, a bitter green top, a mineral coldness, a faintly animalic depth. Those facets are what make a material interesting and they are also what make focus groups uncomfortable. A mass composition sands them off and is smoother for it in the wrong way — smooth in the sense of featureless. A niche composition keeps at least one facet that will annoy somebody. This is the difference between smoothness of material grade, which is always good, and smoothness of character, which is often a loss.
3. It is narrow on purpose. A fragrance engineered for the widest possible agreement has to contain a little of everything and cannot commit to anything. A narrow one says one thing: this is a dry smoky wood, or this is rose on sandalwood, or this is oud with saffron light on it. You can usually describe a niche fragrance in a single clause and a mainstream one only as a list. Legibility is the thing people are actually paying for, and it comes from subtraction rather than addition — which is also why narrow compositions demand better raw materials, since there is nothing else in the bottle to cover them.
4. It does not try to win in the first ninety seconds. Mass fragrance is built to be sold at a counter, where the buyer has one strip, ninety seconds and a saturated nose. That forces a loud, bright, immediately appealing opening. A composition built for wearing rather than for buying does not need that, and often has an opening that is quiet, odd or even slightly unattractive — which then resolves into something much better by hour two. The practical consequence is that niche fragrance tests badly on paper and well on skin, and that anyone shopping the way they were trained to shop will keep rejecting exactly the things they would have loved.
5. And what is not on the list: price, rarity and obscurity. None of the four markers requires an expensive material. A dry base, a kept edge, a narrow idea and a slow opening can all be achieved cheaply, and frequently are. Conversely, a fragrance can be built entirely from costly naturals and still be mainstream in posture — broad, sweet-landed, sanded smooth and engineered for the counter. Expensive and niche are two different claims and a great many things on sale are only the first.
2. It leaves an edge in. Every natural material has facets that a broad-appeal brief would remove: a dusty quality, a bitter green top, a mineral coldness, a faintly animalic depth. Those facets are what make a material interesting and they are also what make focus groups uncomfortable. A mass composition sands them off and is smoother for it in the wrong way — smooth in the sense of featureless. A niche composition keeps at least one facet that will annoy somebody. This is the difference between smoothness of material grade, which is always good, and smoothness of character, which is often a loss.
3. It is narrow on purpose. A fragrance engineered for the widest possible agreement has to contain a little of everything and cannot commit to anything. A narrow one says one thing: this is a dry smoky wood, or this is rose on sandalwood, or this is oud with saffron light on it. You can usually describe a niche fragrance in a single clause and a mainstream one only as a list. Legibility is the thing people are actually paying for, and it comes from subtraction rather than addition — which is also why narrow compositions demand better raw materials, since there is nothing else in the bottle to cover them.
4. It does not try to win in the first ninety seconds. Mass fragrance is built to be sold at a counter, where the buyer has one strip, ninety seconds and a saturated nose. That forces a loud, bright, immediately appealing opening. A composition built for wearing rather than for buying does not need that, and often has an opening that is quiet, odd or even slightly unattractive — which then resolves into something much better by hour two. The practical consequence is that niche fragrance tests badly on paper and well on skin, and that anyone shopping the way they were trained to shop will keep rejecting exactly the things they would have loved.
5. And what is not on the list: price, rarity and obscurity. None of the four markers requires an expensive material. A dry base, a kept edge, a narrow idea and a slow opening can all be achieved cheaply, and frequently are. Conversely, a fragrance can be built entirely from costly naturals and still be mainstream in posture — broad, sweet-landed, sanded smooth and engineered for the counter. Expensive and niche are two different claims and a great many things on sale are only the first.
TL;DR: niche describes four compositional decisions, not a price: no sweet landing at the bottom, an edge deliberately left in, a narrow single idea instead of a broad blend, and an opening not engineered to win a ninety-second counter test. In the SOSA range Nawaab (from ₹399) is the narrow one and Adaa (from ₹379) is the deliberately wearable one — and calling either of them by the other name would be a lie.
The narrow one in the range
SOSA Nawaab From ₹399
Nawaab is the SOSA attar that behaves the way the word niche is supposed to describe. White royal oud leads it, Mysore sandalwood carries it and Kashmir saffron lights it — and there is no sugared floor waiting at the bottom to make it easy. It is dense, it is legible in one clause, and a proportion of people will find it too much. That is the posture working as intended. 3ml ₹399 · 6ml ₹699 · 12ml ₹1,199, alcohol-free, DPG-free, 6–8 hours on skin.
Why "niche" stopped describing a smell and started describing a shelf
The word originally described distribution: fragrances made in small volumes for people who sought them out, rather than for a mass counter. Because small volumes cost more per unit, and because those houses used the freedom to make narrower things, price and posture drifted together until they became the same word. They have now decoupled again, and the language has not caught up. A great deal of expensive fragrance today is broad, sweet-landed and sanded smooth — it is priced as niche and composed as mainstream — while a fair amount of narrow, dry, uncompromising work is available at ordinary prices. If you buy by the shelf label you will get this wrong regularly.
The second complication is regional. "Niche" as a category is usually described using a European frame of reference, in which oud, saffron and heavy resinous woods are themselves the unusual thing. Read from India, that is inverted: those materials are neither obscure nor exotic here, and a dense oud composition is closer to a familiar tradition than to an avant-garde gesture. A fragrance is only "niche" relative to the categories the listener already owns, which means the same bottle can be a strange object in one city and an ordinary one in another. It is worth knowing that when someone tells you a fragrance smells niche — you are learning about their reference set as much as about the bottle.
The three decisions if you want something with that posture
1
DECISION ONE · APPETITE, NOT BUDGET
Decide how much disagreement you actually want
Four attarsFrom ₹379A narrow fragrance buys its character by giving up agreement. Some people find that exhilarating and some find it exhausting, and neither reaction is more sophisticated than the other. Be honest about which you are. If you wear fragrance to work five days a week, in shared rooms, with clients, the broad and well-mannered option is not a compromise — it is the correct tool. Buying something uncompromising and then wearing it twice a year is the commonest expensive mistake in this category.
Quick test: would you be comfortable if a colleague said your fragrance was "a lot"? If not, buy the wearable one.
2
DECISION TWO · WHICH EDGE
Narrow fragrances are narrow in a specific direction
"Niche" is not one smell, and the edge that a given composition refuses to sand off matters enormously. Dry and dusty is one direction — cedar, dry resin, paper. Dense and resinous is another — oud, which is what Nawaab does. Smoky and burnt is a third, and in the SOSA range that is not an attar at all but the titan solid perfume, with burnt wood, black pepper and cedar smoke. Work out which edge you are actually attracted to before you buy, because they are barely related to each other beyond a shared refusal to be sweet.
What we do not have: the dry, dusty, cedar-led version. No SOSA attar leads with cedar.
3
DECISION THREE · GIVE IT THREE WEARS
Unfamiliar is not the same as unpleasant
The first encounter with a narrow composition is frequently a small rejection, and it is worth knowing why. Your nose classifies by matching against references it already holds; a fragrance that matches nothing produces a mild alarm response that is easy to mistake for dislike. By the third wearing the reference exists and the same smell is being processed completely differently. This is not a mystical claim about taste refinement — it is just how categorisation works. Buy 3ml rather than 12ml, wear it three times before deciding, and if you still dislike it at the end of that, you genuinely dislike it and can stop.
The four woods, and which of them carry that posture naturally
Some woods have to be pushed to read narrow; others arrive that way. Read across, and read the third column, where we say what the SOSA range does not contain.
The woody family
Which woods read narrow on their own
| The wood | What it actually smells like | Where it is in the SOSA range |
|---|---|---|
| Oud / agarwood (dark wood) ★ | dense, resinous, animalic at the edges, medicinal in some distillations — the heaviest wood in common use and the one most people either love immediately or find suffocating | white royal oud leads Nawaab; a soft oudh sits deep in Ameeri |
| Vetiver (rooty, earthy) | a grass root rather than a wood at all — earthy, smoky-green, slightly bitter, cooling on skin; grouped with woods because it behaves like one in a composition | nothing wearable. SOSA makes a vetiver car perfume and nothing else with vetiver in it. There is no vetiver attar and no vetiver solid |
| Cedar (dry wood) | dry, pencil-shaving, slightly pencil-box and slightly resinous — the driest of the common woods, with no creaminess and no sweetness of its own | a base note in Adaa, sitting under bergamot, cardamom and white musk; and as cedar smoke in the titan and Siren solid perfumes |
| Sandalwood (creamy wood) | creamy, milky, soft-edged, faintly lactonic — the opposite of dry; it rounds everything it is put beside and is the reason a woody fragrance can feel comforting rather than austere | Indian sandalwood in Ameeri, beside Taif rose; and Mysore sandalwood in Nawaab, beside white royal oud and Kashmir saffron. It is also the carrier oil under every SOSA attar |
| Woody musk | not a wood and not quite a smell — a soft, warm, skin-like diffusion that makes everything above it read cleaner and last longer; "woody musk" means a musk with a dry woody facet rather than a powdery or soapy one | white musk with cedarwood in the Adaa base — the closest thing in the range to a clean woody-musk skin scent |
| Read the third column before the second. Four of the five entries above are notes SOSA uses, and one is a note SOSA does not make in any wearable form. We would rather lose the sale than sell you a rose-sandalwood attar because you searched for vetiver. Oud and vetiver read narrow without any help; sandalwood and musk need work to avoid reading broad. Only one of those first two exists in the SOSA range as something you can wear. | ||
Shop this guide
If narrow is genuinely what you want
Adaa · daytimeFrom ₹379Shop → Nawaab · eveningFrom ₹399Shop → Pack of 3 · try the rangeFrom ₹1,055Shop →
The SOSA principle
Smoothness of material is always worth paying for. Smoothness of character is usually something that was removed.
The two get described with the same word, which is how a featureless fragrance and a refined one end up sharing a compliment. One had its impurities taken out; the other had its opinions taken out.
How to wear a narrow fragrance without imposing it
One dab, and dose down rather than up. A narrow composition is more noticeable per unit than a broad one, because it is legible — people can name what it is, which means they register it. That is a reason to be more conservative rather than less. On Nawaab in particular, one dab at the base of the throat does more work than two on the wrists, and the difference between elegant and overwhelming is roughly one application.
Match it to the room, not to your mood. This is the practical discipline that makes narrow fragrance wearable in daily life. A dense oud composition in a small air-conditioned meeting room with four other people is an imposition even at one dab; the same fragrance at a dinner or an evening event is exactly right. Keep something well-mannered for the first category — in the SOSA range that is Adaa — and save the narrow one for when the room can take it.
Do not judge it in the first twenty minutes, and do not judge it on paper at all. Almost every marker of this posture lives in the middle and base of a composition, and in an attar there is no alcohol flash to rush you through the opening. Give it three hours before forming a view. If your standard test is a spray on a card in a shop, you are testing precisely the part of the fragrance that this kind of composition does not optimise for.
A broad fragrance has had its awkwardness removed. A narrow one has had it kept — and that is the entire difference you are paying for.
— Sonal Sahani, SOSA
What to buy
The ladder for somebody deciding how much disagreement they want in a bottle. The last row is the honest one for a specific version of this question.
The posture edit
Narrow or wearable — buy the one you will actually use
| Buy | What it is | Wears | Price |
|---|---|---|---|
| Adaa | Cedarwood and white musk under a fresh top — the wearable posture, and unashamed of it — built to be worn five days a week without asking anything of the room | 6–8 hours per dab | 3ml ₹379 |
| Nawaab ★ | White royal oud, Mysore sandalwood, Kashmir saffron — the narrow one — oud, Mysore sandalwood and saffron, with no sugared floor waiting at the bottom | 6–8 hours per dab | 3ml ₹399 |
| Ameeri | Taif rose over Indian sandalwood — warm and generous rather than narrow — Taif rose over Indian sandalwood, a celebration rather than a statement | 6–8 hours per dab | 3ml ₹385 |
| titan (solid) | Burnt wood, black pepper, cedar smoke — the smoky edge rather than the resinous one — burnt wood, black pepper and cedar smoke, in a solid balm | 6–8 hours | ₹500 |
| Buy nothing here | If the edge you want is dry, dusty and cedar-led, buy it from a house that makes one. No SOSA attar leads with cedar, and calling Adaa a dry-cedar fragrance would be marketing rather than description | Not our sale to make | ₹0 |
Honest notes before you buy: three things before you spend anything. First, “woody” is four different smells wearing one word. Dry woods (cedar) are pale and unsweet; creamy woods (sandalwood) are soft and milky; dark woods (oud) are dense and resinous; and vetiver is not a wood at all but a root that behaves like one. People who say they love woody perfume and then dislike everything we suggest have almost always fallen into the gap between two of those four. Work out which one you mean before you buy, and the purchase gets easy. Second, an attar persists rather than projects. There is no alcohol to launch it, so a SOSA attar sits close to the skin for six to eight hours instead of filling a room — if you want a woody scent noticed from across an office, an eau de parfum does that job better and we will say so. Third, we do not make every wood. There is no vetiver in any SOSA wearable and no cedar-led attar; cedar is a base note in Adaa and cedar smoke in the titan solid. Where the honest answer is that we have nothing for you, that is what the page will say. All SOSA attars are alcohol-free, DPG-free and IFRA-compliant, carried on sandalwood oil and jojoba, hand-blended in Pune, applied with a dab applicator rather than sprayed. Fragrance sensitivity is individual; patch-test if your skin reacts to new products. A portion of every order supports girl-child education through Nanhi Kali.
The dry, cool end of the range
SOSA Adaa From ₹379
Adaa is the SOSA attar people mean when they say they want woody but light. Bergamot, green cardamom and neroli on top; jasmine sambac and magnolia through the middle; white musk and cedarwood underneath, which is where the woodiness actually lives. It reads as composed rather than sweet, wears equally on any skin, and is the lightest thing in the range. 3ml ₹379 · 6ml ₹669 · 12ml ₹1,149, alcohol-free and DPG-free, 6–8 hours on skin.
SS
ISIPCA
Versailles
Versailles
A note from Sonal
I find the word slightly embarrassing, because it is used as a compliment for things that have not earned it. When somebody tells me a fragrance smells niche they usually mean it smells unfamiliar to them, and unfamiliarity is easy to manufacture — you can make something odd in an afternoon. What is hard is making something narrow that is also good enough to wear for eight hours, which requires the materials to be clean, because narrow compositions have nowhere to hide.
Nawaab is the one in my range that behaves the way the word is supposed to. It is dense, it says one thing, and it does not land on anything sugary at the end. Some people find it too much and that is the posture working correctly. Adaa is the opposite decision, made on purpose: it is built to be worn in an air-conditioned office five days a week and to be pleasant to the person sitting next to you. I would not call it niche and I would not want to.
The advice I actually give is to stop shopping by category and start shopping by what you will wear on a Tuesday. Three millilitres is ₹379, which is a cheap way to discover whether you like disagreement in a bottle or only like the idea of it. Both answers are respectable. A portion of every order funds a girl's classroom through Nanhi Kali.
Frequently asked questions
What makes a perfume smell niche?
Four compositional decisions: no sweet landing at the bottom, an edge deliberately left in rather than sanded off, a narrow single idea instead of a blend built for the widest agreement, and an opening that is not engineered to win a ninety-second test at a counter. None of those requires an expensive material, which is why price is a poor guide to the posture.
Is niche the same as expensive?
No. The word originally described small-batch distribution, and price drifted along with it until the two became synonymous. They have since separated. A great deal of costly fragrance today is broad, sweet-landed and sanded smooth, while narrow and uncompromising work exists at ordinary prices. Buying by the shelf label gets this wrong regularly.
Why do niche fragrances smell strange at first?
Because the nose classifies by matching against references you already hold. A composition that does not match any category you own produces a mild alarm response that is easy to mistake for dislike. By the third wearing the reference exists and the same smell is processed differently. Buy a small size and wear it three times before deciding.
Which SOSA attar is the narrowest?
Does SOSA make a dry, dusty cedar fragrance in that style?
Not as an attar. Cedarwood is a base note in Adaa under bergamot, green cardamom and white musk, and cedar smoke appears in the titan solid perfume (₹500) alongside burnt wood and black pepper. There is no cedar-led SOSA attar. If a dry dusty cedar is the specific thing you want in front, buy it from a house that makes one.
Posture, not price
Niche is what a perfumer refused to remove — not what the bottle cost
SOSA attars hand-blended in Pune by an ISIPCA Versailles-trained perfumer: Nawaab from ₹399 on white royal oud, Mysore sandalwood and Kashmir saffron, Adaa from ₹379 with cedarwood and white musk in the base, Ameeri from ₹385 on Taif rose and Indian sandalwood. The titan solid perfume at ₹500 for burnt wood and cedar smoke. Alcohol-free, DPG-free, IFRA-compliant, dab applicator, 6–8 hours on skin.
Shop SOSA attars → Pack of 3 from ₹1,055
Continue the read
More on the quiet end of the woody family
- What niche woody perfumes cost to make — a material breakdown.
- Why quiet fragrances need better materials — the economics of restraint.
- What makes a fragrance read as expensive — texture over volume.
- Modern vs traditional woody attars — where the line actually falls.
- Brand: the SOSA founder story.
Editorial standards & sources
About this guide: Written by Sonal Sahani, ISIPCA Versailles-trained founder and perfumer at SOSA Home & Body, on the woody fragrance family and what the SOSA range does and does not contain within it. Note descriptions and wear-time are SOSA’s own for the stated products; how any fragrance performs varies with skin chemistry, temperature and humidity. Fragrance sensitivity is individual and this is general guidance, not medical advice.SOSA products & prices (verified September 2026): Attars (concentrated perfume oil, alcohol-free, DPG-free, IFRA-compliant, dab applicator): Adaa 3ml ₹379 · 6ml ₹669 · 12ml ₹1,149; Ameeri 3ml ₹385 · 6ml ₹679 · 12ml ₹1,165; Mastani 3ml ₹389 · 6ml ₹685 · 12ml ₹1,179; Nawaab 3ml ₹399 · 6ml ₹699 · 12ml ₹1,199; Pack of 3 (Ameeri, Nawaab, Mastani) 3ml ₹1,055 · 6ml ₹1,859 · 12ml ₹3,189. Solid body perfumes (15g balm): Sway ₹459 · Sterling ₹469 · Velour ₹479 · Lust ₹479 · Desire ₹489 · Siren ₹489 · titan ₹500 · Fire ₹509 · Storm ₹529. Carried on sandalwood oil and jojoba, hand-blended in Pune by an ISIPCA Versailles-trained perfumer; 6–8 hours on skin, longer on warm or oily skin. Fragrance sensitivity is individual — patch-test if your skin reacts to new products. Prices and availability subject to change — see the live product pages.